As someone who makes his living as an actor, my routine varies almost every day. There are weeks I'm working and weeks I'm not. People think it must be great to have all that time off, but you'd be surprised how quickly that grass would become greener. The idle brain is the devil's playground.
I definitely have favorite books by favorite poets, but poets' books also vary. I could like some books, but not like another book.
Generally there are always a few things that get left off for some reason or other, although the criteria for inclusion vary from project to project.
The theme of corporate stories (and millions drink them in every day) seldom varies: to be happy you must consume, to be special you must conform. Absurd, obviously, yet our identities have become so fragile, so elusive, that we seem content to let advertisers provide us with their version of who we are, to let them recreate us in their image: a cookie-cutter image based on market research, shallow sociology, and insidious lies.
My daily routine varies, but there are certain things I try to stick to, like journaling in the morning and establishing my mood before I check any social media or take any calls or e-mails. That helps get me started on the right foot.
What I do with the story itself varies of course, but what I want to do is to present the world so that the reader can access it without tripping over the details.
If you're talking about crowd enthusiasm, it varies. I have a decent following in Australia so I like there. I'm interested in playing everywhere.
The Yeas are relatively uniform. They view [Bob] Dylan as one of the greatest artists of his or any era, who deserves to be taken as seriously as any litterateur. Where they vary is in some cases not even accepting the distinction: Dylan in their eyes is a literary titan, and the award of the Nobel Prize for Literature is simply official affirmation of what they already knew.
In competitive archery, risk assessment has minimal bearing on quality of performance, since the archer has so little choice over shot selection. By contrast, in a hunt, shots vary in quality according to how well selected they may be.
I have seven step-siblings from my mother's second and third marriages. My degree of closeness to my step-siblings varies among the seven but I have a great sense of loyalty to all of them, especially the four from my childhood. If those people needed my help I would be there for them.
I think with the '70s style, you can do a bigger curling iron, so you get those long swirls. If you want it natural-natural, you can also just brush your hair out and tease that. So, it varies on what kind of thing you want to do, but it's nice to have a couple more hands in there to help me or else it takes really long.
I don't know if make a conscious effort to vary the characters and subjects that I write about, but I do find myself keeping track of ideas that come along, as probably most writers do, and whatever seems most interesting to me when I flip through my notes before I begin a new story is usually what I will try to write about next.
My four-year-old daughter regularly requests reading Book One [the March] at bedtime; the methods of reading, delivering, and processing the book's content vary according to a kid's age and developmental level, but she's deeply affected by the story, asking follow-up questions for days.
As someone who makes his living as an actor, my routine varies almost every day.
In every generation there are voices that question the authority of Scripture. So in one sense this is merely part of the continuing stream. But there's a sense in which the questions that are raised against Scripture vary a wee bit from generation to generation.
I have seen that there are a number of people who benefit from doing loving kindness meditation, either prior to or along with mindfulness meditation. It varies from person to person of course, but for many, their practice of mindfulness will bring along old habits of self-judgment and ruthless criticism, so it is not actually mindfulness.
I wouldn't have thought that the techniques of story-telling, which is what the novel is after all, can vary much because there are two things involved.There's a story and there's a listener, whose attention you have to keep. Now the only way in which you can keep a reader's attention to a story is in his wanting to know what is going to happen next. This puts a fairly close restriction on the method you must use.
I know some artists who come out of country music and the three sessions a day work ethic where you walk in, and you're told you play this note, this note, and this note, and you don't vary it. I know that works great for some people. It wouldn't work for me.
Like when you pick up a book and you don't realize what type of text it is - it could be an essay, a novel, a biography - and at one point you realize you don't know where, as a reader, you want to be. Where are you going with this text? What is the goal? How are you supposed to interpret what you're reading? And people's responses vary - some dislike it, and are put off by the confusion, the lack of comprehension.
Writers vary tremendously. Was it Tom Wolfe who stood up or was it [Ernest] Hemingway who had to stand up? I don't know.
Cities vary widely in the use of DNA testing.
If you look at the portion of the GPU available to compute throughout the frame, it varies dramatically from instant to instant. For example, something like opaque shadow map rendering doesn't even use a pixel shader, it's entirely done by vertex shaders and the rasterization hardware - so graphics aren't using most of the 1.8 teraflops of ALU available in the CUs. Times like that during the game frame are an opportunity to say, 'Okay, all that compute you wanted to do, turn it up to 11 now.'
With those organizations, it's like time travel. I just reach back and find little kids who were like me. Maybe the circumstances vary, but the formula is the same. They're having problems reading, having problems grasping some of the things that are being taught to them.
The mechanics vary from place to place and from office to office. The handling of SBUs can be different in the same agency just across the hall, one from another. There are virtually no standards.
It can really vary from movie to movie what the producer's role is and there are all kinds of producers. There are line producers who do a lot of the nuts and bolts work on the set.
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