I had an epiphany where I realised that there are song titles everywhere - in advertising, in conversations with people at the grocery store - and every time I open my mind to that and find titles, I then weave a story around that.
If you want a good handbag and glasses, it's hard to get something without the brand name on it because it's so important to have the charmed inscription. The only way you do it... This handbag was the only one in the shop without a charmed inscription. It's just an ordinary bag. I went into the department store in Sloane Square, because I needed a new bag, because my old one lost its handles. Then I found this one, and I said "Why is it so cheap?" and the seller said, "Because it doesn't have a name!"
I remember reading a book that was on songwriting at some point that I found in my dad's store, and just... I did not relate at all. I've always hated structure of all kinds, it just doesn't work for me. I can never fit into the schedules of other people. It's like putting a schedule on your song, and it doesn't allow you to be moved by your own music.
After finishing art school I was applying to stores like Home Depot and Walmart. You know, places where you have to take a urine test before you get your minimum wage. Even those places wouldn't hire me. So I was lucky when I got included in a group show at the Richard Heller gallery that kind of started my art career.
I wrote a number of poems about Kah Tai lagoon, when Safeway was building that huge, ugly store down there where I used to love to watch the birds nest. That political poem, or environmental poem, was unsuccessful because Safeway built there anyway. And yet the poem has something to say today, as it did then. And I speak here only of my own poems. The agenda for every poet has to be different because most of us write from direct human experience in the world.
I feel really passionately about safe, comfortable roads, crosswalks, and sidewalks. Everyone of all economic backgrounds should be able to get to school or the grocery store safely and efficiently so they can live better lives.
When I'm in New York I love to stay at the Mercer Hotel, and the C. Wonder store was so part of my New York experience from staying downtown. What I love the most about the brand is the enthusiasm that the customer has for it.
And it's significant that he has been using the, you know, language of betrayal in his rhetoric about Turkey. He called the shoot down a treacherous stab in the back by an accomplice of the terrorists. And that suggests that there could still be some harsh revenge in store for Turkey.
I'm such a goody two-shoes, I don't even taste the fruit at the grocery store. Like oh, are these grapes good? I can't even do that. I'm that much of a rule-follower.
I thought that if I practiced doing melodies for a year or so at home, I would learn to think melodically, and when I went to work it would come out, and it did, on this album. What else was important to me...? I spend a lot of time in the grocery store, shopping.
My books are offered through Podiobooks.com and the iTunes Music Store as free audio downloads. I don't sell them.
When you walk into a store and you want to buy something, you give them cash and they sell it to you. But very often, you walk into our "store" and you want something - a credit card, maybe, or a loan - and very often the answer is "No," even if you're a large corporation.
I can kind of fit the women's and the men's samples in a very similar way, just because of where my body is in my life, and I feel like it's modern to mix. I don't really understand, when we have so much conversation about the barriers being broken down, how you can have one side of the store and the other side of the store, and men's wear is cheaper.
Dad, once an aspiring architect, drove his own catering truck to feed factory workers in downtown Los Angeles, and mom, with a Mensa IQ and mathematical gifts, served as a bookkeeper and worked in a grocery store while pursuing her calling in music: playing piano and composing songs. Perhaps in a way, part of my drive was to complete their unfulfilled ambitions and dreams, but in my own way.
In a way, all recorded music is reduced to the same level, no matter what it is. You find it in the store, you put it on and, "Oh, that's not cool. That's gangsta rap. That's white supremacist punk." But in a way, the content is removed from the intention of the people that made it. That's the commercial level of music.
When I was living in Boston I worked in this store that played the college radio station. I had to listen to it all day, and I didn't care for most of it.
Comic artists have always been part of my social circle. I just like hanging out with artists, and I always see them at conventions or a store signing or something. "Hey, we should do something together."
I was twenty-one when I was hired by Planned Parenthood. It was my first work experience outside of either temping or working for my father at his store.
You can't ask someone who is not making that kind of money to go to the record store and buy an album when someone down the street has the same record with same sound quality for $5.
I wasn't a great improviser when I started there; I'm not really up on current events. I would always just mug, just try to get my laughs from making faces. So I decided to do a character who should never have become a comic - somebody you would see at the Comedy Store and go, "This person is never going to make it."
Having your own store is one of the most immediate ways to connect with the customer, to really get to know her and develop a more intimate relationship.
I used to go to this store called Draeger's and you had a little bit of that same feeling because this was a store that offered you so many varieties, things you'd never contemplated before, you know like 250 mustards and vinegars and over 500 different kinds of fruits and vegetables, or over 2 dozen different types of water.
One day I went to the manager and I asked him whether his model was working and he said, "Well, haven't you seen how many customers we have in this store?" And yes indeed I had. I mean it was definitely attracting a lot of customers, even attracting tourist buses that would land up at this store and people would go through the store and marvel at all the options, even sometimes take photographs of the various aisles.
In fact, even in that store Draeger's they had 348 different kinds of jam actually in the jam aisle. And what we found over about, say, 10 years of research is that as the number of choices actually increase people are less likely to make a choice and sometimes they do this even when it's really bad for them.
I found this really fantastic used record store in Japan, and I bought all these different records and different 45s, and one of the 45s was just, it had the theme, "Green Leaves of Summer," the theme to "The Alamo" on one side, and then on the flip side was a theme to, the theme to "The Magnificent Seven."
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