I'm not a big raised stage fan.
I've been getting in trouble my whole life and I really don't care what anybody thinks of what I do on stage as a comic.
I loved being on stage. I was in elementary school when I started, so I couldn't say that it was about the building of characters.
My father is a university professor so when the schools needed a little kid for their productions I was often the kid they used. The first time I was ever on stage was about 2nd grade.
If you go on stage with the wrong attitude, or something in your performance is off, you can lose an audience in the first minute. That first minute is crucial.
I read stories aloud at every stage. I listen to my writer friends when they kindly offer criticism. I listen to my husband when he tells me something doesn't seem right. I have my mother's boyfriend, Loring Janes, read to make sure I get everything right with the machines and guns.
The only people playing the roles of classic rock stars are hip-hop artists, now. Kanye's stage persona, and the way he approaches making albums, and the way he wants to be better than everyone else? That's reminiscent of Freddie Mercury. That's reminiscent of the Beatles.
You leave part of yourself on every stage you're on. How could you not live in the air somehow?
It was not easy for my mother, being a struggling actress and raising a child. We were these two sort of vagabonds, never knowing where the money was going to come from. She always says she couldn't afford a babysitter, which is why she put me on the stage.
My vision had always been that I was gonna be a stage actor and that was it.
I can totally identify with the younger kids. I'll never do what Jon Spencer did to me when I was 16, though. I made a tape with my friends and I put it onstage right near his mic stand by the pedal board and he pulled it out with his foot, kicked it to the center of the stage, looked me in the eye and stomped it to pieces.
When I started performing, I decided that if in five years I couldn't earn as much money acting as I could as a teacher, it would be unrealistic for me to continue on the stage.
I was singing in a mall, and I picked a girl to come up onstage with me. As I was grabbing her hand, I fell off the stage. It felt like I was in the air forever, flying like Superman.
If I'm at home for the weekend - and that is almost never - I tend to get twitchy at about eight o'clock in the evening because my body clock is timed to go on stage. I don't know what to do with myself.
I don't feel nervous or fearful when I'm on stage.
I can drink on the job if I want to. I can go on stage with a beer and it's OK. I can say whatever I want. It's a great job to have.
I definitely have had friendships and moments with people from different backgrounds and in different stages of their lives.
I enjoy being on stage with other artists. I have a chance to watch and see people responding to the other artists songs. I get to see how people are affected by the music.
I am basically the sort of person who has stage-fright teaching. I kind of creep into a classroom. I'm not an anecdote-teller, either, although I often wish I were.
When I was a child, I went to stage school three times a week in the evenings - singing, ballet, tap, modern and acting, and I loved it.
On stage, I'm me. I'm a husband, I'm a dad, I'm a guy, I'm a mess - but I am a cohesive thing that you recognize as one human entity saying these things that he generally believes.
With Twitter, you just want to make people laugh in their meeting; on stage, people have paid for their tickets with their hard-earned money, so I owe them the truth as I experience it.
If it's stage, the two most important artists are the actor and the playwright. If it's film, THE most important person is the director. The director says where the camera goes.
I prefer film to the stage. I always like the rehearsal better than I like performing.
If I had my druthers, I would do only stage work.
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