Don't play the saxophone. Let it play you.
If you like an instrument that sings, play the saxophone. At its best it's like the human voice.
The saxophone is so human. Its tendency is to be rowdy, edgy, talk too loud, bump into people, say the wrong words at the wrong time, but then, you take a breath all the way from the center of the earth and blow. All that heartache is forgiven. All that love we humans carry makes a sweet, deep sound and we fly a little.
That's the beautiful thing about the saxophone. It can peacefully coexist with just about anything - whether it's hip-hop, rap, rock music, pop, R&B or jazz, there's a place for the saxophone in all of those styles.
Making a painting is like playing the saxophone. You hit the note and it comes out.
The potential for the saxophone is unlimited.
I wanted to play saxophone, but all I could get were a few squeaks.
The saxophone was created to mimic the human voice and I think that's why I gravitated toward the saxophone eventually. I'd loved the clarinet, but there's something about the saxophone that just grabs you.
Saxophone is one thing, and music is another.
The saxophone is the embodied spirit of beer.
You can work on the saxophone alone, but ultimately you must perform with others.
The saxophone is actually a translation of the human voice, in my conception. All you can do is play melody. No matter how complicated it gets, it's still a melody.
I don't know why, but I like the saxophone.
I started realizing that music is the one area where I've always let go. When that saxophone goes into my mouth, I get into a space where I never think about the notes I've already played or anticipate the notes ahead.
The saxophone is an imperfect instrument, especially the tenor and soprano, as far as intonation goes. The challenge is to sing on an imperfect instrument that is outside of your body.
As a horn player, the greatest compliment one can get is when a person comes to you and says, 'I heard this saxophone on the radio the other day and I knew it was you. I don't know the song, but I know it was you on sax.'
I wanted an electric train for Christmas but I got the saxophone instead.
Drum on your drums, batter on your banjos, sob on the long cool winding saxophones. Go to it, O jazzmen.
I practice my saxophone three hours a day. I'm not saying I'm particularly special, but if you do something three hours a day for forty years, you get pretty good at it.
There's so much music out there & so many possibilities. I like anyone who plays any instrument.
When I got this saxophone, it became a religion. There wasn't TV, there wasn't much money, and there was just a real dedication.... I never thought of it as an art. It was just work that I loved. Not just work, but work that I loved. I loved it so much, I would play it if nobody listened to it. Any jazz musician, if there's nobody around to listen, would play just for the sheer joy of improvising music.
So I'm looking to the saxophone as a resource which has its own unique set of possibilities. I'm looking to exploit them and develop them and have the fullest range of possibilities of the saxophone be known.
You know, when I'm playing, I think of myself in front of the Wailing Wall with a saxophone in my hands, and I'm davening, I'm really telling it to the Wall.
I am a saxophone player.
If all else fails, I could go to a train station and open up my saxophone case and make some bucks. I can do "Mary Had A Little Lamb," I can do "Happy Birthday."
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