I'd been gearing up to working in theatre since coming out of drama school, but it was an exciting time for TV drama - it was the birth of Channel 4, and Brookside was very cutting-edge at the time.
I've done a lot of costume drama and theatre - the National Theatre and In fact, most of my work at the theatre, at the National Theatre anyway, was period.
When I left drama school, there were dozens of rep theatres you could apply to where you got a good training.
I trained in the theatre.
I get to the theatre in plenty of time; I prepare my shoes in advance; I eat and drink the right things at the right time. The rest you have to leave to luck!
People that went to art house theatre have more options, I used to go, but now think any movie can be delivered in a red envelope three months after it's released so why not watch it on my flat screen in the comfort of home.
As I had collaborated with visual artists before whether on installations, on performance pieces, in the context of theatre works and as I had taught for a time in art colleges the idea of writing music in response to painting was not alien.
My operas and my theatre works are very formal pieces.
The theatre only knows what it's doing next week, not like the opera, where they say: 'What are we going to do in five years' time?' A completely different attitude.
I've done movies with Oliver Stone and Michael Mann. And I've done quite a few dramas in my time, from the theatre to film work. I just think the audience is used to seeing me on 'Saturday Night Live,' and 'K-9,' and 'Curly Sue' and of course, 'According to Jim.' I think that my comedies have been the most popular.
I hope to continue working in film, television and theatre.
I feel a lot more comfortable on stage in the theatre. It just reminds me of being a kid and doing pantomimes.
Musical theatre is my first love.
When I first saw a Fellini movie, I came out of the movie theatre and decided to become a lawyer! I thought to myself, it's impossible to make something so beautiful!
Inside I never said I wanted to do theatre or be an actor.
My mother's side of the family was in the production side of theatre. My grandfather, Jose Vega, was a general manager for Neil Simon shows on Broadway.
As a kid who wasn't into sports, at school I felt almost alienated at times, whereas in the theatre community there was this amazing sense of camaraderie. Early on, we would go to rehearsals with my dad and I was like the mascot for the backstage crew. That was a big part of my childhood, so I dreamed of one day doing a play in London.
Is she perverted like me? Would she go down on you in a theatre?
Feelings are universal, and if an actor's doing his job, I think he's making people sit there, and if it's in a movie or a theatre, going 'Hmm, yeah, I know that... I know that.
I went to a lot of theatre schools, got a lot of training, did a lot of repertory where you do a different play every night. I took a lot of voice, movement, and acting classes.
I always go back to theatre. It's probably where I'll draw my last breath.
My family were broadminded enough to support me when I wanted to pursue a life in the theatre.
You can only do so much theatre.
When I'm doing theatre, I feel like my life's on hold. Even though you might go out for a coffee, or go and see a film, your brain is still there, pulling you back to it.
Whenever I'm in theatre situations I will go out of my way not to talk about my father, but in the film world I can be really proud of my family and say, 'You know what: my dad's a really, really famous theatre director,' because nobody has any idea.
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