The comedians all finished their acts with a song. They would get a certain amount of money from the song publishers and would use that money to pay the writers. None of them paid very much for their comedy material, but it all added up.
Sunrays, leaning on our southern hills and lighting Wild cloud-mountains that drag the hills along, Oft ends the day of your shifting brilliant laughter Chill as a dull face frowning on a song. Ay, but shows the South-west a ripple-feathered bosom Blown to silver while the clouds are shaken and ascend Scaling the mid-heavens as they stream, there comes a sunset Rich, deep like love in beauty without end.
The grandeur of man lies in song, not in thought.
All my songs are where I am.
It is always the latest song that an audience applauds the most.
The truth is, I initially became a singer-songwriter while still in my teens because it was the only way to guarantee that somebody on earth would sing the songs I was writing. Since then, I've performed just about everywhere: rock clubs, concerts halls, arenas, TV.
The poets of each generation seldom sing a new song. They turn to themes men always have loved, and sing them in the mode of their times.
The future looks extremely bright indeed, with lots of possibilities ahead -- big possibilities. Like the song says, We've just begun.
When I'm sitting in the church alone, I can hear singing of the old people. I can hear their singing and I can hear their praying, and sometimes I hum one of their songs.
The songs are inspired by my experiences. Sometimes they are more than my real-life and, conversely, my life is more than just my songs.
I write the songs, go in and record them, then I listen to everything and decide how it all fits together.
I watch everybody every night, from sitting down to being on their feet at the end, and I feel a sense of reinvention, of caring, presenting these songs in their purest form.
Actually, if I could deliberately sit down and write a pop hit, all my songs would be pop hits! Let's put it this way. I play what I like to hear. And sometimes I like to hear something poppy, and sometimes I don't.
Heck, I'm no Henry Mancini or Michel Legrand. I just play the guitar and write songs.
Actively we have woven ourselves with the very warp and woof of this nation, - we have fought their battles, shared their sorrow, mingled our blood with theirs, and generation after generation have pleaded with a headstrong, careless people to despise not Justice, Mercy and Truth, lest the nation be smitten with a curse. Our song, our toil, our cheer and warning have been given to this nation in blood-brotherhood. Are not these gifts worth the giving? Is not this worth the striving? Would America have been America without her Negro People?
Adjustment, that synonym for conformity that comes more easily to the modern tongue, is the theme of our swan song, the piper's tune to which we dance on the brink of the abyss, the siren's melody that destroys our senses and paralyzes our wills.
The main objective in any song, the songs that I write, has always been that it reflect the way I feel, that it touch me when I'm finished with it, that it moves me, that it can take me along with it and involve me in what its saying.
Song Sung Blue took a lot of compressing and refining, and it has one of my favorite lyrics.
I didn't really have an act per se - a theatrical performance, as opposed to just: here I am, folks, and you're all supposed to be dead quiet while I sing eight or nine songs, then get off the stage.
I'm really a singer, so I love songs and I love singing. I like rap music, but I didn't grow up freestyling.
I didn't want to be on the losing side. I was fed up with Jewish weakness, timidity and fear. I didn't want any more Jewish sentimentality and Jewish suffering. I was sickened by our sad songs.
Like an opera singer, I am able to sing out my song in paint.
I want to say at once that I frankly believe that Irving Berlin is the greatest songwriter that has ever lived.... His songs are exquisite cameos of perfection, and each one of them is as beautiful as its neighbor. Irving Berlin remains, I think, America's Schubert.
I hadn't played any music since freshman year of college, more than thirty years ago, so I had to relearn everything. I started writing songs. Some were dance and trance songs (I listen to them a lot while I'm writing), and some were love songs, because that after all is what music is about - dancing and trancing and love and love's setbacks.
The nice thing about a protest song is that it takes the complaint, the fussing, the finger-pointing, and gives it an added component of sociable harmony.
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