I think you're always afraid when you go into like a big superhero movie that it's gonna be kinda just action and you're not gonna be able to just really go to the bottom of the characters.
Some of the greatest actors have turned superheroes into a serious business: Michael Keaton and Jack Nicholson in Batman; Ian McKellen and Patrick Stewart, the first venerable knights of the X-Men, who have now passed the baton to Michael Fassbender and James McAvoy.
I'm the freaky version of that superhero who says, wherever there is injustice, I shall be there. Whenever there is a difficult project, I'd like to be there.
I really want people to know that I am a normal girl. I'm not a superhero now. I'm not some sort of celebrity that doesn't have feelings. I'm very, very normal.
I definitely have a kind of Stockholm Syndrome for superhero movies because it's very clear that's the era we're in. It's like Christianity in the Middle Ages.
I've always really loved action films, but I don't see myself as a superhero girl.
I loved the movies and I loved cartoon superheroes - superheroes in general. I had all the pajama costumes and I would wear my underwear on the outside of the pajamas because that's what Superman does.
I think James Bond is a spy. He's not superhuman. Calling him a superhero is like calling James Bond movies "comic-book movies."
I think that superhero comics in particular are really useful for talking about big emotions and feelings, and personifying and concretizing symbols.
If there's any sort of superpower we desperately need right now, it's this transcendental force that reminds us of union and connection. I think that superhero stories come from somewhere. We make these aspirational images, to remind us that we have this capacity in ourselves already. I think that electricity can run through disconnected wires. Superheroes, every single one of them, come from the world of imagination and they're played by humans, they're written by humans, and it's in the belief that we invest in these characters that they come to life.
I think the superhero platform gives the female character, you know, a relate-ability for the male audience as well. So, I think that's why people are kinda gravitating towards female super hero characters, and also female characters in general as big parts of the film. So, that's great for us, female actors who want to do roles like that, which is really great.
When you are portraying a person that is very real, in my case, Katherine Johnson is still alive, she is 98-years old; there is a responsibility to get it right. I guess the biggest thing that I took away from Katherine was her humility. When you talk about superheroes there are selfless, they don't think about themselves, they put humanity first.
I was the first person to tweet from space, but now every astronaut tweets from space and does Instagram and Snapchat and Face - they have Facebook going. I think it's more of a personal relationship they have with space now. They see it as more obtainable than me watching my superhero Neil Armstrong and Buzz Aldrin walking on the moon. It's like, there's no way I can do that.
I'm that mild-mannered guy, but when we get on that stage, I think there is a magical force, and everyone sort of turns into a superhero. I get my gear on and I just go to battle. When you hit that stage, something comes on. It creates a different kind of energy.
The greatest gratification that I get to work with these hands is that when I come out and I go to the waiting room and speak and talk to the families of my patients, I get standing ovations and I get tears and they look at me as superhuman and superhero. No amount of money, no amount of anything can ever compare to that feeling.
I hung out with a lot of the riders to get their attitude and they're all like men. Men among boys. They have a certain calm to them which is really impressive. They go out there and they're racing 80 miles per hour, or jumping 60 foot jumps, I think they get all their adrenaline out. So during the day, they're just quiet, aloof and stoic superheroes kinda, you know what I mean? They're very, very respectful. It's a very family oriented sport. Everybody knows everybody so there's a lot of respect and understanding.
David Zucker was great! Those guys are funny. I mean, they are funny. There's a wonderful thing about doing that kind of work like Superhero Movie: You have to be real, but you also have to get the laugh. There you are, your director and the producers are right there at the monitors, and you either get the laugh or you don't. And so you just do it until you get the laugh.
Comics are not illustration, any more than fiction is copywriting. Illustration is essentially the application of artistic technique or style to suit a commercial or ancillary purpose; not that cartooning can't be this (see any restaurant giveaway comic book or superhero media property as an example), but comics written and produced by a cartoonist sitting alone by him- or herself are not illustrations. They don't illustrate anything at all, they literally tell a story.
Avengers was cool. I liked it. But I feel like we haven't seen this side of the superhero universe. So I think fans want to see it, too. If everything is perfect and shiny and everybody has Quinjets and mansions, it just gets a little... I don't know. I'm ready for something different.
I don't have any interest in doing superhero franchise movies. I don't connect to the fantastic and I'm not a comic person, it's just not my thing, so I'm not looking in that direction - but ambitious films on a big scale I'm very interested in looking at. I'm interested in reality, I'm interested in people, so it's just about finding a project I'm interested in.
There's a heroic amount of effort that goes into making him [Doctor Strange] a superhero by the end of the film.
What really, really inspires me is that you don't see many black superheroes on television.
When you think about justifiable anger in one's personal life, we look at those scenarios in everyday life and through our story with a superhero, we heighten them.
I became a writer through drawing first and then a comic book obsession - Marvel Comics, in particular. I invented a world of superheroes starting in third grade with my classmate, Wai-Kwan Wong. In a classroom of forty kids, let's just say there was a lot of undirected time. But this was good because I was a dreamy boy.
Women are the real superheroes because they're not just working. They have a life and everything. I'm super lucky because I come home and I don't have to run errands and clean the house and do all that. Some women have all of this to do, too. And they manage and they live longer. How we do that, I don't know.
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