As a songwriter, it's very hard to listen to music that's not coming from the heart and soul, personally.
I don't know how to make magic. For most songwriter's that has only happened once or twice, and I don't know how to re-create that. I know that there are some tricks and tools, but the magic is the amazing part.
I never was strutting through the hallways like, "Yeah, I'm a singer/songwriter." That's never a cool thing to do - to be the brooding guy.
Getting on stage, for me, was a huge thing when I first started. And back in high school, everyone was in rock bands and I was a singer/songwriter. It just seems kind of lame.
For me, the intent in a song is to sing it. I compose songs, meaning I'm writing words to be set to music; I'm intending it to not be recited. I'm a singer-songwriter, and I'm a poet, and there really isn't a contradiction, at least for me.
Explaining belief has alwayas been difficult. How do you explain a love and a logic at the heart of the universe when the world is so out of whack? Explaining faith is impossible - vision over visibility - instinct over intellect - a songwriter plays a chore with the faith that he will hear the next one in his head.
But I really do have a soft spot for the solo shows. Any musician who writes and sings will tell you that's the center of it, that is it. It's almost like there's something church-like about it and you gotta go back there, if you're a songwriter that sings your material.
The greatness of Mac Rebennack, alias, Dr. John, also known as John Crieux, rests on his command of the musical use of idiomatic expression. Not a technically well-endowed singer, nor a great songwriter, he leaves his mark through the discipline and control he exerts over all that he touches.
And of course there's so much music in and around our family. I had a piano during Christmas because it's obviously useful through the season. There are so many people, songwriters, who are around.
I'm good at melody - I'll write the top-line melody and ideal words I want to go with it. But I'm not that good at writing lyrics. I bounce those back and forth with songwriters or someone who can sing.
I find writing songs hard, because it does not come naturally to me. I never set out to be a songwriter or a singer.
I was terrified, terrified in Songwriter, because there I was, New York Jewish girl, singing country-western onstage with Kris Kristofferson and Willie Nelson. I mean, forget it. I was so terrified.
America's a funny place. Every time I've come over it just feels absolutely gigantic and massive. I've always had good shows there, but I just go and come back, feeling like another singer/songwriter in a sea of thousands of singer/songwriters. I don't really know what "breaking it in America" is or means. I just focus on touring day-by-day, and show-by-show, and see where it goes.
SPEAK OF TROUBLE highlights the abilities of Lowell Sostomi as singer/songwriter and brings together a talented band of musicians with amazing dexterity, loads of energy, and very original arrangements. Im impressed.
Sinatra was pretty astute - he used the best songwriters around, he used all the resources, he covered every song from the era basically.
I don't take off as many days as most other producers and songwriters, so I'm working every single day, and I do songs every day. So it's just about finding time, scheduling, getting in and cutting the records. I make it happen and that's the name of the game. It's no excuses - you gotta figure it out.
I traveled the world as a DJ, as a singer, as a songwriter, as a producer.
It is setting goals and trying to be a business person, but at the same time not losing sight of who you are writing songs for and what your goals are as a songwriter. So believe me, if you think I've got it down I don't it is a constant struggle.
Before the Beatles, songwriters were very anonymous people and nobody paid any attention to them.
Bob Dylan is quite a songwriter, and a great singer and musician. I won't bother with comparing myself to him, but I will say that I heard his records at a very young age and I still listen to all his records.
I've had offers to sign a record deal, but the people I've talked to have wanted to package me and have me meet with songwriters who've written stuff for Whitney Houston, that sort of thing. That's not at all my style.
This is a turf battle. They are saying, 'The songwriters aren't getting paid.' Baloney. Songwriters are getting paid. They're paid sync rights and (mechanical) rights. They aren't getting paid for the public performance in a download because there is no public performance in a download.
I'm a binge writer. I work in the music business fulltime, in artist management and developing songwriters and recording artists, and so juggling my job I carve out as much time as I can on the weekends.
Authors can write stories without people assuming that they are autobiographies, but songwriters and poets are often considered to be the characters in their works. I like Michelangelo's vision, 'I saw the angel in the marble and carved until I set him free.
Because there are hundreds of different ways to say one thing, I, being a writer, songwriter, and poet, speak childishly and incoherently. In speech there is so much to decide in so little time.
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