Good things come, but they're never perfect; are they? You have to twist them into something perfect.
She gathers my half of the blankets around her and curls up against the wall. She will sleep for hours more, dreaming endless landscapes and novas of colour both gorgeous and frightening. If I stayed she would wake up and describe them to me. All the mad plot twists and surrealist imagery, so vivid to her while so meaningless to me. There was a time when I treasured listening to her, when I found the commotion in her soul bitter-sweet and lovely, but I can no longer bear it.
Richard," Kahlan said, "what about Siddin? Weselan and Savidlin will be worried sick over him." Her green eyes gazed deep into his. She leaned closer, and whispered, "And we have unfinished business in the spirit house. I believe there is still an apple there we have yet to finish." Her arm tightened around his waist, and a little twist of a smile came to her lips. The shape of the smile caught his breath in his throat.
A garden should make you feel you've entered privileged space -- a place not just set apart but reverberant -- and it seems to me that, to achieve this, the gardener must put some kind of twist on the existing landscape, turn its prose into something nearer poetry.
But the hearts of small children are delicate organs. A cruel beginning in this world can twist them into curious shapes. The heart of a hurt child can shrink so that forever afterward it is hard and pitted as the seed of a peach. Or again, the heart of such a child may fester and swell until it is a misery to carry within the body, easily chafed and hurt by the most ordinary things.
And she was just leaving. (Xedrix) Not yet, I’m not. (Aimee) Yes, you are. Adios. There’s the door. Doorknob twists to the left. The hinges open in. You should use them. Keep them working. Keep you breathing. (Xedrix)
Now that lilacs are in bloom She has a bowl of lilacs in her room And twists one in her fingers while she talks. "Ah, my friend, you do not know, you do not know What life is, you who hold it in your hands"; (slowly twisting the lilac stalks) "You let it flow from you, you let it flow, And youth is cruel, and has no remorse And smiles at situations which it cannot see." I smile, of course, And go on drinking tea.
they say that time heals all things, they say you can always forget; but the smiles and the tears across the years they twist my heart strings yet!
Have you ever stood where a stream spills into a river? The two become one. They laugh over the stones together, twist through the sharp canyons together, plunge down the waterfalls together. It is the same when a man and woman love one another. It is not always a pleasant thing, but when it happens, a man has little to say about it. Women, like streams, can be smooth one minute and make a man feel like he’s swimming through white water the next.
On a cold, fretful afternoon in early October, 1872, a hansom cab drew up outside the offices of Lockhart and Selby, Shipping Agents, in the financial heart of London, and a young girl got out and paid the driver. She was a person of sixteen or so--alone, and uncommonly pretty. She was slender and pale, and dressed in mourning, with a black bonnet under which she tucked back a straying twist of blond hair that the wind had teased loose. She had unusually dark brown eyes for one so fair. Her name was Sally Lockhart; and within fifteen minutes, she was going to kill a man.
The odd thing in this world is that an eager-beaver type, with no original ideas, who mimes those in authority above him right to the last twist of necktie and scrape of chin, always gets noticed. Gets selected. Rises.
I raise my left arm and twist my neck down to rip off the pill on my sleeve. Instead my teeth sink into flesh. I yank my head back in confusion to find myself looking into Peeta’s eyes, only now they hold my gaze. Blood runs from the teeth marks on the hand he clamped over my nightlock. “Let me go!” I snarl at him, trying to wrest my arm from his grasp. “I can’t,” he says.
It's hard to explain what happens when jazz and punk fuse with a violin twist but it works. Probably because Anson Choi takes off his shirt while he's playing the saxophone. Whoever's not chatting up a Cadet or a girl from Darling House or playing chess with the guys is watching the band. I turn into a groupie.
I have come to understand that life is composed of a series of coincidences. How we react to these - how we exercise what some refer to as free will - is everything; the choices we make within the boundaries of the twists of fate determine who we are.
Chubby Checker lost pounds by demonstrating how to move as if you were 'drying your back with a towel' − the substitution of the word 'back' for 'bottom' indicates the oddly wholesome image of the Twist.
And there was, in those Ipswich years, for me at least, a raw educational component; though I used to score well in academic tests, I seemed to know very little of how the world worked and was truly grateful for instruction, whether it was how to stroke a backhand, mix a martini, use a wallpaper steamer, or do the Twist. My wife, too, seemed willing to learn. Old as we must have looked to our children, we were still taking lessons, in how to be grown-up.
I understand perfectly. Darquesse isn't a separate entity. She isn't another person. She's you. If you make the wrong choices, if you stop loving the people who love you, if you allow the world to twist and turn and change you, then yes, the future we've seen will come to pass. But if you fight, and if you kick, and struggle, and refuse to give in to the apathy, or the anger, or the hopelessness, then you'll change the future, and you'll walk your own path. And I'll be right there beside you, Valkyrie. I'll always be beside you.
The Twist was a guided missile, launched from the ghetto into the very heart of suburbia. The Twist succeeded, as politics, religion, and law could never do, in writing in the heart and soul what the Supreme Court could only write on the books.
I'm all she's got and if I don't make it this time . . ." You'll pass through the light. A ribbon of guilt twists my stomach. I'm all Kim and Chip have too. But the difference is, they'll be better off without me.
I remember crying all the time. My major thing growing up was I couldn't fit in. Because I was from everywhere, I didn't have no buddies that I grew up with...Every time I had to go to a new apartment, I had to reinvent myself, myself. People think just because you born in the ghetto you gonna fit in. A little twist in your life and you don't fit in no matter what. If they push you out of the hood and the White people's world, that's criminal...Hell, I felt like my could be destroyed at any moment.
Mrs Bawden yanked me away from the table and dragged me across the food hall. I tried to twist away from her, but she had a grip like a python on steroids.
It’s the glitches and twists, I thought, that make this universe unique and compelling. Without flaws, there would be no depth, no substance.
The future was uncertain, absolutely, and there were many hurdles, twists, and turns to come, but as long as I kept moving forward, one foot in front of the other, the voices of fear and shame, the messages from those who wanted me to believe that I wasn't good enough, would be stilled.
Father’s silence is not merely the absence of sound. It’s a creature with a life of its own. It chokes you. It pinches you small as a grain of rice. It twists in your gut like a worm. Silence clawed at my throat. It left a taste of burnt matches.
My first film crush was Mark Lester as Oliver Twist in the Carol Reed film.
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