Everyone with the new generation is about the social network and YouTube, so if you put a proper version of what it should ideally be, I think it's great. All the stuff on YouTube is there as a back-up! I think that's the way it should be.
I drew when I was very, very young. My mom kept stuff I drew when I was 2 and a half years old, because it looked like, you know, like a jaguar as opposed to a cheetah.
I've never been able to read for anything, and every time I have, I've never gotten the part. And I don't know why that is. I just can't. Reading or auditioning for something... It's like it's this mental block in my brain, and I just can't do it. But when people ask you to do stuff without making you go through that, it's a much more pleasant experience.
The whole thing with eastern music and instruments, I love all that stuff.
There are a lot of people that don't scour websites regularly or read music reviews. They need whatever, the other kinds of stuff, whether it's an appearance on Lettterman or posters or ads. They need to kind of be hit more in the face and be told that there's something new out there.
Some things, I feel like no, I never could have the depth of experience of their own music and culture - but sometimes if I'm collaborating with somebody, they're interested in me bringing my own stuff into their thing, and sometimes that works.
I'd been keeping tour diaries, and especially when I go somewhere where I felt the experience might be interesting, like Eastern Europe or South America or whatever, where the whole perception of what I was doing there and stuff that I was seeing and music I was hearing, I could put all that into a diary.
Once you land on who you think the character is and what his conflicts are, you have to let that lead you. You have to throw all that other stuff away and not be worried about this epic responsibility, or it will just crush and paralyze you.
We could tell them [alien civilization] things that we have discovered in the realm of mathematical physics, but there is stuff that I would like to know. There are some famous problems like how to bring gravitation and quantum physics together, the long-sought-after theory of quantum gravity. But it may be hard to understand the answer that comes back.
I like to do stuff real and practical and in camera, as much as possible. I like old school filmmaking.
I do Comic-Con and stuff all over the world. They can be taxing and they can take it out of you a little bit, but it's just great for the fans. They get such a kick out of it.
My mom and I are very honest with each other, almost to a fault. But that's just the way I am in life. If you listen to my record, I'm just honest about stupid stuff most normal people wouldn't put in a pop song.
Here's the new art of the twenty-first century: the art of curating, the art of plucking all the good stuff from a superabundance of crap.
Bikes are clearly a superior form of transportation when it comes to just simple getting around. A car makes sense if you need to carry a bunch of stuff.
I have an eclectic taste in stuff whether it be movies or music or books or food or anything. Variety is interesting.
I go through a lot of bad stuff, because most of the stuff that's written is pretty bad. But occasionally something comes along that's good, and I want to do it.
When I'm on set, I do whatever I can to find my focus. One thing that stays pretty consistent for all my jobs is, I listen to a lot of music while I'm working. Because when there's all this stuff going on, for me to be able to put on headphones and listen to music helps me keep my focus,. A big part of creating a character for me is finding the general palette for what kind of music I'm going to be listening to.
My dad was a big fan of comedy. He wanted to be a stand-up. He loved Lenny [Bruce]. He also loved Lord Buckley and jazz and stuff. He was a hipster. My parents were kind of beatnik-y, you know, for Salt Lake City. But my humor, I think, came from wanting to disarm people before they hit me.
I don't really get attached to anything. I'm pretty brutal about cutting stuff. With each successful movie, I've discovered anything that's not connected to the immediate story is going to be cut out of it.
I'm pretty brutal about getting rid of stuff. There wasn't anything where I was like, "Oh, I miss that," because usually it's for a good reason.
Everybody needs to read a lot of revolutionary stuff, because the revolution is a big part of our will to live.
He [Donald Trump] is a tough boss. I've known him for decades. He hasn't changed very much. He's a driven person, highly intelligent, and he's very motivated, very charismatic, and he is tough as nails in the sense there's no slack there. You can't put anything over on Donald. Donald can see right through someone trying to dissemble or spin stuff.
I just want to say that, all you do, no matter how bad your diet is, for the first six months or year, I just reduce the amount, even if it's horrible stuff. That you can deal with it.
If I had to spend equal time doing paintings, and equal time going to galleries and doing art business, and equal time making music, and equal time going to record companies, or to the publicist or to the lawyer, forget it. It would take four times as long to do all that stuff. Unless I had a patron. That's why Leonardo da Vinci was successful. He had the Medicis, right?
I'm not one of these guys to do my solo stuff one night and Black Sabbath the next. I can't do that, you know. It's too much to handle.
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