I've always wanted to write comic books, my earliest memories are of waiting for Dad to come home from work, and, secreted in his lawyer's leather briefcase, would be comics from the store.
I can kind of fit the women's and the men's samples in a very similar way, just because of where my body is in my life, and I feel like it's modern to mix. I don't really understand, when we have so much conversation about the barriers being broken down, how you can have one side of the store and the other side of the store, and men's wear is cheaper.
Dad, once an aspiring architect, drove his own catering truck to feed factory workers in downtown Los Angeles, and mom, with a Mensa IQ and mathematical gifts, served as a bookkeeper and worked in a grocery store while pursuing her calling in music: playing piano and composing songs. Perhaps in a way, part of my drive was to complete their unfulfilled ambitions and dreams, but in my own way.
I think Shazam is one of the coolest inventions on the planet, and whether I was in a thrift store or in my car, every other week I was Shazaming another Best Coast song.
In a way, all recorded music is reduced to the same level, no matter what it is. You find it in the store, you put it on and, "Oh, that's not cool. That's gangsta rap. That's white supremacist punk." But in a way, the content is removed from the intention of the people that made it. That's the commercial level of music.
When I was living in Boston I worked in this store that played the college radio station. I had to listen to it all day, and I didn't care for most of it.
I became alcoholic at around age of 13 or 14. I was full-blown. Every day we would hide the alcohol, stealing from stores or stealing it from our parents and hiding out in dirt fields and drinking it before school and after school.
Oddly, I think if you look at comic books, you look at the shelves in the store, it's predominantly male characters, historically. But if you look outside the window it's 52-percent female, and something odd is going on there. So I do think it's your responsibility as a writer, really, to create stuff that little girls can get into too. I want my daughters to have role models that are female.
Comic artists have always been part of my social circle. I just like hanging out with artists, and I always see them at conventions or a store signing or something. "Hey, we should do something together."
I was twenty-one when I was hired by Planned Parenthood. It was my first work experience outside of either temping or working for my father at his store.
The first job I got when I was in high school was working for a department store in New York. I worked in the stockroom. That's when I learned that I couldn't work for anyone else, because I was spoken to in a way that I wasn't spoken to at home.
You can't ask someone who is not making that kind of money to go to the record store and buy an album when someone down the street has the same record with same sound quality for $5.
I wasn't a great improviser when I started there; I'm not really up on current events. I would always just mug, just try to get my laughs from making faces. So I decided to do a character who should never have become a comic - somebody you would see at the Comedy Store and go, "This person is never going to make it."
In my world [of fashion] there's more things that kind of affect it. There's the retailers we do business with, our own stores, my merchandising team... Everybody has opinions, and so you definitely have to filter through a lot.
When I discovered blues - I was 12-years-old - I didn't discover it in America where it was from; I discovered it from Fleetwood Mac - the original Peter Green Fleetwood Mac, Saveloy Brown - like British blues interpretations of it,' which then, when I started the liner notes and seeing all these names, I was like, 'Who's Willie Dixon?' Then I go to the record store and ask the guy there and he goes, 'Oh, you don't know anything.' And so, to me, that's the root of most of it anyway.
If you take skinny jeans - skinny jeans didn't just happen in the US, they were happening in Japan, they were happening in the UK, they were happening everywhere. Some places a little faster than others. But, if we look at our best sellers in this store, they're the same best sellers that we have in the States.
Having your own store is one of the most immediate ways to connect with the customer, to really get to know her and develop a more intimate relationship.
I used to go to this store called Draeger's and you had a little bit of that same feeling because this was a store that offered you so many varieties, things you'd never contemplated before, you know like 250 mustards and vinegars and over 500 different kinds of fruits and vegetables, or over 2 dozen different types of water.
This is at a time when you know most of us drank tap water, so I used to go to this store and examine all the varieties and we used to marvel at all the choices out there, but I found that I rarely bought anything and I kind of thought that was kind of curious. I mean, they had things that the other grocery stores didn't have and yet I never bought anything.
One day I went to the manager and I asked him whether his model was working and he said, "Well, haven't you seen how many customers we have in this store?" And yes indeed I had. I mean it was definitely attracting a lot of customers, even attracting tourist buses that would land up at this store and people would go through the store and marvel at all the options, even sometimes take photographs of the various aisles.
In fact, even in that store Draeger's they had 348 different kinds of jam actually in the jam aisle. And what we found over about, say, 10 years of research is that as the number of choices actually increase people are less likely to make a choice and sometimes they do this even when it's really bad for them.
I mean it wasn't that they sat around thinking oh gosh I needed more choices in my grocery stores the way I had come to think about it as an American growing up.
I think I discovered my first, you know, my first image of a naked woman was sort of sneaking a peek at one of those magazines that was in my dad's store.
I found this really fantastic used record store in Japan, and I bought all these different records and different 45s, and one of the 45s was just, it had the theme, "Green Leaves of Summer," the theme to "The Alamo" on one side, and then on the flip side was a theme to, the theme to "The Magnificent Seven."
It's like the iPod playlist has killed the way we think of the normal album, so let's think of this as just saying you go into your record store and all those categories and all those different ways of segregating music have been thrown out the window, so the difference between myself in real life in that is that I'm the opposite.
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