We don't really have more than acouple of solos. It's just the way our music is put together.
I do love being solo because I can have more of my own creative input to every aspect of my career.
The trombones crunched redgold under my bed, and behind my gulliver the trumpets three-wise silverflamed, and there by the door the timps rolling through my guts and out again crunched like candy thunder. Oh, it was wonder of wonders. And then, a bird of like rarest spun heavenmetal, or like silvery wine flowing in a spaceship, gravity all nonsense now, came the violin solo above all the other strings, and those strings were like a cage of silk around my bed. Then flute and oboe bored, like worms of like platinum, into the thick thick toffee gold and silver. I was in such bliss, my brothers.
I enjoy making solo albums because over the years it's evolved into more of a genuine personal expression of story-telling and day dreams, and I work in a way that has more control.
What great founders do is seek the networks that will be essential to their task... Usually it's best to have two or three people on a team rather than a solo founder.
Generally my songs are just some riffs slung together as an excuse for a guitar solo.
I only do solo albums when songs are screaming at me to be let out of my mind.
People sometimes ask if I want to be a solo artist, but it just wouldn't be any fun being on your own.
I'm very honest about the things I struggle with and I need to work on to survive as a solo artist.
I had opportunities to play with other people and give my self some sort of security, but for some reason I wanted to play solo and just put it out there.
For people who cannot get to church for various reasons, this is a great option. But it will always be a poor substitute for joining the faith community in person. Surely, the church experience is about more than a message. We are always better off together than flying solo. Godcasting is a supplement, not a substitute for weekly worship.
It was definitely in my mind to do a solo album, but I didn't know it would take this long.
When I was playing with synth players, I was still within a conceptual framework of playing music. When I started playing solo, I became much more aware of the acoustic phenomena that the instruments were producing.
Punk came along and grunge made guitar solos uncool.
I really enjoy playing solo acoustic. I think it's good for me as a songwriter to stay in touch with what it takes to make a song work by yourself.
I've always been doing stuff, being creative. But I got to the point where I starting to feel this longing, craving, itchy feeling - which was the first sign that it was time. I've made a few attempts to make other solo records, but when I've looked back at the body of work I've always felt like I was never quite there.
There are producers that have been my friends for many years that I'm still a big fan of, from Boyz Noize to solo acts. Justice. It really varies. All the way to like...sometimes I'll just find some dude out of Chicago that makes a great house song. I'm feeling a lot of the deep house stuff, Jamie Jones.
I'd studied piano first and switched over to cello when I was about seven. I played mostly chamber and solo classical music. I got really involved with rock music when I was a teenager. I wired up my cello.
I never liked opera growing up. I always liked chamber music or solo music even more than orchestral music.
I think everything happens in time. There's a time for everything. There's a time to be in a group, and there's a time to be solo.
Working as a solo artist has given me a confidence that I didn't have with Blondie.
Even though I started playing the violin when I was four, my early chamber music experiences helped build a strong foundation for my solo work, as all music is a rich language and dialogue that is shared on stage, no matter what the size of the ensemble.
Never try and go on a solo mission on your own.
It's better to have no cofounder than to have a bad cofounder, but it's still bad to be a solo founder.
I think I'll continue to work as a solo artist.
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