The homes I like the best are totally occupied, busy, and useful, whether it's a tiny little house or a great big one. Rarely do you find a great big house that's used in a good way. So I prefer smaller spaces that are full of books, full of things that people are doing.
Treatment is not now available for almost half of those who would benefit from it. Yet we are willing to build more and more jails in which to isolate drug users even though at one-seventh the cost of building and maintaining jail space and pursuing, detaining, and prosecuting the drug user, we could subsidize commensurately effective medical care and psychological treatment.
I'm kind of claustrophobic... It's not even like enclosed spaces. It's like I hate being stuck in one band, you know? Just being stuck is the biggest drag, for fear that, you know, just that you can't get out.
Why does the feeling of emptiness occupy so much space?
I was a working-class macho guy who was used to being served and Yoko didn't buy that. From the day I met her, she demanded equal time, equal space, equal rights.
Inevitably our opinions cover a bigger space, a longer reach of time, a greater number of things, than we can directly observe. They have, therefore, to be pieced together out of what others have reported and what we can imagine.
You learn something out of everything, and you come to realize more than ever that we're all here for a certain space of time, and, and then it's going to be over, and you better make this count.
We are all ONE, no matter in what form, space or time. As ONE we can change the world if we start changing ourselves.
It's an intelligence. It's not - you know, that's the other mistake we make, is we tend to project how we think of ourselves onto divinity. So divinity being infinite, unbounded, eternal, beyond space and time, is not a he or a she, it's a field of intelligence.
Most of my scientific work has been basic research. There were no immediate uses for my discoveries, but today the radioisotopes are the workhorses of nuclear medicine, an isotope of plutonium is a major energy source in the space program, and the element americium is critical to the smoke detectors in every house in the country.
There are those who give with joy, and that joy is their reward. And there are those who give with pain, and that pain is their baptism. And there are those who give and know not pain in giving, nor do they seek joy, nor give with mindfulness of virtue; They give as in yonder valley the myrtle breathes its fragrance into space. Through the hands of such as these God speaks, and from behind their eyes he smiles upon the earth.
The end of war begins with people who believe that another world is possible and that another empire has already interrupted time and space and is taking over this earth with the dreams of God.
Considering you are pretty much like this the whole time whether you're onstage, whether you're in the van, whether you're eating, whether you're in the hotel room. So everyone has their moments and you kind of learn to respect people's space when they're not in a good mood.
Aesthetics is not an end in itself. But in our culture, which is becoming more multi-sensory and less respectful of God, we have a responsibility to pay attention to the design of the space where we assemble regularly. In the emerging culture, darkness represents spirituality. We see this in Buddhist temples, as well as Catholic and Orthodox churches. Darkness communicates that something serious is happening.
Growing up in a house with six brothers and sisters is a lot like being on a tour bus. There's not a whole lot of private space, so you figure out how to make it work.
Talent is important, and some background as well. This really is not beginner's school. I want to work with people that have achieved a certain level and with whom i can easily communicate, which means you don't have to do too much explaining so you won't waste precious time. I don't do much explaining during rehersals and we are just adjusting minor details. Simply, there is no space nor time for one to learn and each of them has to do their homework on time. That means practising, transitioning from a level to level.
There aren't enough people in the media creation space. There aren't enough people making premium quality programming. That's how we change the narrative. Because there is a lot of bad African programming out there, and it is not helping matters.
The world's all full of thoughts about wars and space, and tragedies to the world. That's what writers are thinking about because that's what the world is thinking about.
I'm not conscious of my own themes as I write first drafts, no, and in fact, I work hard to stay in that unconscious space and not ask myself what the novel is about or what my metaphors might mean because then, I think, you're just dead in the water.
As soon as you start to question your own intent while you're still in the process of discovering your story, you're in trouble because you've pulled out of that unconscious space that is so necessary in the beginning of the drafting process.
You don't have to apologize for being feminine in a male space.
I am conscious of how my body signifies in every space. In every place of the world our body has a different significance.
I think that by arming the allies of ISIS, the Islamic rebels against [Bashar] Assad, that we created a safe space or made that space bigger for ISIS to grow.
I think that if you believe in regime change, you're mistaken. In 2013, we put 600 tons of weapons - us, Saudi Arabia, and Qatar - into the war against [Bashar] Assad. By pushing Assad back, we did create a safe space.
I feel like because black Cuban artists don't have the kind of pressure to thematize race in the way that African-American artists do, there's more space for them to do their art without having to discuss it in terms of racial identity.
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