The Catholic Church has a dignity far surpassing that of every merely human society, for it was founded by Christ the Lord. It is altogether fitting, therefore, that the language it uses should be noble, majestic, and non-vernacular.
Opportunities may come along for you to convert something -something that exists into something that didn't yet. That might be the beginning of it. Sometimes you just want to do things your way, want to see for yourself what lies behind the misty curtain. It's not like you see songs approaching and invite them in. It's not that easy. You want to write songs that are bigger than life. You want to say something about strange things that have happened to you, strange things you have seen. You have to know and understand something and then go past the vernacular.
Would you convey my compliments to the purist who reads your proofs and tell him or her that I write in a sort of broken-down patois which is something like the way a Swiss waiter talks, and that when I split an infinitive, God damn it, I split it so it will stay split, and when I interrupt the velvety smoothness of my more or less literate syntax with a few sudden words of bar-room vernacular, that is done with the eyes wide open and the mind relaxed but attentive.
The majority of my background is multi-camera format, which is very broad and a very arch perception of reality. Whereas single camera tends to be more truthful and a little more intimate of a medium. Friends was an education in intelligent comedic banter; in intelligent vernacular. It was an education in scene study. It was an education in group dynamic. I came out of there with a masters degree in comedy.
I'm extremely profane, unconsciously so, when I see something great for the first time; I don't know why, but beauty and profanity are related to me in the same way. It may be that I want to think of art in the vernacular, but I have no control over what comes out of my mouth when my eyes take in great beauty...it might just be the reason I avoid going to museums with elderly ladies.
Minority art, vernacular art, is marginal art. Only on the margins does growth occur.
Oh, this I have to see. I love it when you go for the vernacular. Jugular.
What interests me is what you might call vernacular writing, writing that connects you to a place.
Instead of thinking of the question of race genealogically, and leaving it open whether vernacular races are genealogical units, the interest in biomedicine has been to determine whether vernacular racial categories are medically useful in diagnosis and treatment. There is on-going debate about this.
I think one of the things helping Donald Trump is, he hasn't known what he can't do. It's not in his vernacular. It's not in his vocabulary. It's not in his way of thinking what he can't do, what you're not supposed to do.
Every black American is bilingual. All of them. We speak street vernacular and we speak 'job interview.'
Mrs. James, my fifth-grade teacher, introduced us to some of the great literature of African American culture. I won my first blue ribbon reciting the vernacular poems of Paul Lawrence Dunbar, in particular "Little Brown Baby."
What I love about Sonny's playing is that he is so inventive within the mainstream Jazz vernacular. Because he knows so many ways to deal with musical material, he is never repetitive and hasn't had to invent a new language. Also, he never asked me to do anything but swing!
I was deeply impressed and moved by his masterful playing. He was highly polished, profound, subtle, and intense. He was extremely fluent in a great combination of the traditional vernacular with his own. Hearing it unfold and being in a position to participate was a great pleasure. Part of being an accompanist is that the stronger the soloist, the more I can do all that I know to do. So, Joe was as good as it gets.
The so-called language of Barbara Kruger is vernacular language. Obviously, I pick through bits and pieces of it and figure out to some degree how to objectify my experience of the world, using pictures and words that construct and contain me.
I was under twenty when I deliberately put it to myself one night after good conversation that there are moments when we actually touch in talk what the best writing can only come near. The curse of our book language is not so much that it keeps forever to the same set phrases . . . but that it sounds forever with the same reading tones. We must go out into the vernacular for tones that haven't been brought to book.
I read Norman Lock’s The Boy in His Winter with delight and amazement. Styled in the vernacular of a rapidly changing America, it stays true to the themes of Mark Twain’s original: class relations, race and slavery, childhood innocence, moral hypocrisy—and, of course, the stark beauty and unforgiving nature of America’s greatest river. I finished this absolutely elegant narrative feeling that Huck Finn has never been more alive.
I tended to emphasize the secular, the casual, the colloquial, the vernacular against the sacred.
We want a vernacular in art. No mere verbal or formal agreement, or dead level of uniformity but that comprehensive and harmonizing unity with individual variety which can be developed among people politically and socially free.
The whole path of American music has been so much about the recognition of stylistic diversity, and the recognition of the importance of music which was from one of the vernacular traditions.
I'm not saying that there weren't other inherent problems with the score that couldn't have been overcome with a bit of remixing, but why did they ask me to do it, and why did Griffin ask me to do it this way, for a film that had nothing to do with American vernacular?
The disquieting thing about newscaster-babble or editorial-speak is its ready availability as a serf idiom, a vernacular of deference. "Mr. Secretary, are we any nearer to bringing about a dialogue in this process ?
Writers today must navigate the shifting verbal currents of the post-Gutenberg era. When does jargon end and a new vernacular begin? Where's the line between neologism and hype? What's the language of the global village? How can we keep pace with technology without getting bogged down in buzzwords? Is it possible to write about machines without losing a sense of humanity and poetry?
You know what the left has succeeded in doing, they have succeeded, in terms of the vernacular, the lexicon, they've redefined the word "immigration" and to tell everyone we're anti-immigrant.
I'm motivated by injustice, which is embedded and constant and wrong - not by a vernacular soundboard.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: