I really connect with Victoria Beckham's desire to do something that she wants to do. Of the girls we've been talking about, she's one of the few that has this incredible sort of "I want to do it, and I want to do it well."
I was a weird kid because I liked to be alone, but I craved attention. It was important for me to be cool, but I couldn't keep my mouth shut. So I was either talking for the sake of talking, or I was curled up with a book somewhere hiding from everyone.
It may seem like I'm overlooking a technical detail or a spec change, but at the end of the day I'm mostly going to be talking about the final result, with a few exceptions.
One of the biggest challenges in the past for me in working on the networks was that audiences have grown accustomed to television being something that keeps you company-background music, something that you have on while you're flipping through a magazine, cooking dinner, talking on the phone, putting the kids to bed.
If you're wandering the streets, talking in gibberish, nobody ever asks you to change anything about your art because there's no context for people to look at what you do.
I don't think that the punk sound really became the punk sound until much later. The punk era wasn't really just one musical sound. There are a lot of differences among Television, the Ramones, and the Talking Heads.
On the downside, to paraphrase Thom Yorke talking about the music business, we're still having to deal with the stench of the last fart of the dying corpse of this regressive vision that America is a white, middle-aged, male, conservative country.
For a much lauded writer, I'm not terribly self-absorbed. In social situations, which are difficult for me - I mean, this is an interview - I'm normally uncomfortable talking about myself.
If you fill your time as a director talking about lights and technique with the crew then it's frightening for the actors to be left alone. Somebody has to keep them safe from the mess that is the machinery.
I very much like "Canada, the adults are talking" stance.
I believe that in games, when you're talking about pitting my wits and my brain against your wits and your brain, that simplicity of the game becomes a dominant factor.
I first discovered YouTube while browsing the web, and then I found people just talking into their cameras. I never even knew it was a thing you could do. William Sledd was my first YouTube obsession. He was so unapologetically himself, and just had fun talking to his audience about things that interested him. I thought - if he could do it, why couldn't I?
I don't think people are going to come down to Texas and see every person riding in a candy car or every person sipping syrup. But, for the most part, people got a lot of the stuff right, talking about the screwed music scene.
I think that one of the many advantages of death accruing over a long period of time is that you do have time to meet a lot of other people who are going through similar situations and one of the great delights of our life actually was sitting around in labs waiting for the results of tests and talking to other people who were waiting to find out whether their cancer numbers were going in the right direction or not.
There's a lot of people talking about elitism and all of that.Yes, I went to Princeton and Harvard, but the lens through which I see the world is the lens that I grew up with. I am the product of a working class upbringing.
Once you've got a big feminist and political justification for talking about how you went round to Benedict Cumberbatch's house and did period all over his sofa, then there's no reason not to tell that anecdote in the middle of a dinner party.
The love of writing comes at a very early age. For me, for instance, comic books so affected me. And a lot of people who come up to me and start talking about writing, when I start talking to them about the "Fantastic Four," they look at me aghast. They say, "'The Fantastic Four?' That's not literature." I say, "Yeah, but it was when I was 11 years old." This was literature.
If I learned to play guitar it was so that I would have something to sing to, if I learned to write a song it was so that I would have something to sing. So the gut feeling you're talking about comes from singing and communicating the lyrics and what it is that we feel.
I walked around my apartment with food in my mouth asking myself: "How do I come up with this voice?" Then I found the voice. I called the director and said on the phone: "Guess who you're talking to Chris? Sid, that's right Sid!" And that's how I came up with the voice. That's a true story.
...By a 'silly' theory I mean one which may be held at the time when one is talking or writing professionally, but which only an inmate of a lunatic asylum would think of carrying into daily life. ... It must not be supposed that the men who maintain these theories and beliefs are 'silly' people. Only very acute and learned men could have thought of anything so odd or defended anything so preposterous against the continual protests of common sense.
I find it funny that people who didn't think there was any inflation in the pipeline are now talking about stagflation. This is nothing like the 1970's, which was a pretty dismal period and not just because of polyester and disco.
At a time when everybody in our culture is talking about tolerance, it seems that tolerance has the highest premium of any response - "If we just tolerate one another..." But my feeling is: Who wants to be tolerated? People don't want to be tolerated; they want to be loved.
Most commit the same mistake with God that they do with their friends: they do all the talking.
Diplomacy should always be our first option. Most politicians only talk, not fight. I’ve fought; talking is far better than fighting.
Decades of research have shown that most happy families communicate effectively. But talking doesn't mean simply 'talking through problems,' as important as that is. Talking also means telling a positive story about yourselves.
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