I gained a great deal from the period during which I worked in theater and I value those things a great deal.
I'm a really good team player. That's what it takes to work in the theater. That's what it takes to work in a band with musicians and writers.
I might be doing a lot more theater, which is kind of what I love, but there's simply no time for.
You make the money in movies and TV so you can do theater. I do a play a year... somewhere.
In film, there are two ways of including human beings. One is depicting human beings. Another is to create a film form which, in itself, has all the qualities of being human: tenderness, observation, fear, relaxation, the sense of stepping into the world and pulling back, expansion, contraction, changing, softening, tenderness of heart. The first is a form of theater and the latter is a form of poetry.
The public voice in the theater today is crude and raucous, and, all too often, weak-minded.
I had to drop a boulder to wake people up about the A.R.T. We've done that, and now we have audiences again who want cutting-edge work, who want to be challenged, but who also won't be falling asleep at the theater.
And I don't consider Broadway the acropolis of theatrical art. I mean Broadway is commercial - that's what it is. It's expensive seats and a lot of them that have to be filled every night. Off-Broadway and off-off Broadway as far as I'm concerned is in New York the pride of New York theater.
I happened to happened to land in a time, in the middle '60s, that without knowing it, and without being told by the history of theater - which we now see from a historical point of view was an explosive time.
I was preparing myself for the theater, and... I got a little job here and a job there, but it wasn't going well, and I considered some time before the mid-60s that maybe I should consider something else.
If you love acting and you've ever experienced theater, then you know that in a movie it's almost impossible to live out that experience, unless you're a Pacino or a De Niro or somebody who gets to pick their parts.
The truth is you don't like the theater except the times when you're in a room by yourself putting the play on paper.
When you go to the movie theater and the opening of this movie and you see the kids just cracking up with a character you are giving your voice to, you get goose bumps. It's so beautiful.
My favorite venues are the 2,000 seat theaters, like the Warfield. If there was a Warfield in every city, I would play it. That's all I would do. I love venues like that.
Playwriting, like begging in India, is an honorable but humbling profession.
We film in front of a live audience, and I was a theater actor before I got into television, so I like that.
There is nothing that one can say about acting, writing, producing or directing that cannot be revoked in the next breath. Nothing is immutable. The logic of one year is a folly of the next.
I don't think about going back to the theater.
The only thing I haven't done as an actor, other than Thai puppet theater somewhere, is act on a Broadway stage.
I came up around people who took acting seriously, who cared about acting, cared about the theater and, in the '70s, made movies that said something that mattered. I came up with those people, and I was a kid. Their ethos and credo became mine.
My oldest brother used to take me to the theater. The first play he took me to see was 'Black Comedy,' then he took me to see 'Butley.' We'd see all these British plays. And 'Hello, Dolly,' with Pearl Bailey. I was unconsciously thinking, 'Gee, I would love to be able to do that.'
I used to say when I was working in the theater that if I ever had five seasons of a hit TV show I'd never have to worry about money and wouldn't have to do anything I didn't want to do.
I've always been drawn to stories and telling them; whether it was through being a part of theater when I was a little kid, or film, or with music, there's just been an innate desire to feel that connection.
Because I trained in theater, I always leave a film shoot feeling like I haven't done anything, like I just sat in front of the camera and whispered, essentially.
I've done a show at the Largo Theater called The 'Thrilling Adventure Hour.' We read, like, radio teleplays. It's a send-up of radio dramas from the '30s and '40s. We just did a Kickstarter for that so that we can do a web series and a concert film.
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