Actually, I wanted to be an actor when I was two years old.
We meet thee, like a pleasant thought, When such are wanted.
I used to dread getting older because I thought I would not be able to do all the things I wanted to do, but now that I am older I find that I don't want to do them.
Voices were heard from the United States of America which made it clear that America wanted a peaceful and united Europe as a basis for mutual cooperation.
I had been playing single note instruments and I wanted to hear a guitar played as a piano.
I had sat in one day in Central Park with Bonnie and Delaney, and Duane was playing with them, so I asked if he wanted to work on an album. You never had to say to him how to play the guitar.
We'd go to the fraternity house. It was a good place to practice. But we really wanted the kids to overhear us. And whoever heard us would go nuts over it.
I want him [Saddam Hussein]. I want - I want justice. There is an old poster seen out west. As I recall, it said, Wanted Dead or Alive.
There were two practical reasons we moved to Venice. One was that there was an artists movement and a countercultural movement. Lots of people we might want to hire lived in the area. We also wanted to buy in a lower rent area that looked like it was going to be gentrified so that we could eventually sell the studio for more money.
We wanted to set a good example for the growing number of divers watching.
I planned to stop in 2002 after the Salt Lake City Olympics. I felt able to remain competitive another four years, and I wanted to stop while I'm still at the top.
It was always a fantasy of mine growing up - my favorite program was always 'Little House on the Prairie' - so I always wanted to wear those looks. When I was a child, I wouldn't let my mom put me in anything but calico dresses and now... whaddaya know, every day I'm in a calico dress, basically, so it's kind of funny.
[Action's] a Western thing. We think of the hero going into battle, rebelling against a government or an oppressor, but [in KUNDUN] action is nonaction or what appears to be nonaction. That's a hard concept for Western audiences. . . . We wanted to show a kind of moral action, a spiritual action, an emotional action. Some people will pick up on it; some won't.
Lots of my friends and family belong to churches, and some of them are part of the so-called Christian Right. In this preacher, I wanted to show a good man struggling to reconcile his commitment to the community with the political agenda of his church. He does not see that as a dilemma, but I do.
Harvey [Weinstein] didn't want to release [MY SON THE FANATIC]; he held it for two years because he wanted a happy ending, although I don't know what that means. Does that mean the taxi driver leaves his wife or doesn't leave his wife? I think it has a happy ending.
I had a very linear story line for this particular play, and I wanted to open the piece up a bit, so I started doing that with my writing. I would describe fragments of scenes on index cards, then move the card around to see how it changed the piece.
. . . the whole idea of WHAT HAPPENED WAS.... is not about dating. It is more about people who are not committed to who they are or are indifferent about their life in general, which is how I felt about myself when I wrote it. I had turned 40 and I was unhappy and I wanted to write about that. Dating just became the framework. . . . I like all those fringy, weird, nonverbal, quiet, tiny little things, those powerful interchanges between people, things that go unsaid, that people know are happening all the time but nobody wants to talk about. That's what I want to make movies about.
Every minister worthy of the name has to walk the line between prophetic vision and spiritual sustenance, between telling people the comforting things they want to hear and challenging them with the difficult things they need to hear. In Oxford, Daddy began to feel as though all the members wanted him to do was to marry them and bury them and stay away from their souls.
You are Hannah, a lover of life, a strength to those who shared in your friendships. You are a dream, a creator of happiness, an artist who has touched a thousand souls. You've led a full life and wanted for nothing, because your needs are spiritual and you have only to look inside you. You are kind and loyal, and you are able to see the beauty where others do not. You are a teacher of wonderful lessons, a dreamer of better things.
Once I even took the train to Utrecht, forty miles from Amsterdam, with my yellow star, this star which I still have. Why did I go? I just wanted to visit some friends. I was a little bit crazy, a little bit insane.
Some people want to give money to their children, buy houses, go on a holiday - whatever it is that they want to invest in. This particular journey has been something that I wanted to do most of my life, but there was no real opportunity to do so.
I was interested in flying beginning at age 7, when a close family friend took me in his little airplane. And I remember looking at the wheel of the airplane as we rolled down the runway, because I wanted to remember the exact moment that I first went flying... the other thing growing up is that I was always interested in science.
He was a hot, hot former priest and she wanted to pull a Thorn Birds on his ass.
I wanted to make sure to always stay current, try to find new material and stay with the modern techniques.
When we were designing 'Mario Kart 64,' we wanted it to feel like the player is controlling an RC car. If you play this game and get this feeling, then we will be happy because we accomplished our goal.
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