I started in theatre. I was at Cleveland and I went to London for the 400th anniversary of Shakespeare's birth.
I was so scared of going back to the theatre after Hamlet. I didn't know if I'd do a play again because I was afraid of the power of it.
The bad things about theatre get balanced by the good things in film and vice versa. So to tell you the truth, I love it when I can go back and forth - it feeds different parts of you and exercises different muscles.
Being a film actor is very different from a theatre actor.
When playing a role, I would feel more comfortable, as you're given a prescribed way of behaving. So, both Facebook and theatre provide contrived settings that provide the illusion of social interaction.
Also, if you want to reach people, theatre is not always the best way to do it.
I am so used to seeing the sort of play which deals with one man and two women. They do not leave me with the feeling I have made a full theatrical meal they do not give me the experience of the multiplicity of life.
I just am committed wholeheartedly to theatre with no intermission.
My parents started with very little and were the only ones in their families to graduate from college. As parents, they focused on education, but did not stop at academics - they made sure that we knew music, saw art and theatre and traveled - even though it meant budgeting like crazy.
In the whole course of our work at the theatre we have been, I may say, drenched with advice by friendly people who for years gave us the reasons why we did not succeed... All their advice, or at least some of it, might have been good if we had wanted to make money, to make a common place of amusement.
My mum raised us on classic movies and a lot of musical theatre.
There's something rather wonderful about the fact that Oxford is a very small city that contains most of the cultural and metropolitan facilities you could want, in terms of bookshops, theatre, cinema, conversation. But it's near enough to London to get here in an hour, and it's near enough to huge open spaces without which I would go insane.
I love England, the people, the parks, the theatre.
God comes to us in theater in the way we communicate with each other, whether it be a symphony orchestra, or a wonderful ballet, or a beautiful painting, or a play. It's a way of expressing our humanity.
I don't know, on a sitcom, and in theatre especially, you have to really be listening to an audience. And if you're losing them, you can hear the sniffs, and the playbills shuffling and whatnot.
The worst constructed play is a Bach fugue when compared to life.
At the University of Maryland, my first year I started off planning to major in art because I was interested in theatre design, stage design or television design.
In the theatre, people talk. Talk, talk until the cows come home about journeys of discovery and about what Hazlitt thought of a line of Shakespeare. I can't stand it.
I spent two years in the military service, then I trudged around in repertory for quite a while. I somehow wound up at the National Theatre, though, and then I was definitely on my way.
Sometimes, you just have to clear your head and get out to see other things. It is very important to be nourished. I love to go to museums and galleries, I like to see theatre, film, dance - anything creative. It doesn't promise you inspiration, but it nourishes your creative soul, and that's good.
From there, I tried out for a community theatre play, joined an improv group... it all started opening up.
I grew up around the theatre. My mother is an actress. I would fall asleep on tons of theatre chairs. It's in my blood; it's in my spirit and my fabric of who I am.
I was never a hugely successful theatre designer. I painted a lot of scenery and did the lighting, and my lighting business grew out of that.
From there I did a one year theatre acting course in Fife, and then three years of drama school in London.
I trained in the theatre and I love the theatre. I get such a thrill seeing anything in the theatre.
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