I haven't seen a lot of screwball comedies, and I don't think of myself as loving the genre. To me it sounds like, okay, you're going to be in a lot of crazy situations that are unbelievable.
Instead of the metaphor of scales in balance, I prefer the idea of a jazz quartet: you're trying to make music that feels and sounds good, and sometimes you only hear the trumpet or just the bass and piano. Sometimes all four are playing at the same time, but perhaps at different volume.
I got an email from somebody who's mad, and from the sound of it it's enough to make this person abandon [Donald] Trump.
A lot of people go, "I'm influenced by the Beatles and Zeppelin," and they just sound like a karaoke.
Literature is about getting in touch. It sounds so hippie, but it really is about sharing stuff. We are a community that doesn't seem to be important for the rest of society, but we are people who want to get in touch - really in touch. We want to be thinking together.
I get that that the violent illegal immigrants will be removed from the country. But what I am not hearing and I am wondering, for people out there - and, look, it’s not just the liberal media, right? It’s also conservatives. It’s Rush Limbaugh. It’s Governor Sarah Palin. It’s other people who want Donald Trump to win who are saying, wow, it sounds like he is really backing away from this deportation force…
In the media, a reviewer has his personal vision but it's passed along to a million readers or whatever. He might think that this particular song sounds like Jo Blow. Or like a Bo Diddley record that he heard six years ago. But the artist who made the record may never have even heard the Bo Diddley song. We all respond differently.
[We need] to choose immigrants based on merit. Merit, skill, and proficiency. Doesn't that sound nice? And to establish new immigration controls to boost wages and to ensure that open jobs are offered to American workers first.
Once you start to analyze it [Joyous Sound], you've completely lost it. That one just came.
My mom always says, "Pack your smile," but [the sound guy] articulated it beautifully, because he saw me go from Joe Schmo who had been on food stamps to Adam Richman from Man V. Food. He said, "For you, it may be your 50th or 100th selfie, autograph, or whatever of the day. But for that person, it may be the first or the only time in their life that they've seen someone they enjoy on television. Never lose sight of that."
It sounds insane, I know, but I think that - I'm so lucky because I basically am my own muse.
Understanding one another means that objects, including sounds, have the same value for both with respect to carrying on a common pursuit.
There's a lot of women now with a whole lot of style but they are not necessarily song stylists. Some of their style is a lot like me and a lot of people sound a lot alike - you can't tell them apart.
I think any filmmaker will tell you when they wandered from theater to theater to watch their prints, it was disheartening to see the poor levels of light and the disrespect for films that existed in certain theater chains. It was always inconsistent. And in the lab, too, the photochemical process was very difficult to watch, because sometimes they were shipping prints that you didn't even know were two points off or three points off. We suffered greatly to make these films, and they'd be out-of-focus, with the sound too low.
The lyrics are not an important thing to me. In fact, it can be a distraction. If I knew the language enough to know it was a horrible love song with stupid lyrics - like most of the popular songs are today in the English language that I hear - then it would be much more of a turnoff then if it would allow me to interpret it from the expressive capabilities of the vocalizing or of the sound itself, which allows me to create my own meaning for it, which elevates it into a higher piece of work for me.
My sound is super hybrid; the acoustic sounds are there and the electronic sounds are there.
If I were to peruse a survey of label options, as they exist now, they either sound like a time bomb disorder or manic depression or Bipolar divide or mental illness. How can I find an identity in that? It certainly isn't something I can bring up in conversation, without a reaction of judgement or even fear.
I do think, or rather I sense that there is a relationship - at least in my own work - between a dramatic structure, the form and sound and shape of a play, and the equivalent structure in music. Both deal with sound, of course, and also with idea, theme.
I feel like I've got an open mind as far as sounds, for me, as far as I'm concerned I just wanted to make music that had really good melodies.
Of course, we wrote the songs accordingly and performed and recorded them that way. At that time, we really thought it was right, but you know, seen in retrospect, it made the album sound forced, and not really great.
Basically, if you shoot your own stuff, you can just pick up a camera and some wireless microphones, grab a couple of LEDs, and you're off and running. And if you don't shoot your own stuff, you can just grab one other person to do camera and you can learn how to do the sound, and you're off and running.
As crazy as it sounds, I really think that God just put the reggae thing in me. I can point to a few things in my life that pushed me in that direction.
Many modern scholars have found the asceticism expressed in Plato unacceptable; it does not sound like the advice of a reasonable man in the Cartesian tradition.
The history of the world for the past several centuries and current events at home and abroad confirm the existence of such a conspiracy (to destroy Christianity and obtain global power). The world-wide net-work of diabolical conspirators implements this plot against the Christian faith while Christians appear to be sound asleep. The Christian clergy appear to be more ignorant or more indifferent about this conspiracy than other Christians ... It seems so sad.
Every important idea in science sounds strange at first.
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