Timidity has no place in a major action movie. You have to know how to take your moments. Sometimes walking out the door is just walking out the door. But when it's your moment, you have to go for it.
I was raised to give back. I was born to immigrant parents and was fortunate to become successful at an early age. I've always felt a strong sense of national service to my country, and I may have been able to provide leadership in the political arena. I don't regret the decision not to enter politics, I just wonder sometimes if I could have changed anything.
I ended up becoming a playwright because you can be grammatically incorrect: people speaking in bad poetry or people attempting to speak well and sometimes succeeding and sometimes failing. The whole imperfection of it suddenly felt freeing to me.
Sometimes I walk into a situation and I know somebody is going to provoke me - not maybe, I know he will provoke me - I know he will provoke me! And there are times when I simply refuse to be provoked. And the other times you have to use that superior knowledge to carry on at work without distraction, and don't allow yourself to be distracted. I laugh a lot inside and outside, and at myself sometimes.
One of the ongoing crises in America is institutional racism. We have a very broken criminal justice system. We live in a country where there are more people in jail than any other country on Earth. There are some 2.2 million people currently incarcerated and they are disproportionally African American and Hispanic. Unarmed African Americans have been abused and sometimes killed while in police custody. Clearly these are issues that must be dealt with and changed.
America has always been the richest and most secure, and sometimes the most dangerous country in the world. In the early years, the danger was to everybody near us, slaves, Native Americans, Mexicans. It finally expanded in 1898 to the Caribbean, Cuba, Puerto Rico, Hawaii, and the Philippines.
I think it comes down to the type of personality that the performing arts seem to attract. And that's outgoing, very sensitive - sometimes incredibly insecure - people, that for some reason need a lot of validation. They have a lot that they have to get out, and they choose one of the hardest professions in the world in which to exist, being as sensitive as you need to be.
Sometimes I feel we express more with dancing or acting or painting than with words.
Nowadays with the internet, it's an equal opportunity brutal playing field. I mean, everyone is brutal to everybody half the time. People can be unbelievably brutal on the internet, about everything. But they can also be really, really nice. The problem is that human beings like to focus on the negative sometimes, unfortunately.
I'm a computer freak. I'm on the Internet every night. Sometimes I play dungeons and dragons with 15-year-old boys who think I'm a 15-year-old boy with a weird vocabulary.
Henry David Thoreau is very independent-minded, very iconoclastic, and had quite a corrosive sense of humor. I think that I probably have grown up to have a Thoreauvian perspective on many things. Though in other ways I live a life he would not have approved of. He believed to simplify, simplify, simplify. Make your life very clear and plain and meditative and not confused. Sometimes my life, in fact, is confused.
This might be a controversial thing to suggest, but in a quest to understand and relate to terrorism or school shootings, sometimes it feels like it's real, the appeal. As we've seen with ISIS, it's not always the devout who are getting into it; it's just people looking for a sense of belonging. The more they feel they're up against, the more intensity the cause has. It's an epic clash of cultures, and both sides are playing that up, but it's human beings disaffected, detached, and lonely.
Ultimately, I want a peak experience in reading, and that is sometimes difficult to find in contemporary fiction. I'm not interested in books that are just clever and well executed; polish doesn't impress me, and I don't care about a merely capable sentence. Life is short; I want a confrontation with high art. I want soul.
I grew up with the idealistic notion that writing and literature were noble causes. I had no inkling, no sense of what I would eventually encounter in terms of people who weren't being sincere. I'm not saying that it happens always or a lot, but it happens enough that sometimes it makes me feel a little queasy.
In terms of technology and science, tomorrow does know more than yesterday; but when it comes to emotions, living with uncertainty, terror, I'm not sure we know any more than Shakespeare did, or the Buddha. And the power of new things - the iPhone or Facebook - is so strong and intoxicating that we sometimes forget that none of them can fundamentally change our relation to ourselves and to what matters.
People do need a social license to go, "Ha ha ha," and have a good time. It's a strange thing. There's a lot of social ritual around comedy and laughter. It's a bonding experience for groups, but nobody can tell you much about how funny somebody is. Sometimes people just need to be in a group and be laughing together, just like they need to be in a group in watching some really terrifying film.
It's tough to make music and make it your own, and not have somebody call it something you don't agree with but can't control. Sometimes the press doesn't realize how much power they have and how they can shape somebody's life. I think there's a lot of people just trying to make music and get their art out there, and their heads get f**ked by the press calling them this or calling them that.
You know, artists are influenced by other artists. We're all deeply influenced by what's around us; we don't make anything cold. Sometimes we think that we do. But within that, the most important part is that even though we're influenced, what are the levels of invention that we carry forth even as we've been influenced by something that's come before?
Sometimes you go to a film and well, you are not very concentrated. In reading, you have to concentrate, to spend the time it requires in order to feel the experience of the work. You have to put all of yourself there to experience something new and to feel and perceive an atmosphere that is unprecedented.
There's so much going on today. I continually hear, sometimes from artists, that everything's done. It's been done. I fail to see that.
We're either awake or we're sleeping. During the time that we're awake, we work very hard at denying things, mainly because we have to function as people. We have to control and repress everything that we're fearful of, because it doesn't make sense to go crazy on the streets, but in reality we hide and we hide, repress and repress, our fears of the world of violence, of separation, of death, and sometimes hopes, and some things that are very joyful, reunions or all of those good things. It's only in dreams that we're really truthful with whatever hurts most; they're really very real.
I really am a strong believer that with editing, it should take a long time. Even you yourself are not capable of making the right decisions; sometimes you need a distance.
I think movies are expressions of our imagination; they are expressions of our conscious and of our subconscious. I think that movies can be analyzed the way dreams are analyzed, and sometimes I feel that the viewers or the journalists I discuss the film with are psychoanalysts who are trying to make sense of my dreams.
Women sometimes really love to look at other beautiful women on the screen. But they don't look at a woman the way a man looks at a woman. They want to be that woman. They like if a woman is beautiful or sexy, especially if she's powerful. They like to see her catch a man, or to be powerful in the world. I think this is why a lot of women love noir films and classic films because they can really identify with these really strong, beautiful women. That's the kind of power that women have lost culturally.
I enjoyed being at Jurassic Park, with Jeff Goldblum and Sir Richard Attenborough. It's funny, because Steven Spielberg would actually operate the camera sometimes. He'd consider the camera, and he'd be kind of looking at me. He actually shot a few of the things that I'm in, in that lab, with that long ash dangling off that cigarette. Hogging that fake cigarette. Because I had quit smoking, and he wanted to make sure I didn't go back, so he got me the worst-tasting fake cigarettes ever.
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