Keanu and I were in New York, I was prepping John Wick 2. And when Keanu [Reeves], [writer] Derek Kolstad, and myself sat down and wrote the character, it was completely, one hundred percent based on Laurence Fishburne. Like, in my head I saw this guy.
Donald Trump is a strong president. We got to stand behind this guy is what I think.
Look at what Billy Graham has done, he's a legend. He would never tell you that, but look at the history, all the way back to the L.A. Crusades in the 50s, all around the world, starting a youth night in 94 that I got to be such a huge part of. This guy has changed the world with the gospel.
Over the years, there's been case after case when there were very narrow decisions that had to be made about whether to launch nuclear weapons in serious cases. What is this guy [Donald Trump] going to do if his vaunted negotiating skills fail, if somebody doesn't do what he says? Is he going to say, "Okay we'll nuke them? We're done?"
It was fun to talk too much [as Jebediah Woodley], to keep running your mouth whether the other characters want to hear it or not. That's part of what made this guy fun.
So Nemerov showed us this picture, which is of Apollo flaying Marcius. You don't think of Apollo as being the sort of person who would skin someone alive. But the story behind it was that there was this guy who was a really great musician, and all the women loved him, and people started saying he was the best musician in the world, so Apollo got jealous and he challenged this guy to a musical dual. They would each play a song and the muses would judge who was the better musician.
When I was working at Omega, I took this Zen retreat, where you're quiet, you don't say anything for a week, and this guy there said, "You're going to be enlightened at the end of this week, that's my goal." I was the engineer, so I was recording everything at it was happening, but I was also participating, because I felt like it. So at the end of it, I did understand what enlightenment was, one-hundred percent.
Someone wrote to me asking me to illustrate a missed connection that "hasn't happened yet." This guy has seen the same girl waiting at a bus stop on his morning commute for weeks, and has been trying to find a way to approach her. He thought it would be fun to put up a Missed Connections poster [of my painting] on the corner where she waits and see what happens. It is kind of an intriguing idea but there's something a bit too manipulative about it for my liking. It's a fine line between being creative and stalking!
I care about Roger Sterling, one of the most subtle and amazing characters in dramatic history ["Mad Men"]. This guys who knows precisely who he is, yet leaves us time after time hoping desperately for him to finally grab control of his life and some responsibility for those around him.
I think American culture had just become so disengaged from the process of government, and we'd been so fuzzed out by our pop culture around us, that I don't think people really saw this guy for what he was.
In America, we met this guy who'd been in the army. He'd been over in the Iraq war. He said that our CD helped him get through a hard time in the Iraq war. It's amazing to know that we helped him in some way. It's definitely cool.
Here I was going to work with Pacino thinking, "I'm not going to get lucky twice. There's no way. This guy is going to hand me my ass." He looks like the kind of guy who's going to hand you your ass. It's Al Pacino.
I got my deal off MySpace.com. I wrote to J.R. Rotem. He is big producer. He's done a lot of stuff for Rihanna, 50 Cent, Britney Spears and etc. I thought, "Yo, this guy is really talented I want to work with him." Once I sent him message he didn't reply back. I kept on sending the messages. I kept on hitting him back like eight times a day. He eventually replied back like, "Yo, I want to hear more music."
I've been waiting for techno to die. I was in Germany once and this guy was telling me that techno was dead, and then he proceeded to play me techno for hours.
My first impression was that this guy [Ndamukong Suh] is very confident. For him to be so young, I was kind of caught off guard by how confident he was. But then my first time seeing him on the field, pretty much solidified why he was so confident. He's obviously a monster.
I would ask the people who were generous toward my own work. After class one day a poetry professor said to me, "Hey, there's this guy Basho you would find interesting," and so I found Basho. A fiction teacher told me, "You ought to read Clarice Lispector if you're interested in that sort of in-between stuff," and then Lispector appeared. It's not magic. You just keep your eyes open.
And that's the thing about our show: what are they going to do put on the poster? I don't know. It's always easier when you have someone like Cedric the Entertainer where you can go, "You know this guy. You love this guy. Watch his sketch show." And then people tune in and go, "I though I knew that guy. I don't love that guy in a sketch show."
One of the other experts we consulted with, this guy named Dacher Keltner, he was big on sadness as community bonding - I think is the word he used.
What I think is bugging this guy [Steven Lerner] is the belief that debt - forced debt upon middle-class people, students (i.e., student loans and so forth) - has made Wall Street bankers and financial people excessively, unfairly, out-of-proportionally rich.
This guy [Steve Lerner] is pure, 100% anti-capitalist and what he wants is what Cloward-Piven has basically said: Just overwhelm the system. It's sort of a derivative of Cloward-Piven.
I was walking in the park and this guy waved at me. Then he said, 'I'm sorry, I thought you were someone else.' I said, 'I am.'
I became this guy that does drum programming, and I don't want to be that guy anymore. I don't want to sit in front of my computer for 18 hours programming 16 bars of music.
For years I've wanted to work with this guy, so to actually write at the top of my scripts "Empress, Script by Mark Millar, Art by Stuart Immonen" is an absolute pleasure.
This president (Barack Obama) I think has exposed himself over and over and over again as a guy who has a deep-seated hatred for white people or the white culture . . . I’m not saying he doesn't like white people, I’m saying he has a problem. This guy is, I believe, a racist.
I didn't have to do too much "research" or acting to play this guy. (laughs) It is actually very difficult to manage all the time. The Community schedule is crushing and it kills me because I don't get to be with my family as much as I'd like.
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