I wake up in the morning, or the middle of the night when an idea comes through. My songwriting style, basically I just write down information given to me from the muse and how that works for songwriters. Record the muse and the muse delivers.
I never took singing lessons. I guess, I feel comfortable with it, but I do not feel like a singer. I never want to sing without a guitar in my hand. I consider myself more of a songwriter, rather than a singer. I could never be in a wedding band and just sing Marvin Gaye songs.
What I definitely learnt from Michael Jackson is that simple is almost always better. As a songwriter, as an artist period.
It's funny, I think after you are a star like Sting and you no longer think you need any guidance or aid - it would be great to see those stars work with other songwriters.
I don't know how to make magic. For most songwriter's that has only happened once or twice, and I don't know how to re-create that. I know that there are some tricks and tools, but the magic is the amazing part.
I never was strutting through the hallways like, "Yeah, I'm a singer/songwriter." That's never a cool thing to do - to be the brooding guy.
Getting on stage, for me, was a huge thing when I first started. And back in high school, everyone was in rock bands and I was a singer/songwriter. It just seems kind of lame.
For me, the intent in a song is to sing it. I compose songs, meaning I'm writing words to be set to music; I'm intending it to not be recited. I'm a singer-songwriter, and I'm a poet, and there really isn't a contradiction, at least for me.
That's one of the things I love about being a songwriter first, last and always, because whether I do it or not, if someone does a great job on it, my work is done.
Explaining belief has alwayas been difficult. How do you explain a love and a logic at the heart of the universe when the world is so out of whack? Explaining faith is impossible - vision over visibility - instinct over intellect - a songwriter plays a chore with the faith that he will hear the next one in his head.
But I really do have a soft spot for the solo shows. Any musician who writes and sings will tell you that's the center of it, that is it. It's almost like there's something church-like about it and you gotta go back there, if you're a songwriter that sings your material.
The greatness of Mac Rebennack, alias, Dr. John, also known as John Crieux, rests on his command of the musical use of idiomatic expression. Not a technically well-endowed singer, nor a great songwriter, he leaves his mark through the discipline and control he exerts over all that he touches.
If you're a songwriter, it's to perform your songs. For singers, it's just to get to sing somewhere. So while there may be a reluctance with all the things that go along with it, you got to choose, and this is one of my big opportunities to get back doing it.
There has to be solidarity among the artists, songwriters and all the creative forces within that circle in order for the necessary changes to take place and for each person to get what is rightfully due.
I consider every one of the Disney films that Bob & I worked on, to have been the luckiest break any two songwriters could have ever had. They all aimed at quality and timelessness. That's why they live over the years.
I think it's very interesting, people who can't stand people who whinge and whine. It seems almost like a class issue. Because you think about who is the most positive, who's the most redemptive songwriter that's ever existed in your lifetime?
I think inside every rock journalist, there's somebody who wishes they had the courage to live the life that they're not, and that they're writing about. But at the same time, inside every songwriter, I guess there's a wish for happiness.
I keep reading about people who want to be famous - it's not that they want to be great songwriters or great actors, they want to be celebrities. That is scary because you can be famous doing some really stupid things.
I've been so used to being supported by musicians, and I don't class myself as a particularly adept musician on instruments. I think I'm a songwriter.
My only concern about art collaborations is that I never thought of myself as an Artist. My tax forms say Musician/Songwriter.
When I was 6 I thought that I wanted to be a musician - like a singer-songwriter. That's what I romantically envisioned for myself. But in reality the experience of getting into music was just the opposite. My parents signed me up for classical guitar lessons, which made for two years of the most depressing Wednesday evenings.
I'm an English songwriter/composer, working in Mandarin and trying to find something about Chinese culture that I really relate to and respect and feel some genuine emotions for - and it's quite hard, the pentatonic scale, and that, in a way, is why I think it works. Because I'm forced to limit myself to quite strict rules about what I did. Maybe that's how I avoided pastiche.
You make that climb, take it step by step and hopefully the view is great. I try to be a friend for Miley. I know that's not everyone's parenting style. But I try to be a friend, a partner as a singer, actor, songwriter and let her be a teenage girl and do her thing.
Although I have guitars all around and I pick themm up occasionally and write a tune and make a record, I don't really see myself as a musician. It may seem a funny thing to say. It's just like, I write lyrics amd I make up songs, but I'm not a great lyricist or songwriter or producer. It's when you put all these things together - that makes me.
Songwriting is the way of perpetual want. Songwriters are the blessed/cursed people. You will never have a moment's peace in your life. You will always be wanting the next song.
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