Regardless of how well a studio is run, it's only as good as the product it produces.
Well, I actually first got into music as a small child, and as I became a teen, I sought out making money from music, weather that was singing lounge gigs, backup in studios, or weddings.
Recently I have been working in the country, where, carving in the open air, I find sculpture more natural than in a London studio, but it needs bigger dimensions. A large piece of stone or wood placed almost anywhere at random in a field, orchard, or garden, immediately looks right and inspiring.
Where did I learn to understand sculpture? In the woods by looking at the trees, along roads by observing the formation of clouds, in the studio by studying the model, everywhere except in the schools.
I think, when I started to become successful in the movie business, my mother was very, very worried. She thought no one would want to marry me and she thought that was the most important thing. And she thought that it would affect my personal relations. And she said how worried she was that people would take advantage of me or I would meet the wrong people. When I was made head of the studio, one of her first things was, "Well, now no one will marry you. I hope you'll be happy, whatever."
Some very famous directors have started in the mail room, which is just getting inside the studio, getting to know people, getting to know the routine.
I never saw myself so much as an actor. I wanted to be a cartoonist like Charles Schulz and create my own world and be able to have a studio at home and not commute and be able to be with my family.
Recording an album and doing it live are like two different animals. There are some people that are great singers live, horrible in the studio.
In the studio the director controls the actor's every move, every inflection, every expression.
Love is a publicity stunt, and making love, after the first curious raptures, is only another petulant way to pass the time waiting for the studio to call.
I would have been content to just do studio work, making it on my own never really entered my mind.
This blacklisting is going to collapse because it is rotten, immoral and illegal. I am one day going to be working openly in the motion picture industry. When that day comes, I swear to you that I will never sign a term contract with any major studio. I will, proudly and by preference, do at least one picture a year for King Brothers, and I will try to make it the best picture that I have it in me to do
I am one day going to be working openly in the motion picture industry. When that day comes, I swear to you that I will never sign a term contract with any major studio
But in marketing, the familiar is everything, and that is controlled by the studio. That is reaching its apogee now.
The studios have been taken over by marketing people and accountants.
I'm working on a snow scene right now, and it's summer. It's hot, and I will get chilly. I'll have to turn on the heat. My wife walks in, and it's 95 degrees in the studio. I know it's nutty, but it's a projection you have where you step into the painting.
I've always felt that complement of opposites: body and soul, solitude and companionship, and in the dance studio, contraction and release, rise and fall.
Then began an experience that turned my life around-working on a book with a black kid as hero. None of the manuscripts I'd been illustrating featured any black kids-except for token blacks in the background. My book would have him there simply because he should have been there all along. Years before I had cut from a magazine a strip of photos of a little black boy. I often put them on my studio walls before I'd begun to illustrate children's books. I just loved looking at him. This was the child who would be the hero of my book.
A studio recording is perfection, but emotion and passion come only when you turn on the machine and go for the groove. If you do that with no mistakes, it sounds beautiful.
It is always weird to be in the studio working on Christmas music in June and July, so we decorated the entire studio, we really did. We brought out lights, fake trees and decorated the place to get in the Christmas spirit. You'd leave the studio, and it'd be 100 degrees out in Nashville, but nonetheless, a great experience.
You could just do independent movies, but I like bigger kind of studio movies, at least some of them.
There was a time when my mum would sew costumes for the dance studio so we could keep doing our classes because we couldn't afford them.
The list of photographs that I am missing while I sit on airport runways, teach classes or spend hours in the studio makes my head spin. It's almost as if I can actually sense all the great pictures that I'm missing at a given moment. It's times like those that remind me to be very productive when I do get behind-the-camera time.
But here I am today recording this and I'm in the studio with all the others on a clean mic. It's extraordinary, the actor's found a way of doing it for himself.
No, I'm at full height, I'm in the studio, I can actually catch actors by the eye, it's fantastic.
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