The more you humanize superhero characters, the more they're relatable. The more they have a vulnerable point, whether it's emotionally or their superpower, or whatever, we relate the superpower or the loss of a superpower to their emotions. It's just fun to walk through that.
The superhero shows and movies are always having the spotlight on the superheroes themselves. It's never about the people who are living in that world and then trying to go about their life without the superheroes involved. It's about what that actuality would be like.
I think kids love superheroes, and the more you can crowd into a story, the more excited they get.
I feel like you have to earn something with an audience. If I just did it now, I think producers on any superhero movie, I think they wouldn't trust me to do it the way I'd want to do it, because I'd want to do something basically really strange. I think you have to earn that freedom to do stuff like that. So I think, if I keep kind of chipping away, trying to do good movies and interesting, strange movies then people will eventually trust you to do that on a bigger scale.
There are a lot of discussions where people will decide that James Bond is a superhero, because he's a larger-than-life hero who beats the bad guys by doing larger-than-life things. And I don't think that's a useful definition.
There's Doom Patrol, which is the world's strangest superheroes, and they're making their return.
I'm not even against superheroes. It's not my cup of tea. But there's just this endless stream of them and they are so repetitious and suspend certain rules in a way that I don't find dramatically helpful. The imperviousness can be too much.
It's become almost a cliche at this point that movies in the general sense are the place you go for superheroes and explosions and TV is where you go for actual storytelling.
I'd like to get into the superhero genre. I'd love to do either a DC or a Marvel character. I just love the way they're approaching these characters in these films. I also would love to get back into some romantic films. I love romance films, especially between people of color, because we don't really explore that enough. I would love to do that.
I just think adding superheroes to something instantly makes it more interesting. I have a friend who says every movie should either be a Spider-Man movie, or at least have Spider-Man in it. I thought it was such a brilliant quote. It kind of is true, in a weird way.
I like [that] there's a certain inherent drama to those jobs that is exciting to tell stories about and it's still real life. I'm a little less interested in the current fad of being obsessed with superheroes and things that are so out of the box.
It's a strange place where the film industry is at. I guess you could just play superhero after superhero. That seems to be the only guaranteed big-money thing. I don't know.
The media need superheroes in science just as in every sphere of life, but there is really a continuous range of abilities with no clear dividing line.
I'm not that interested in female superheroes.
People have called me Superman my whole life. In various sports, that seems to be the common theme. My favorite superhero is actually the Incredible Hulk. He's the only superhero that can't die.
It's so great in Hollywood now. You have people past 40 sitting and talking about serious stuff, writing and making movies and TV, but there's laser pistols and superheroes and alien monsters involved. It's viable and mainstream.
I am not, in fact, a superhero. Just a humble, mild-mannered civil rights attorney.
I'd hear some beautiful Sade or Kings Of Convenience ballad remixed in a club and I liked that these simple little songs seemed to be masquerading. They had put on superhero costumes, got all beefy, and here they were on the dancefloor. I was interested in that. I can't make electronic beats, so I leave it to the pros like Boys Noize and Chromeo.
I love action-adventure-type films - mythical adventures like 'Lord of the Rings' or superhero films like 'Batman.'
One of the weapons Marvel used in its climb to comic-book dominance was a willingness to invent new characters at a dizzying speed. There are so many Marvel universes, indeed, that some superheroes do not even exist in one another's worlds, preventing gridlock.
As a child, these colourful superheroes that could fly, or were horrifying like Ghost Rider and the Hulk, with this tremendous rage or these supernatural powers, provided an escape for me from my mundane existence, from my lack of friends or my inability to communicate well with people. They liberated me.
I would love to play a superhero. I wish I could be in 'The Avengers,' kicking butt.
Marvel and Disney and all the other superhero movies have to stay within this box and this is an opportunity to jump outside that box. To be the apple among oranges, and really embrace it. So, in terms of us getting what we wanted and what we originally wrote, we largely stayed consistent to that.
There probably aren't a lot of new superheroes around, so whenever one appears, it makes a bit of noise. Really, most of the people who are my friends write characters they loved as children. I get that, as well, because that's why I got into comics. But I'm also taking this massive liberation creatively, going off and doing new stuff. The first and foremost reason I do it is because I think they're fun, and I can do anything I want. I'm not constrained by continuity.
I loved Superman as a kid, and to me, this was my superhero.
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