I love that vinyl is actually growing in popularity, and that there are so many great record stores.
I'm a Beatles fan, and I remember in the mid-1980s, when CDs first came out, there was a sound of vinyl and the sound of the needle on it that people loved, and suddenly CDs were threatening.
The biggest ones [online stores] I go back to are Amazon.com and eBay.com because it’s great for music and books... I collect vintage vinyl records.
I don't like to tell people what format they can get things in, or say, "I'm only going to release this on vinyl and nothing else. You have to come to my world." I don't like to say that to people either. But, I do think there's a loss of romance.
My older brother had a lot of Elvis on vinyl, and really, that was my first introduction to music during the Fifties.
I still do mostly listen to CDs. I think that every format really is a different way of listening. If you take a different sort of psychological stance to it - like, I think the transition from vinyl to CD definitely marked a difference in the way people treated music. The vinyl commands a certain kind of reverence because it's a big object and quite fragile so you handle it rather carefully, and it's expensive so you pay attention to how it's looked after.
For the nerd in me, I prefer full quality digital files as they give a truer representation of the source mix, the studio in fact. From these files I can quite often tell what kind of set up made the tracks. For the music lover in me, vinyl is more woosey, richer, more alive, more real, more imperfect and somehow becoming more like life itself. But I don't prefer it per se. The mastering engineer in me always loves to hear it as it was made.
I'm a record collector. I'd spend all my pocket money on vinyl.
My parents had a huge pile of records - vinyl! - that I loved, especially the Motown stuff, Steely Dan, Stevie Wonder, Otis Redding.
You have to make rough decisions with sequencing and work within the limitations of having good audio for 15 minutes on a vinyl side.
I have a lot of compact discs. I need them for radio play and convenience. Many bands and artists I am a fan of don't always release their work on vinyl, so I take what they feel like giving me.
I was a kid in the third grade ... saw a dummy in the toy store. In the '60s and '70s there were a lot of those vinyl ventriloquism dummies - just about every toy store had one. Everyone close to my age that I've talked to, especially guys for some reason, tell me that they had one too, but they said they never could do it. So many people come up to me and say that. It was just something that I thought was cool. I started doing book reports with it - I developed the skill. I easily got A's on all my reports. It was just something that a little kid grasped on to - so I stuck with it.
I love vinyl, but I'm not a 'vinyl person'. I still collect, but most of my stuff is digital.
Vinyl's just a fun endgame step. I work with analogue signal chains too, but the mp3 is the way I listen to music.
A French friend brought over a load of Gainsbourg vinyl and I worked my way through it: by the time I got to L'Histoire De Melody Nelson (1969) I was thinking, 'How can this man have died before I got to know his music?' I was a convert.
Now everything is available at the push of a button, and that thrill of the search is gone. With vinyl albums and special edition releases, I feel like that's coming back.
Kids today don't know that much about vinyl.
I have to go back to vinyl every once in awhile, even if my kids don't want to hear it. I'm much more likely to be listening to Wilco or the Avett Brothers.
When I received the invitation to "check out" Fairport I knew absolutely nothing about them, all I knew was that they were beginning to establish themselves as an underground favorite, by playing regularly at the UFO club in Covent Garden. But the crowd I was running with at the time were listening to a completely different genre of music. So I had nothing to go on, there was nothing on vinyl, Fairport's recording days were still ahead of them.
I'm not really into vinyl. There's something about that raw, birth of rock and roll feel that makes me crazy.
I've been making Bass Communion music longer than any kind of other music. I don't know if you picked up a copy of a vinyl release I put out a couple of years ago of something called Altamont.
A lot of musicians like to do the bass and the drums with analog and get that tape distortion that's really beautiful. As far as the digital world goes - it's all going to end up there anyway, but when you hear vinyl it does a different thing to you. Nowadays, people do CDs and then vinyl so it's everything goes; it's a such a beautiful world.
I'm an old person because I still buy DVDs. I have every one of my albums and 45s - I even have a couple of 33s and I do have a turntable. But I must admit, I don't listen to vinyl today. But I listen to all types of music.
We've put songs out on singles and weird little packages that only the real vinyl-philes care about.
There is definitely a nostalgia, and I am very sentimental, so I don't begrudge people for having sentimental feelings towards vinyl.
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