…Abe didn’t say a word. He made straight for his journal and wrote down a single sentence. One that would radically alter the course of his life, and bring a fledgeling nation to the brink of collapse. I hereby resolve to kill every vampire in America.
What, no flirting?” I asked, trying to buy time. “Aren’t you going to at least try to be sexy? Think of all those vampire fans out there—they’d be so disappointed.” I pulled out my silver knife. Probably should have paid more attention during my knife training. “Tell you what. Let me go and I promise not to tell anyone that you aren’t suave.
I entered his apartment without being invited, which is perfectly fine if you're not a vampire.
Since it was there, Larkin got another bowl, spooned up stew for himself. “He fights with us. We’re an army.” “An army? Talk about delusions of grandeur. What are you?” she asked Glenna. “Witch.” “So, we’ve got a witch, a sorcerer, a couple of refugees from Geall and a vampire. Some army.
Handsome enough' is this Grim Reaper, Who can snuff all these 'brief candles,' every fluttering soul sucking the air, from this hall" -The Vampire Lestat
Within days they'd formed an unholy alliance with a foppish young French vampire in the Garden District who had implausibly golden hair and a streak of ruthlessness as wide as the Mississippi
Dimitri: "I also have a feeling your mother's going to have one ugly conversation with me." Rose: "You're about to go face down Strigoi, and my mother's the one you're scared of?" Dimitri: "She's a force to be reckoned with. Where do you think you got it from?" Rose: "It's a wonder you bother with me then." Dimitri: "You're worth it, believe me.
Quick! Head for the ground floor! We have to get out! We will die if we stay! The vampires are here!" "Haven't you got a hug for me, Larten, old buddy?
Yeah, but going by that cold tone of voice, she had to wonder whether the best-laid plans of mice and vampires, blah, blah, blah...
Saying goodbye to Nina is both bittersweet and beautiful. After six-plus years together, the entire cast and crew of The Vampire Diaries has reached a level of closeness that I don't think any of us ever expected. Nina is excited to spread her wings, get some rest, travel the world and also take it by storm, and we support her a thousand-fold. We will miss Nina and the four hundred characters she played, but we look forward to the insane and exciting challenge of continuing to tell stories of our Salvatore Brothers and our much-loved and gifted ensemble.
We must all die. There's nothing terrible about death. But to live on after death, a soul, earthbound, a vampire--you don't wish any such fate for your beloved.
There is this arrogant feeling of being stronger than human. Humans are weak. They submit to their emotions, and vampires do not. Humans are very egoistic, and vampires are not.
The best aspects of every vampire, with all of their gifts, what makes them really special is just an enhanced version of what they were when they were human.
People ask me if I'm afraid of getting typecast, but you can't be afraid of that. It's really not up to you. I'm getting other parts that aren't vampires.
I really like Blade. I wish people would make hard R-rated fantasy movies again. It's completely irrelevant, but people should do that more. I haven't seen that many vampire things.
It's always been strange to me that someone can say they're a vampire fan. I'm not a non-fan, but it's such an unusual thing to be a fan of. That's like saying, "I love zombie movies! I just love 'em! They're my favorite!" That's more of a psychological problem than being an actual fan.
Kim Newman's Anno Dracula is back in print, and we must celebrate. It was the first mash-up of literature, history and vampires, and now, in a world in which vampires are everywhere, it's still the best, and its bite is just as sharp. Compulsory reading, commentary, and mindgame: glorious.
Kim Newman brings Dracula back home in the granddaddy of all vampire adventures. Anno Dracula couldn't be more fun if Bram Stoker had scripted it for Hammer. It's a beautifully constructed Gothic epic that knocks almost every other vampire novel out for the count.
I was very happy with Vampire's Kiss, which in my opinion was almost like an independent laboratory to start realizing some of my more expressionistic dreams with film performance. Then using what I had learned in Vampire's Kiss and putting it into a very big action movie in the form of Face/Off with John Woo. If you look at those two movies back to back, you can see where I stole from my performance in Vampire's Kiss.
Forget about your folklore. I can take a few inspirations, but I can certainly not do an homage. That's not my trip. I'm a fashion vampire. I take what I need and I leave the rest.
I'm not a vampire movie fan, per se. That's not to say that I haven't enjoyed movies with vampires in them.
People have always had a fascination with the supernatural going back to the beginning of time and with vampires in particular. This phenomenon is not new.
A vampire victim. I'd never seen a lone kill. They were like potato chips; once a vamp tasted them, he couldn't stop at just one.
Vampires are such prima donnas.
If you look at all the vampires in the past, they were sort of decrepit old men. Stephanie Meyers just made it for a new audience. All the vampires are now young men and she describes them as not being ugly.
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