In real everyday life, I don't walk around feeling fat and if on TV I'm considered fat, honestly, I kind of like it, because I'm a big advocate of positive unique representations of women in media. And so I like how I'm able to represent a curvier body and still be beautiful.
The minute you walk through the door and your kid runs into your arms, you're smacked in the face with a dose of reality: It's like, this is my real life.
All of my fights are planned. I study my opponents from A to Z. How he walks, how he looks, how he speaks, gestures of the human body, which is a certain language that provides you lots of information if you have the ability to read it.
My mom, for most of her life, was a Holocaust denier. And it was terrible for the entire family to have to deal with until, finally, a couple years ago, we had an intervention. And we had a rabbi come into the home, had him walk her through the history of the Jewish people, and then he made her watch "Schindler's List." And after that, my mom did a complete 180. Now she can't believe it only happened once.
Ke$ha IS the walk of shame.
I walk into a company office and I can tell often whether I'm gonna invest, as soon as I walk in.
LEGO is universal. So many people enjoy it, from all different walks of life, all different ages, all different cultures. When I was in Africa, I had LEGO bricks with me and I met some people who had never heard of LEGO, they had never seen it before and yet as soon as I gave them a few bricks, they immediately got it.
I don't think there is a need of the categorization 'woman writing'. I think in some sense writers lost their gender when they walk into the world of words; I believe that writers ought to be able to slip under the skins of both men and women. Only then will the writing and the characters have credibility and strength.
The academic world doesn't invite you to try to walk on two feet all the time. And in philosophy especially . . . it's a very intimidating place. The intimidation can be very thin, or it can stop you.
Even here, in the U.S., I walk my daughter's dog and I look for interesting people sitting at a picnic table and I walk over with my white hair and I ask, "Would you mind if I sat and rested here for a minute?" Nobody would refuse that.
When I was little, I loved books that gave me lots of detail so that I felt like I could be transported to this other place, or, in the case of an illustration, I felt like I could walk into the page.
Consumers fall in love with a brand and it's important for a brand to develop and stretch itself to provide for their consumers. I don't suspect that a customer will walk into a store to buy a pair of jeans and end up buying a sofa, but it's about providing loyal consumers with a choice to create a lifestyle.
For me, being able to work with somebody who I don't have to translate my experience to all the time - that's important, because I'm not having to walk someone down the path of racial understanding to tell a story about a woman of color.
Sometimes you'll play, like, a large venue - maybe an outdoor venue or something - where it's so big that you can see all of the disinterested people. You see the audience, but then behind the audience you see people eating ice cream, going for a walk.
You can't have a bad time at Disney World. It's not allowed. They have hidden electronic surveillance cameras everywhere, and if they catch you failing to laugh with childlike wonder, they lock you inside a costume representing a beloved Disney character such as Goofy and make you walk about in the Florida heat getting grabbed and leaped on by violently excited children until you have learned your lesson.
If I found myself alone on planet Earth, no other humans, I would have sex with a monkey in like two minutes. Two minutes. That's really not long enough to be sure you're alone on the Earth, even. That's like... I walk outside, it's- there's not much traffic. "Oh, my God, it's just me! I'm gonna have sex with a monkey right now. Oh, no-there's a person."
A lot of the challenge and the reason for the success of those one-shot photographers is that their pictures almost have to be subject proof. Because you usually only have a few minutes with the person. You never know who's going to walk into the room - whether they're going to be friendly, grumpy, sick of photographers, or between meetings.
I never thought I would be doing something with television. It changes just in the fact that you walk outside and watch your step and not trust too willingly. Other than that I have stayed true to myself, kept my old friends, and the whole good deal.
The talking shows allow me to come out of my cave and that's why those shows go on for so long. I hate walking off stage. Sometimes I walk off and I miss them as I'm walking off the stage. I wonder if they'll let me go another hour. That's why I do it: to communicate, to get points across.
I'll work by myself for years and then I'll think it'll be fun to et one of my friends like Marshall Brickman or Doug McGrath into a room and not be alone for the writing of the thing; to have the pleasure of taking walks and get lunch together; its sort of a fun process and then I do it and then I get back on my own for a while until I feel the need to do it again.
I'm never going to walk away because I'll always have belief that I can improve players and make things better.
I feel like I'm already a winner. I've made so many dreams come true. I'm here. Whether you walk away with a statue [ Emmy]or not, you shouldn't make it about it that necessarily. Everyone who's here in this house tonight is a winner.
I hate the thought that someone had picked up one of my song records and was really excited about it, and walks [out of] a record shop with On Land and is disappointed because it isn't what they wanted. So, I try to make signs, graphically and visually, to say to people "Okay, this is this department of my work and this is this other department of my work." And of course I'm very pleased if people like all of them, but I don't want them to feel deceived at any point.
I think the idea that people walk around to music is very interesting. They are actually creating the soundtrack to their lives as they walk around to it.
If a film or any piece of work doesn't entertain, it fails - and that is using the word entertain literally, meaning it holds you there and you become absorbed by it so that you don't walk away and get bored and so on.
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