Surroundings Quotes - Page 14

• The man whose whole activity is diverted to inner meditation becomes insensible to all his surroundings.

  Emile Durkheim

  Men, Meditation, He Man

  John A. Spaulding, George Simpson, Emile Durkheim (2010). “Suicide”, p.279, Simon and Schuster

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• The surroundings householders crave are glorified autobiographies ghost-written by willing architects and interior designers who, like their clients, want to show off.

  T. H. Robsjohn-Gibbings

  Vanity, Want, Clients

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• The separation of science and non-science is not only artificial but also detrimental to the advancement of knowledge. If we want to understand nature, if we want to master our physical surroundings, then we must use all ideas, all methods, and not just a small selection of them.

  Paul Feyerabend

  Knowledge, Science, Ideas

  "Against Method". Book by Paul Feyerabend, 1975.

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• In addition to the well-known benefits of health and well-being derived from exercise, there are other unique advantages to being a runner. You are more attuned to not only your body but also the world around you. The outdoor life you lead as a runner gives you a special relationship with your surroundings: nature, the climate, the seasons. As you depend on these things to accommodate your activity, you grow to understand and appreciate them.

  Grete Waitz

  Inspirational, Exercise, Unique

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• Man is the being who is involuntarily and voluntarily busy with himself and his surroundings, between two broadcasting stations of good and evil, until one or the other ultimately prevails.

  Muhammad Atta-ullah Faizani

  Men, Two, Evil

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• I suspect it is for one's self-interest that one looks at one's surroundings and one's self. This search is personally born and is indeed my reason and motive for making photographs.

  Lee Friedlander

  Photography, Self, Looks

  Lee Friedlander (1970). “Self Portrait”

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• Arguments against photography ever being considered a fine art are: the element of chance which enters in, — finding things ready-made for a machine to record, and of course the mechanics of the medium. I say that chance enters into all branches of art.

  Edward Weston

  Photography, Art, Opportunity

  "The Daybooks of Edward Weston: California".

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• ...everything around us, dead or alive, in the eyes of a crazy photographer mysteriously takes on many variations, so that a seemingly dead object comes to life through light or by its surroundings... To capture some of this - I suppose that's lyricism.

  Josef Sudek

  Photography, Crazy, Eye

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• I am not very interested in extraordinary angles. They can be effective on certain occasions, but I do not feel the necessity for them in my own work. Indeed, I feel the simplest approach can often be most effective. A subject placed squarely in the center of the frame, if attention is not distracted from it by fussy surroundings, has a simple dignity which makes it all the more impressive.

  Bill Brandt

  Photography, Simple, Often Is

  Bill Brandt (1993). “Bill Brandt: Selected Texts & Bibliography”, MacMillan Publishing Company

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• I like making black and white films in natural surroundings, but I much prefer shooting a color film inside a studio where the colors are easier to control.

  Claude Chabrol

  Black And White, Color, Shooting

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• My work is purely autobiographical... It is about myself and my surroundings.

  Lucian Freud

  Artist

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• There's something about the awareness of the limits that makes you tune in more to your surroundings and I've experienced a lot of pleasure or even joy in working with those alternatives and also it's made me so much more aware of just how much work we can make those sources of supply do for us, whether it's electricity or fossil fuels.

  John Lindsay

  Joy, Tunes, Alternatives

  Source: williamlittlesociology.wordpress.com

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• I never really thought in terms of the concept of being a rock star - being around people like that just seemed like normal day-in-the-life stuff to me. Those were just the surroundings I grew up in.

  Anthony Kiedis

  Stars, Rocks, People

  Interview With Dimitri Ehrlich, www.interviewmagazine.com. September 24, 2011.

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• People took such awful chances with chemicals and their bodies because they wanted the quality of their lives to improve. They lived in ugly places where there were only ugly things to do. They didn't own doodley-squat, so they couldn't improve their surroundings. so they did their best to make their insides beautiful instead.

  Kurt Vonnegut

  Beautiful, Ugly Things, People

  Kurt Vonnegut (1973). “Breakfast of champions: or, Goodbye blue Monday!”, Dell

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• A work of art wastes away and becomes lustreless in surroundings where it has a price but not a value. It radiates only when surrounded by love. It is bound to wilt in a world where the rich have no time and the cultivated no money. But it never harmonizes with borrowed greatness.

