When I see someone filming me, I don't usually think, 'No, man, don't put this up online!' I'd think, 'Hey man, you don't get to go to shows very often, put down the camera and enjoy it!' I love going to theatre and to shows so much.
I'm an old-fashioned theatre major at heart.
Places like the National Theatre or Sheffield, these great engines of theatre, make us cutting edge because they can be experimental. They can do plays that nobody else can afford to do in ways nobody else can afford to do.
I've found that the only way to make theatre that gets the audience thinking is when I feel uncomfortable making it.
Whether you are a writer, or an actor, or a stage manager, you are trying to express the complications of life through a shared enterprise. That's what theatre was, always. And live performance shares that with an audience in a specific compact: the play is unfinished unless it has an audience, and they are as important as everyone else.
I submit all my plays to the National Theatre for rejection. To assure myself I am seeing clearly.
The logistic requirements for a large, elaborate mission to Mars are no greater that those for a minor military operation extending over a limited theatre of war.
As much as the mystery element is all a lot of fun, when you do go to 'Edwin Drood,' you're going to a theatre to see a show about going to a theatre and what that relationship between actors and audiences has been for years.
The most beautiful thing I have ever seen in a movie theatre is to go down to the front and turn around, and look at all the uplifted faces, the light from the screen reflected upon them.
My parents wanted me to be a doctor, and they weren't very happy at the idea of me choosing acting as a career. Everyone in my family went to university - my older brother is a lawyer - but when they saw me for the first time at the theatre, they thought, "OK". They like it very much now.
I've actually been looking at plays, and I have read a bunch of stuff. I would love to do it. I have thought about theatre on and off over the years, but other things kept getting in the way. Maybe now's the time.
The grand scale and immersive nature of The IMAX Experience gives Spiderwick a brand new level of excitement. In IMAX theatres, fans will be drawn into the movie even further and feel as if they are actually part of the story.
I did my New York debut at 21. It was “On the Town” at the George Gershwin Theatre. New York is my artistic home.
Men go to the theatre to forget; women, to remember.
Towns are full of people, houses full of tenants, hotels full of guests, trains full of travelers, cafés full of customers, parks full of promenaders, consulting-rooms of famous doctors full of patients, theatres full of spectators, and beaches full of bathers. What previously was, in general, no problem, now begins to be an everyday one, namely, to find room.
Most Americans would agree that Plowshares is a Theatre of the Absurd.
Sometimes we go to a play and after the curtain has been up five minutes we have a sense of being able to settle back in the arms of the playwright. Instinctively we know that the playwright knows his business.
My whole family is very artistic - my uncles are all actors and theatre directors.
I've love to do more movies. Just because I'm interested in the medium very much. I've done a lot of theatre at this point, and I've done a lot of TV. I've done a few independent films, but a lot of them have not seen the light of day. It'd be really nice to be in a film that gets out there.
The great difference between screen acting and theatre acting is that screen acting is about reacting - 75% of the time, great screen actors are great reactors.
Mum wasn't at all religious, but she thought that going to the theatre was as important a ceremonial, communal experience that a person could have.
Miracle at St. Anna.' I was challenged by Spike Lee. When he offered me the film, he looked me square in the eye and said, 'You start this film off and you end this film. I don't want a dry eye in the theatre. Can you pull that off?' He was dead serious.
I began with dance, doing ballet at 3, then tap, jazz, modern. Then I sang in church choirs, learned how to play clarinet and drums, sang with rock bands and only then did I get into musical theatre.
I came to write after several mini careers. I did live theatre, managed a cosmetics store and was a local television personality.
Film is where I want to end up, but I don't want to let go of theatre.
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