I guess the revival of vinyl records is not helping the environmental problem. Although, in some ways, people don't throw records away - I mean, I still have records from when I was 5. So it doesn't seem quite so wasteful. But maybe I'm just lying to myself.
Right now, I don't particularly take different CDs or vinyl - I have my CD wallet that I take everywhere I go; there are different things in there that cater to different kinds of times - but if there's a special DJ thing coming up, I might go through my records and pick out this special selection. It's one the things that means you're improving as a DJ the more you do it, understanding what's going to go down well in a specific place.
I'm not extra'd out. I got a cool little vinyl collection.
Consider how badly-built suburbia is. Many business buildings are not designed to outlast their tax depreciation periods, and the McHouses are made of particle board, vinyl siding, and stapled-on trim. A lot of suburbia will simply become the slums of the future. Most of the rest will be salvage or ruins.
I often look around me and think about this specific place in time, and what things will endure and become objects of nostalgia for the future. Pokémon? Urban Vinyl figures? Superheroes? Vampires? iPhones? It will be the things that resonate with the collective consciousness of this current time.
Being the recent accessibility of rare vinyl and cassette music via blogs, as well as the digital backlash which is driving more people to crave the tangible - most of these minimal wave releases are hand-numbered vinyl editions, which adds another level to the listening experience. They can listen to an LP and it's there for them to look at, examine its cover art, and hold whilst buying and downloading music in digital form remains such an ephemeral experience.
Vinyl is so outdated nowadays. I can make a track in my hotel room today, and play it for the crowd tomorrow. That never happens with vinyl. I played a lot of acetates at the end of my vinyl period - I used to make tracks and get them pressed in four or five days - but the quality was always so bad and they would skip all the time. The vinyl days for me are over. I still buy vinyl, but only albums, and just to play. For DJing, vinyl is a nightmare.
I think I'd like to see CDs disappear. Too much plastic crap lying around. If I want some music these days, I'm gonna either get as MP3s or on vinyl.
An mp3 is a compressed form of data. It's not the full spectrum. It's never going to sound as good as a record. I think one thing people forget is that every technological advance we fetishize had its place in time. CDs are usually an hour long because that's the amount a CD could hold - not because that's the optimal amount of time for any given musical expression. Side one and side two? That's a product of vinyl. But that's not necessarily dramatic form - you could argue that that was three acts.
I'm not as religious as some people about "the album." To be honest, that was a product of a format. You had vinyl, and you could fit five songs on each side, and that's 45 minutes. You had A-side songs and B-side songs; I always loved the first song on side B. And there's nothing wrong with that. Prog albums of the 70s adapted to that format very much. But not all musicians want to create 45 minutes of music that has to be listened to in chronological order.
A lot of musicians like to do the bass and the drums with analog and get that tape distortion that's really beautiful. As far as the digital world goes - it's all going to end up there anyway, but when you hear vinyl it does a different thing to you. Nowadays, people do CDs and then vinyl so it's everything goes; it's a such a beautiful world.
I like keeping music in front of people. I try to sell at shows as much as I can - setting up a distro table and bringing out crates of vinyl and some CDs. That's my favorite way to sell because you're actually face-to-face with the customer.
There's an upside to the digital thing from my point of view because I find that I have access to all this wacky, weird-ass dance-music stuff that I just can't go into a shop and buy on vinyl.
I do have a collection of mid-century, small-press science fiction and fantasy hardcovers that is my most focused and dedicated collection. Everything else I tend more to acquire or amass than collect. I have vinyl records I listen to all the time when I work. But I don’t collect records. I just buy records where the price seems right and it’s music I actually listen to.
Music is very, very important in my movies. In some ways the most important stage, whether it ends up being in the movie or not, is just when I come up with the idea itself before I have actually sat down and started writing. I go into my record room... I have a big vinyl collection and I have a room kind of set up like a used record store and I just dive into my music, whether it be rock music, or lyric music, or my soundtrack collection. What I'm looking for is the spirit of the movie, the beat that the movie will play with.
As a label I don't care about piracy. I want the music that we [my band] love to be heard by as many people as possible. The more people like the music we put out, the better the label and artists will do. If anyone genuinely likes what we do they will find us, buy our vinyl or come to see the artists play live.
I'm an old person because I still buy DVDs. I have every one of my albums and 45s - I even have a couple of 33s and I do have a turntable. But I must admit, I don't listen to vinyl today. But I listen to all types of music.
There is definitely a nostalgia, and I am very sentimental, so I don't begrudge people for having sentimental feelings towards vinyl.
We've put songs out on singles and weird little packages that only the real vinyl-philes care about.
I love looking back, and even putting new music on vinyl - if it's right!
With blue vinyl-tile floor, pale-green wainscoating, pink walls, a yellow ceiling, and orange-and-white stork-patterned drapes, the expectant fathers' lounge churned with the negative energy of color overload. It would have served well as the nervous-making set for a nightmare about a children's-show host who led a secret life as an ax murderer. The chain-smoking clown didn't improve the ambience.
Ugster vinyl pumps, Partridge Family records, plastic daisy jewelry, old postcards. . . . It's a magpie Christmas market.
I thought I was the only one who still enjoyed his record collection, but after reading 'How Records Got Their Groove Back,' I happily discovered I was wrong. There is something familiar about my old vinyl. Call it nostalgia, but I don't care for the 'purity' of CDs. They have no personality! The crackle and pop of the stylus on a record player as you wait for the music to begin creates an anticipation that CDs simply can't provide.
I'm very excited about the resurgence of vinyl which seems to parallel a growing interest in live performance.
I can assume that the younger generations will no longer know what vinyl was. Maybe some kids will take their CD back to the shop, telling the shop owner they have a faulty disc and if they could please get a new one.
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