  Ernst Junger

  Art, Greatness, World

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• [Jesus] matters because of what he brought and what he still brings to ordinary human beings, living their ordinary lives and coping daily with their surroundings. He promises wholeness for their lives. In sharing our weaknesses he gives us strength and and imparts through his companionship a life that has the quality of eternity." (Dallas Willard in Ruthless Trust - Brennan Manning)

  Brennan Manning

  Jesus, Giving, Promise

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• We're only passers-by, and all you can do is love what you have in your life. A person has to fight the meanness that sometimes comes with you when you're born, sometimes grows if you aren't in lucky surroundings. It's our challenge to fend it off, leave it behind us choking and gasping for breath in the mud. It's our task to seek out something with truth for us, no matter if there is a hundred-mile obstacle course in the way, or a ramshackle old farmhouse that binds and binds.

  Jane Hamilton

  Fighting, Challenges, Tasks

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• She's my friend, the boy said simply. That's who she is and that's enough for me. As Minli looked at the buffalo boy, aglow with happiness against his poor surroundings, she saw it was enough for him. More than enough, as the smile that kept curling up on his face told her.

  Grace Lin

  Boys, Buffalo, Faces

  Grace Lin (2009). “Where the Mountain Meets the Moon”, Little, Brown Books for Young Readers

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• After further introductions were made, we settled in the family room. Yes, the living room would have been nicer, but I wanted comfortable surroundings while plotting to murder one famed historical figure with another one. ~Cat

  Jeaniene Frost

  Historical, Rooms, Murder

  Jeaniene Frost (2010). “At Grave's End: A Night Huntress Novel”, p.93, Hachette UK

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• Her writing was her only escape, her only means of survival. It was a respite from a cruel world, despite seemingly comfortable surroundings.

  Danielle Steel

  Writing, Mean, Survival

  Danielle Steel (2006). “The Long Road Home”, Dell Publishing Company

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• The unhappy are egoistic, spiteful, unjust, cruel, and less capable of understanding each other than fools. Unhappiness does not bring people together but draws them apart, and even where one would fancy people should be united by the similarity of their sorrow, far more injustice and cruelty is generated than in comparatively placid surroundings.

  Anton Chekhov

  People, Understanding, Sorrow

  Anton Chekhov (2013). “Delphi Complete Works of Anton Chekhov (Illustrated)”, p.1507, Delphi Classics

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• To lose yourself: a voluptuous surrender, lost in your arms, lost to the world, utterly immersed in what is present so that its surroundings fade away. In Benjamin’s terms, to be lost is to be fully present, and to be fully present is to be capable of being in uncertainty and mystery.

  Rebecca Solnit

  World, Arms, Mystery

  Rebecca Solnit (2010). “A Field Guide To Getting Lost”, p.16, Canongate Books

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• We depend on our surroundings obliquely to embody the moods and ideas we respect and then to remind us of them. We look to our buildings to hold us, like a kind of psychological mould, to a helpful vision of ourselves. We arrange around us material forms which communicate to us what we need — but are at constant risk of forgetting what we need — within. We turn to wallpaper, benches, paintings and streets to staunch the disappearance of our true selves.

  Alain de Botton

  Self, Ideas, Risk

  Alain de Botton (2007). “The Architecture of Happiness”, p.55, Penguin UK

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• From an early age she had developed the art of being alone and generally preferred her own company to anyone else’s. She read books at enormous speed and judged them entirely on her ability to remove her from her material surroundings. In almost all the unhappiest days of her life she had been able to escape from her own inner world by living temporarily in someone else’s, and on the two or three occasions that she had been too upset to concentrate she had been desolate.

  Sebastian Faulks

  Art, Book, Two

  Sebastian Faulks (2010). “Girl At The Lion d'Or”, p.83, Random House

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• Meanwhile, the trees were just as green as before; the birds sang and the sun shone as clearly now as ever. The familiar surroundings had not darkened because of her grief, nor sickened because of her pain. She might have seen that what had bowed her head so profoundly -the thought of the world's concern at her situation- was found on an illusion. She was not an existence, an experience, a passion, a structure of sensations, to anybody but herself.

  Thomas Hardy

  Pain, Grief, Passion

  Thomas Hardy (2008). “Tess of the d'Urbervilles”, p.103, OUP Oxford

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