I think I would prefer to partner with someone once I've established what I actually am trying to do as a solo artist with my actual name.
I hate the solo artist aspect of rock-'n'-roll. I don't have enough personality or charisma to be a solo star.
The only time I made money was when I licensed my own solo guitar record, which sold maybe seven copies.
I am not an insecure actor, and this reflects in the films I have done. Yes, there was a phase when I was adamant on solo hero roles, but that is over now.
It was never the goal to be a solo performer. It was just something that made the most sense at the time.
A band has a certain responsibility to work songs for years and stick to rules more. A solo artist can just do whatever they want, and also present themselves as somebody who's just singing about their life.
I'm not one of these guys to do my solo stuff one night and Black Sabbath the next. I can't do that, you know. It's too much to handle.
Now because he saved the day they're making another solo Hulk movie after the second Avengers comes out.
You make one solo album, and some people swear you're about to leave the band or there are creative differences.
As part of Depeche Mode, I don't think it's right for me to be using my own songs for a solo project. I'm not a very prolific songwriter, so I keep those for Depeche Mode.
In modern times we are often encouraged to protect our ego-force and individuality by securing a private world in which to develop our unique artistic voice. Many artists find themselves solo-paddling along a private and unchallenging river... Could rivalry be a productive system?
Once you sophisticate the in-betweens, your blacks and whites can take their solos and shine.
For a solo work I need a definite idea. For the present I have none.
The solo is a nuanced distillation of sorrow.
You can solo-climb Everest without using oxygen or you can pay guides and Sherpas to carry your loads, put ladders across crevasses, lay in 6,000 feet of fixed ropes, and have one Sherpa pulling you and another pushing you. ... The goal of climbing big, dangerous mountains should be to attain some sort of spiritual and personal growth, but this won't happen if you compromise away the entire process.
It's really a lot of fun to see that this music can actually survive, that it can be concert music. My solo shows are already going along that path. You have the freedom to basically push to party, or you can tell a story from nothing with soundscapes, moving images, to a real party mood. At some concerts, people get out of their seats and start dancing after a while.
Comedy is immediate. Comedy is a solo mission. You're all by yourself, up there. And when you're in a film, on a set, it's a collaborative effort. It's about me being a tool for somebody else to create a story and a character from nothing, from their imagination.
Since I started making films, I've been a nut for dialogue. When I first saw Star Wars when I was 12 years old, I came home and recited all of the lines from it. Before I talked about Death Stars exploding and Tie Fighters I was talking about how funny Princess Leia was and how sarcastic Han Solo was. So to me that's always the most important thing, and I love hearing great actors say great lines.
I do media every day I tour and the travel itself is a bit testing, so I don't get to do much gregarious activity when I'm on the road, but I do enough barbequing and enough hanging out and training with enough law enforcement and military to keep me bright-eyed and bushy-tailed and to make sure my guitar solos every night breath fire.
Know that I'm better solo. I invented solo.
...black music is a group music. That's why I don't like doing a solo saxophone thing: My feeling stems from rhythm, I really have to feel that rhythmic thing happening.
In their palate alone is their reason of existence. [Lat., In solo vivendi causa palata est.]
Art, like sex, cannot be carried on indefinitely solo; after all, they have the same enemy, sterility.
Once I started getting mainstream people to my shows, I realized we were taking too many solos, and they were too long. I started gauging when people were going on their iPhones.
I've always been a fan of the band setting. I've always been a believer in bands, and I've always been in bands. That's where my comfort zone is. So to stand outside of that, that was never my intention or goal. I never had the dream of, 'I'm gonna go into all these bands as a spring board for my solo work.' But life takes you on different journeys sometimes. I ended up playing a bunch of songs and some of them I really liked.
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