I wanted to play a good guy after doing this lunatic on The Sopranos for two years. And then they did the sequel to Bad Boys, where I get to play the barking captain again.
Those who want respect, give respect.
When I was doing 'The Sopranos,' I liked putting music together with the film; that was my favorite part of it.
This is gonna sound stupid, but I saw at one point that our mothers are ... bus drivers. No, they are the bus. See, they're the vehicle that gets us here. They drop us off and go on their way. They continue on their journey. And the problem is that we keep tryin' to get back on the bus, instead of just lettin' it go.
I find I have to be the sad clown: laughing on the outside, crying on the inside.
Gabe scratched his double chin. "Maybe if you hurry with the seven-layer dip...And maybe if the kid apologizes for interrupting my poker game." Maybe if I kick you in your soft spot, I thought. And make you sing Soprano for a week.
Psychology doesn't address the soul; that's something else.
Even a broken clock is right twice a day.
The highway's jammed with broken heroes on a last chance power drive.
Hope comes in many forms.
You know my feelings: every day is a gift. It's just, does it have to be socks?
The Sopranos all came down to the writing. I wouldn't have been on for as long as I was if the writing weren't so good.
Opera is when a tenor and soprano want to make love, but are prevented from doing so by a baritone.
The whole thing of singing on my own has been accidental and random. I sang a huge amount as a kid, and I was a boy soprano. I didn't do that much classical music; I did a little bit. I had a lovely voice. And then when my voice dropped, I didn't worry about it consciously because I wasn't that invested in my singing at the time.
Everything has become so pop-rock oriented that finding a role for a soprano, and finding an audience for a soprano, is tricky. Unless you're dealing with a revival, which is why I do so many revivals - because my specific tone and vocal quality lends itself to that type of writing.
Who the hell uses a burner cell phone when they're not trying to hide something? [..] Only dope dealers, and Hell's Angels, and Tony Soprano use burner cell phones.
'The Sopranos,' for instance, is arguably the best cable show of all time. They could have made a movie, but that show ended so perfectly, it would almost be a disadvantage to make a movie like that. Then again, if you made a 'Sopranos' movie, people would be lined around the block to go see it.
You know when I was depressed I said I didn't want to live? Well, I'll tell you something - I didn't want to die.
I think the people who probably have it the best are the people on cable like on Entourage, the Sopranos, etc. who have 13 episodes per season and breaks to do films and theatre. I think thats the most ideal life.
I was a boy soprano. I had a natural kind of voice and then trained it after my voice changed.
The cello is a hero because of its register - its tenor voice. It is a masculine instrument, whereas the violin is feminine because of its soprano pitch. When the cello enters in the Dvorak Concerto, it is like a great orator.
I was on a show called '12 Miles of Bad Road' with Lily Tomlin - it was an incredible HBO show. We shot 6 episodes, previewed it before the finale of 'The Sopranos;' it was written up as a 'Great New Show on HBO,' and then the whole thing was canned. Gone. Disappeared. That's when I realized anything can happen in this business.
When we were doing 'The Sopranos', I used to love that about it. There were rules, Mafia codes you had to go by, but the code is ridiculous. It's a code among sociopaths.
The Sopranos' is filled with really retrograde humor. Bathroom humor, falls, stupid puns, bad jokes - infantile, adolescent stuff, but it makes me laugh.
I think that the difference between The Sopranos and the shows that came before it was that it was really personal. There had been a lot of dramas, a lot of really good ones, a lot of really bad ones, but they were always franchise shows about cops, or doctors, or lawyers. They weren't about the writer himself.
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