Tennis is a young man's game. Until you're 25, you can play singles. From 25 to 35, you should play doubles. I won't tell you exactly how old I am, but when I played, there were 28 men on the court - just on my side of the net.
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I've never had big problems about being long on the court. During the U.S. Open I played three events (singles, doubles, mixed doubles) and some people asked me if I want to stay overnight on the court.
If I would get an album out every eight months and if I would write songs that were more up-tempo and try to focus more on making singles, then I could probably get more attention. But I don't think the albums would be very fun to listen to, and it would be a drag for me.
I don't want to put 12 singles on an album. I want to make a story, a little movie.
Obviously, the hit singles get the biggest reaction - that's when you can see people really getting excited.
Of all my achievements in tennis, I'm probably as proud of my record on clay courts as any of my Wimbledon, U.S. Open or French singles titles.
The Chicago Cubs are like Rush Street-a lot of singles, but no action.
Pairs skating and singles are two different things. Although some skaters have achieved this successfully, it is a very difficult transition. You’re looking at double work.
I bought singles until I started working properly and then I started buying albums, so this brings back a lot of teenage memories from being in London before I got work
I'm a bit of a nerd, I wouldn't mind working in a shop selling records, or having a radio show where I could play obscure singles.
I heard on public radio recently, there's a thing called Weed Dating. Singles get together in a garden and weed and then they take turns, they keep matching up with other people. Two people will weed down one row and switch over with two other people. It's in Vermont. I don't think I'd be very good at Weed Dating.
You had to go to a different part of town from where I was to get Muddy Waters singles. I had him on singles.
After 'Sports' came out in the fall of 1983, everything changed for me. Four of the album's singles became top-10 hits, and by the end of June in 1984, the album was No. 1 on the Billboard chart. It was quite a ride, and for the first time I had enough money to live the way I wanted.
I think it's a lot harder for the pros to have a long career in ice dance and in pairs. It seems the singles have a little bit of a longer career.
With The Guess Who, it took us fifty-something singles before we had hits.
Maybe 'Can't Stop Feeling' and 'Turn It On' we'll just release as singles. It's a thing The Beatles used to do which I really loved, the idea of releasing something as a single completely on its own.
Twelve years ago me and Allanah became really sick of writing pop songs, ... Eventually we dug a grave for the Thompson Twins, pushed them in there, and then moved to New Zealand. Before that I'd lived for a long time in south London where reggae was the music of the streets around me. You'd hear it booming out of people's windows and shops, and you could buy great old reggae singles for 50p (NZ1.30) in second hand shops. I'd always loved that sound, so soon after we got here I started making electronic dub records with my mate Rakai Karaitiana as International Observer.
Juliet singles out Romeo. Desdemona claims Othello. They have no doubts, the young, no fear, no pride.
My audience is the baby-boomers, the bulk of the population. This is also a group that is being ignored by most record companies because they're not the Top 40 hit singles market. They forget these people still listen to music.
Singles needed to come back. And what I tried to do in my online experiment was to change the rules for myself and make available at a more regular pace the fruits of my labour, for people who decided they wanted to support my recordings.
I'm admittedly a record guy. Singles and I are a different beast. I'm definitely an overall picture thinker.
I'm releasing a single. It's called 'Live it Up.' It was based on my Euro trip. I only write my own music. I don't let other people write it at all. So I've been working on that a lot. There's three singles coming out. The producer of The Fray who did their double-platinum album 'How to Save a Life,' I'm working with him. He's producing me.
I come from a time when pop music was the coin of the cultural realm and in a certain way was the only coin of the realm; movies didn't matter as much, and not TV - it was all about pop music. In the era when I started - which was the early '60s - it was all about singles leading to albums.
Back in the day you wanted your albums to have a theme, and 'Sports' theme was really a collection of singles. It was really a record for its time.
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