Whenever you talk about a Mike Shanahan offense, you're always going to be talking about his offense.
Were talking about an attitude. Delayed gratification is there, planning, be able to give up something now to get something later.
I do small cameos here and there but nothing that requires more than a paragraph of talking, because I'm just an amateur. The movie is a whole different reality.
I'm always telling the brothers some of those whites are willing to work with us against the pigs. All they got to do is stop talking honky. When the races start fighting, all you have is one maniac group against another.
You have no idea what I'm talking about, I'm sure.
Language is virtually always pathological; hence the solution is to move as fast and far as possible from language to experience, from linguistic to experimental or psychological philosophy. In order to know that we are not in the linguistic maze, we need to determine, according to Berkeley, whether the things we are talking about exist; hence we need to look for the relevant perceptions. For him, this usually means retiring into himself and trying to imagine whether x exists, having formed the best definition possible of x.
In my own pursuit of God, I often became preoccupied with ME! It was easy to think that being constantly aware of my faults and weakness was humility. It’s not! If I’m the main subject, talking incessantly about my weaknesses, I have entered into the most subtle form of pride.
The Drama Years is filled with heart-stirring stories, just-been-there advice from recent teens and practical, actionable tips for parents. It's full of real girls talking about everything from stress and body image to love and materialism. Reading this book, I cringed in recognition of my own drama years, just wishing this book had been around back then and so grateful I'll have it as a guide for my own daughter.
I had great, great times as a Little League coach. People were talking about me quitting acting, and they would say, What about your creative juices? Coaching is creative, because you could take a kid who thought he wasn't any good and, within four minutes, change his mind. And I didn't have to wait six months for them to put music to it.
Surely, serious problems can't be solved just by talking about them.
Because some people have sex with people of the same sex, an entire culture has been created, broadly speaking, out of oppression. Which in a rational world would not be an issue.
The maintenance man is moving the thermostat in our office today. I started talking with him about the
My whole family is quite petite, so I have good genes on my side. But I find it quite tiresome that we have to keep talking about sizes and how much weight we can lose.
There's nothing more boring than actors talking about acting.
I just sit at the drawing board most of the time. I am used to talking to people. I love going to conventions, getting feedback and talking to people. Some artists don't. Some artists sit at their drawing board because their personality actually dictates that.
My earliest poems were a way of talking to somebody. I suppose to myself.
Although once when we were talking after class, Herr Silverman told me that when someone rises up and holds himself to a higher standard, even when doing so benefits others, average people resent it, mostly because they're not strong enough to do the same.
The best talk is artless, the talk of people trying to reassure or comfort themselves, women in the sun, grouped around baby carriages, talking about their weeks in the hospital or the way meat has gone up, or men in saloons, talking to combat the loneliness everyone feels.
my belief in the sacrament of the Eucharist is simple: without touch, God is a monologue, an idea, a philosophy; he must touch and be touched, the tongue on flesh, and that touch is the result of the monologues, the idea, the philosophies which led to faith; but in the instant of the touch there is no place for thinking, for talking; the silent touch affirms all that, and goes deeper: it affirms the mysteries of love and mortality.
I think I have always wanted to tell stories. My mother was the real catalyst. I kept talking about it and so she pulled out a story I wrote (and illustrated) back in elementary school. She used that as proof that I should be writing and had been doing so unconsciously for years.
Dialogue saves me. I love writing the conversations between my paper people. For some reason, that is the easiest thing for me. It's like I am a transcriptionist for the voices in my head. I can hear them talking (mentally) and have a gift for getting it on the page.
I think any actor who talks in beatings-up is just talking himself up. I tend to not bring them up.
My father was always talking about God, and I idolized my father, so I'd spend hours trying to have mental telepathy with God.
I could sing and play as well. I've got some brothers; one of them is the drummer in the band. They're good musicians. I play for fun. They play properly. Music in general, I grew up in a house of musicians. Everybody's life has a soundtrack, I'm sitting here talking to you but there are horns beeping outside. I know I'm in New York. That's an element in the film as well. How strong that sense can be.
I didn't even think about it when I read the script and then shooting their movie and someone was like "boy, press is going to be fun". And I didn't really know what they were talking about because to me it's just a film shows it as an extremely viable option which is obviously the most important thing for young individuals.
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