I do feel that even though I didn't grow up being a big sci-fi fan or comic books or superhero fan, I felt myself definitely gravitate towards these movies that have a high concept and yet they're giving you a moral dilemma within that.
The thing about superheroes is that they don't have problems, right? A feminist hooker superhero wouldn't have to worry about assault, or pregnancy, or poverty, or disease, or eating and shelter, or police. In order to make her a superhero, you have to divorce her of the very context that makes her story possible. You have to gloss over the trauma.
Part of battle has been getting Hollywood to recognize that comic books and superheroes are not synonymous. That's been a huge breakthrough, just in recent years really, and as a result of that recent breakthrough, we've had movies like 300, Road to Perdition, and A History of Violence, that very few people realize were based on comic books and graphic novels. It's very important to make that differentiation.
The cool thing about Watchmen is it has this really complicated question that it asks, which is: who polices the police or who governs the government? Who does God pray to? Those are pretty deep questions but also pretty fun questions. Kind of exciting. It tries to subvert the superhero genre by giving you these big questions, moral questions. Why do you think you're on a fun ride? Suddenly you're like how am I supposed to feel about that?
At the end of the day, it's a show [Daredevil ] not about a superhero, but it's about a man. Hopefully, that's what we're doing with The Punisher, as well. It's an enormous honor to play this character. It's a character that's quite iconic and very important to a lot of people.
When you think about justifiable anger in one's personal life, we look at those scenarios in everyday life and through our story with a superhero, we heighten them.
It's very, very tempting to make a superhero film or show and make it about the powers.
If I like hardcore straight-edge punk music, gentle psychedelic folk music, gangster rap, indie-rock with a lot of guitar pedals, and I find inspiration from all these things in different songs of mine, shouldn't I be allowed to make any of this kind of music that I want? And it's the same for the comic books, why should I only make autobiographical stories? Or only political stories? Or only superhero stories? Or only comedy stories? I am a bit creatively desperate, when I sit with a pen and paper I am desperate for ANY idea that makes me excited, I don't care what kind of idea it is!
I've never done real sci-fi. I've never played an alien. I've never played some sort of superhero. Which I'd love to do!
I'm frankly shocked that Hollywood hasn't called me to do a superhero.
I think James Bond is a spy. He's not superhuman. Calling him a superhero is like calling James Bond movies "comic-book movies."
I could name you a dozen superheroes whose powers I'd like to have. But if I could have any power in the world, it would be the power to read or watch a creative work and absorb the technical skill of the people who made it. Because then I could have even more fun writing. That's my core identity.
Ive always loved the power of stories to transport me to another world, to imagine extraordinary possibilities, to experience things I may not have access to in my regular life - like being a superhero! Also, I would always put on shows for my family and the neighbors; I guess I was an actor before I even knew it.
When you're a black superhero you can't erase the notion that you're black.
I'm not a superhero fan. I don't see those films. I'm not interested.
What really, really inspires me is that you don't see many black superheroes on television.
There's a heroic amount of effort that goes into making him [Doctor Strange] a superhero by the end of the film.
I think the superhero platform gives the female character, you know, a relate-ability for the male audience as well. So, I think that's why people are kinda gravitating towards female super hero characters, and also female characters in general as big parts of the film. So, that's great for us, female actors who want to do roles like that, which is really great.
When you are portraying a person that is very real, in my case, Katherine Johnson is still alive, she is 98-years old; there is a responsibility to get it right. I guess the biggest thing that I took away from Katherine was her humility. When you talk about superheroes there are selfless, they don't think about themselves, they put humanity first.
I don't have any interest in doing superhero franchise movies. I don't connect to the fantastic and I'm not a comic person, it's just not my thing, so I'm not looking in that direction - but ambitious films on a big scale I'm very interested in looking at. I'm interested in reality, I'm interested in people, so it's just about finding a project I'm interested in.
I was the first person to tweet from space, but now every astronaut tweets from space and does Instagram and Snapchat and Face - they have Facebook going. I think it's more of a personal relationship they have with space now. They see it as more obtainable than me watching my superhero Neil Armstrong and Buzz Aldrin walking on the moon. It's like, there's no way I can do that.
I became a writer through drawing first and then a comic book obsession - Marvel Comics, in particular. I invented a world of superheroes starting in third grade with my classmate, Wai-Kwan Wong. In a classroom of forty kids, let's just say there was a lot of undirected time. But this was good because I was a dreamy boy.
I would love to maybe shoot a movie or something, but end goals: I just want to play a superhero. I think that would be so much fun. I'm putting that energy into the universe for sure.
It's fun to be the subservient character who is too dumb to know when to stop trying to win against the awesome superhero.
I want to be a superhero, I want to be Spider-Man or Batman. Will you let me know if you have any connections? Let's make it happen.
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