Personally, I've never understood inactivity. Why a person would sit when he could soar, be a spectator when he could play, or atrophy when he could develop...is beyond me!
Life cannot be seen by an unmoved spectator.
As God's children, we are not to be observers; we're to participate actively in the Lord's work. Spectators sit and watch, but we are called to use our spiritual gifts and serve continually.
Politics, life, and business are not spectator sports. You have to get involved to get ahead. Most importantly, when you reach that level of success, keep the door open and the ladder down for others to follow.
The creative act is not performed by the artist alone; the spectator brings the work in contact with the external world by deciphering and interpreting its inner qualifications and thus adds his contribution to the creative act.
It is our function as artists to make the spectator see the world our way not his way.
A successful work will draw out the features capable of exciting a sense of beauty and interest in the spectator.
One job is to be an actor, the other job is to be a spectator.
It is the spectators who make the pictures.
There is something about participating; it is almost my religion. If the world is still here in 100 years, people will know the importance of participating, not just being spectators. Millions of small groups around the world, that don't necessarily all agree with one another, are made up of people who are not just sitting back waiting for someone to do things for them. No one can prove anything, but of course if I didn't believe it had some kind of power, I wouldn't be trying to do it.
Whatever you do to recover from a loss, people will be critical because they believe that the only way to recover is their way. And you will even run into some people who should be run into by rhinos because they actually don't want to see you get over your tragedy at all; grief is a spectator sport for them.
A disturbing possibility exists that the television experience has not merely blurred the distinctions between the real and the unreal for steady viewers, but that by doing so it has dulled their sensitivities to real events. For when the reality of a situation is diminished, people are able to react to it less emotionally, more as spectators.
What you do is as important as anything government does. I ask you to seek a common good beyond your comfort; to defend needed reforms against easy attacks; to serve your nation, beginning with your neighbor. I ask you to be citizens: citizens, not spectators; citizens, not subjects; responsible citizens, building communities of service and a nation of character.
The epithet beautiful is used by surgeons to describe operations which their patients describe as ghastly, by physicists to describe methods of measurement which leave sentimentalists cold, by lawyers to describe cases which ruin all the parties to them, and by lovers to describe the objects of their infatuation, however unattractive they may appear to the unaffected spectators.
The history of mankind is a romance, a mask, a tragedy, constructed upon the principles of POETICAL JUSTICE; it is a noble or royal hunt, in which what is sport to the few is death to the many, and in which the spectators halloo and encourage the strong to set upon the weak, and cry havoc in the chase, though they do not share in the spoil.
Whence are we, and why are we? Of what scene The actors or spectators?
In my earlier paintings, I wanted the space between the picture plane and the spectator to be active. It was in that space, paradoxically, the painting 'took place.' Then, little by little, and to some extent deliberately, I made it go the other way, opening up an interior space... so that there was a layered, shallow depth.
Morality is not a spectator sport.
I would always rather be in the arena fighting than be a spectator.
The artist is a spectator, indifferent or impassioned, at the birth of his work, and observes the phases of its development.
The artist has some internal experience that produces a poem, a painting, a piece of music. Spectators submit themselves to the work, which generates an inner experience for them. But historically it's a very new, not to mention vulgar, idea that the spectator's experience should be identical to, or even have anything to do with, the artist's. That idea comes from an over-industrialized society which has learned to distrust magic.
It is no small honour that God for our sake has so magnificently adorned the world, in order that we may not only be spectators of this beauteous theatre, but also enjoy the multiplied abundance and variety of good things which are presented to us in it.
I think in space or music or art or literature of any kind there has to be some kind of void where the viewer or the spectator or the listener or the reader can insert themselves into it, and there is a certain kind of architectural space which is totalitarian, which does not allow you to do that.
My experience as a Jewish American has often been as a spectator of one-sided conversations, or more like monologues, about Israel, Jewish History, Jewish identity, etc. Although there are profound divisions amongst Jews on all of these topics there are not many opportunities for deep and thoughtful dialogue about them.
An image means nothing. It is just a door, leading to the next door. It will never happens that we will find the truth we are looking for just in an image; it will happen behind the last door that the spectator discover the truth, because of his own efforts.
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