I continue to write songs that are topically related to social, political and economic issues of our time, but I also recognize that onstage, I have a lot of fun and audiences have a lot of fun, so I'm trying to package the messages in music and sounds that are fun to perform and fun to listen to.
I watch everybody every night, from sitting down to being on their feet at the end, and I feel a sense of reinvention, of caring, presenting these songs in their purest form.
I learned that if you bring black people together, you bring them together with a song. To this day, I don't understand how people think they can bring anybody together without a song.
I had just lost my dad and I remembered all the songs we used to go and hear at concerts, and the records around the house and sometimes we'd play together.
The funny thing is, people's perceptions of what a song is about is usually wrong a majority of the time. But they're still going to read what they want to into it.
My mother features quite heavily in a lot of my songs.
I may sing the same songs for over 40 years now but I always sing them in different ways in order to keep the excitement and passion alive.
I've written many extra verses to songs that I learned to sing - an extra verse about a friend, or just add some verse - and that led to writing my own songs.
I had tremendous fun fooling around with the way people talked about songs, just the way that became another way of understanding the world.
I love pop music. It's not easy to write a good pop song. It may be easier to put out a fake jazz album, as Sting does from time to time.
Experience is definitely the high road once driven. It actually enhances the songwriting and song sourcing process.
People who have memorized your songs-how can you not love them?
Interestingly, songs used to be short, then they became longer, and now they're getting shorter.
I was always more interested in story songs, things with a point of view... and things that informed me.
In 29 years, I had recorded over 2,200 songs. I was amazed.
I learn my songs by ear.
I always prefer other people's interpretations over my own, so I'm not very quick to make explicit what exactly a song or record is about.
I believe in working with songs that have personal value for me.
I am in a business that's built on record sales and reputation and how your single is doing and where your song is on iTunes. But the kind of music that I do comes from my beliefs.
There are people who can sit down and write a song about any given subject, and they can do it really, really well.
If you put all the songs together that I've written on band records, and put it up next to my solo record, there's definitely a different kind of feel than Billy's songs.
It's hard enough to make a good song and a good recording of that song. But to try to tailor it to some outside force is just like - It's never been a factor in what I've done or what the band's done.
I don't use simple words. I make games and puzzles with my songs.
When I'm singing a song, I picture somebody in particular. A lot of it is to a guy.
Nothing is more rewarding than to take a song, create it out of thin air and then watch it affect people.
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