I think every translator would tell you that when they look back at a poem they have translated, they want to pencil in changes. I know I do - though sometimes I also then remember all the reasons I made that choice in the first place.
Sometimes we depersonalize people who we don't agree with or who we see as targets for hatred. If you think of anything as having a mother, that's going to change everything. All of us have mothers and came from a womb. Buddha says you can't hate anything you understand.
I always listen to music when I write! I basically make a playlist for every essay; sometimes it's just one song, or three songs, over and over and over. I sort of find the emotional pitch of the piece, and then match music to it, and then the music becomes a shortcut to the feeling, so I can enter it and work anywhere: on planes, cafes, at work, the train.
In fact, if you take any group of scores, it's likely that fifty to sixty percent are going to be so much alike that it's difficult to tell any difference among them. But I sometimes wonder if that has more to do with the quality of the art that's being made. There are always those composers who are going to move toward whatever is currently in fashion, there are others who will deliberately attempt to go in another direction. And sometimes, there are composers who will see themselves as being outside the stream and not even try to present their music to the general public.
My pieces usually are programmed on concerts in which the other works are standard repertoire. My music always sounds very different when it's on a concert of all contemporary music. It always seems to stick out at an odd angle. This also makes me think of a question I sometimes debate with my friends: does the music of a composer directly reflect that composer's personality? This is a difficult one, but I think it usually does.
I grew up around so many beautiful things. My mother's jewelry and purses - they're very much statement pieces. Again, that sort of over-the-top Russian thing where it looks like treasure. I always say to my husband, you don't ever have to get me another piece of jewelry. When your mother is this amazing woman, a North Star, sometimes you want a simpler presentation of yourself.
There's a great debate going on, you know, on whether we're moving toward a system of giant oligopolies or a system of multiples of small businesses. Which is it? I think it's both. In every sector of the economy, we have giant brands that are trustworthy guides to what's good, and then a vast number of small groups, many of them project-based, sometimes folding and re-creating, that are offering products and services through those giant global brands.
There are hard texts in each tradition which we must confront and ask ourselves, 'Can we reinterpret those texts to allow us to live peaceably, and respectfully, with people of other faiths?' That is a job only Jews can do for Judaism, only Christians can do for Christianity, and only Muslims can do for Islam. But sometimes the sight of someone in one faith wrestling with that faith can empower you to wrestle with another faith.
Sometimes the sight of someone in one faith wrestling with that faith can empower you to wrestle with another faith. For me, it was reading about how the Catholic Church wrestled with itself in the 1960s. Pope John XXIII set Nostra Aetate - the Declaration on the Relation of the Church with Non-Christian Religions - in motion. It changed the relationship between Jews and Catholics. Today, Jews and Catholics meet as friends. If you can do that, after the longest history of hatred the world has known, that empowers you as a Jew or a Muslim to wrestle with your faith.
When you've got Jews and Christians, Muslims, Sikhs and Hindus removing graffiti from buildings, or getting drug dealers off the street, that's side by side. When you do that, you take it from the very elevated level of interfaith dialogue to the street level of neighbors. You get them working side by side, and they become friends. Friendship sometimes counts for more than interfaith agreement or understanding. Friendship is deeply human.
I think the occupation of my poetry is akin to this desire to be many things at once - things that sometimes conflict. Regarding how the quotidian makes its way into the work, it's all of it, in a way. Like, when I'm writing poems, I'm just picking up scraps of whatever is happening around me - a geographical location, a love affair failed, the day the air felt like rope.
Children are all unique, so when you're blending families it's really important to get to know each individual child... Being a stepparent can be a really incredible opportunity. Sometimes children pay attention and listen to someone who's not their blood parent. Sometimes I notice how my son Milo learns things from my best friends and people that have been around him, his grandparents and so on, in a way he can't from his own mum and dad. It takes a village!
There's something that comes from mistakes. Maybe adventures involve treasure or something. I think the wrong turns are more important than the right ones. Most people don't go through life without making mistakes, but sometimes you meet someone who seems to hit all the marks. But they never seem to know very much. They have success and luck but no real wisdom.
The West, in the form of American capitalism, is seen as having won, but people are beginning to offer alternatives again, sometimes in retrograde ways like radical Islam.
Sometimes, when we're feeling challenged in life, we feel a pull to isolate, and for me part of the joy of being a wife, a mother, and in a cast of friends is allowing myself to be in spaces of love. So being open to that love.
I see a lot of women who can't travel when they're young, and then their kids grow up and they become amazing adventurers. Travel is not only for the young. Sometimes it's wasted on the young.
People sometimes talk about me as being a brand, having a strategy and whatever else. I wish. Seriously. I wish I had it together enough to have a strategy. But it's so instinctual. It usually comes down to two things: the person I'm working with - the director is really important to me - and a line in a script.
There were many low points and times I doubted myself at work. I've heard no many more times than I've heard yes and there have been long periods in between jobs where money became very tight and I wondered how I was going to pay my bills. I've had to borrow money from friends and family to get by sometimes. That's the part of the 'overnight' success that people don't see. The struggle is real.
I don't think I avoided being type cast, because I do sometimes get similar roles. It is not a bad thing because we are strong at what we are strong at, not meaning that we cannot do other things, but sometimes somebody else might bring a little more realism than you, because that is more of who they are than who you are. I do get a chance to play other people and other types of roles.
God is okay. He's got big shoulders. He's okay with our - with our questioning and our - you know, I think the bigger the question, the bigger the answer, you know? It may be sickness, it may be loss, it may be disappointment, but sometimes you feel like heaven's silent, that "God, how-how can this be love?" But actually, if you go back to the Word, you know, it just underpins everything.
If you're hungry, God is feeding. You know, if you're listening; He is speaking. And I think sometimes trouble and intense hardship can make us - it made me at times, you know, block our ears, shut our eyes, it's like too much. But actually He's speaking, He's encouraging us, He's loving us all the time.
It's the culture, not the blood. If you can go anywhere in the world and adopt these babies and put them into households that were already assimilated in America, those babies will grow up as American as any other baby with as much patriotism and love of country as any other baby. It's not about race. It's never been about race. In fact the struggles across this planet, we describe them as race, they're not race. They're culture based. It's a clash of culture, not the race. Sometimes that race is used as an identifier.
I just don't feel that we've traveled very far in the realm of social equality. There just seems to be a little bit of unrest. And sometimes I think that happens when you really feel like something's about to change. Right before the moment of lift off, sometimes things feel a little bit unhinged, and that's what it feels like to me right now, both as a woman and just as a human on the planet as an American woman in America. I feel like we're on the precipice of change. I feel a little nervous.
I think sometimes when you can feel the velocity of change, like nowadays, you really need a seat belt. It's almost like having a growth spurt that you can feel, like a 16-year-old who woke up one day and grew four inches literally overnight. That can be a painful thing sometimes.
I've never taken a role where I don't like a person on the page. Sometimes there are changes that need to be made.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: