I approach every week the same. I think I've always tried to be very professional to how I approach the game, my preparation. Every game is important.
The biggest mistake I see people make is they are not on the right program. You should be circuit training and performing cardio 4-6 days a week (depending on time).
Acting is a weird profession. It's very disquieting, and at the time it just made me so confused. It's only when you step away from a movie for several weeks or months that you start to put things in perspective.
It's perfectly possible to spend forty hours a week on a job that's meaningless, as long as you know what your real vocation is and find some way to express it. Then you won't confuse your job with the meaning of your life.
When a child signs up for tennis, he or she is put on a team. I put them in a circle and then I make sure they name their own team. I would have them do their skill drills as a team and their fun drills together as a team, then they have to have a match at the end of every week. They can't just have what they call a lesson today every week.
There are lots of really good guitarists, but they play with the same pedals that everybody else does. Everybody buys the same pedals, so the sounds tend to be the same. I am looking for different ways of doing that without having to spend days and weeks and months fooling around with pedals, which I don't enjoy.
I play ten, twelve weeks out of the year, five times a week, and I really still love to do it. But that's not what I'm interested in doing now. Even though I love it.
Winning is the obvious goal, but it's not easy. There are so many good drivers and every week is different. I want to win badly, but I understand that it's going to take hard work. In the meantime I'll continue to set obtainable goals and do my best both on and off the racetrack.
[The trainers] work a day or two a week; I work six days a week, 13 hours a day to get that footage. Carrying the show is very stressful, because I never get away from the cameras. It devastates my personal life.
Very, that show is crazy. It was like doing finals every week. It was interesting. I really learned a lot. The dialogue is so technical. I was so impressed watching the other actors and how they managed, so I studied them. And I was blown away thinking: "How do they do that? How do they put that extra spin on the complicated dialogue to make it interesting?
Well first of all I was nine weeks pregnant at the time and no one knew it. So it was - it had a whole other meaning for me not just because I had to let the dress out, you know, every few days before the actual day. But, you know, because that was the, you know, more important than anything else that was going on in my life. But in terms of actually winning I think I had been nominated four or five times before then. And every one of my co-stars had won up until that point.
After a year's research, one realizes that it could have been done in a week.
Sunday doesn't just prepare us for the week ahead - it prepares us for eternity.
It is on my mind every hour of every day that I have 168 hours this week to improve my life. It is really up to me to be a good steward of this time to accomplish my goals and change my life this week.
I always knew that sooner or later there would come somebody like Woody Guthrie who could make a great song every week. Dylan certainly had a social agenda, but he was such a good poet that most of his attempts were head and shoulders above things that I and others were trying to do. ... If I had an address, I'd send him a birthday card saying, 'keep on going.'
Today's unspeakable perversion is tomorrow's kink, is next week's good clean fun
Imagine a crime series in which, every week, there is a white suspect and a black suspect. And every week, lo and behold, the black one turns out to have done it. Unpardonable, of course. And my point is that you could not defend it by saying: "But it's only fiction, only entertainment."
I trust the [series] writers when I'm filming, because it's interesting for me to go in every week and see what's going to happen, and the challenge for me as the actor is to make it work.
I enjoyed living in New York City, I liked the premise of the show [Saturday Night Live], I liked working with a different host every week and different musicians. I always thought, "This is great. I never expected to get this in the first place, so I'm just happy being here."
In East Germany it was very normal for a woman to go out and work even if she had children. A few weeks after giving birth women would return to their normal working life. We never had housewives in East Germany.
I haven't exactly grown wings or anything. I'm happy with how I have been playing so far this week, but my feet are firmly on the ground. I haven't cured cancer or anything.
I went to college as a theater major. But after about three weeks of that, I changed to the school of fine arts as a painter.
I had a dream that I would be here this week, receiving something from the president, but I thought it would be the front door key.
At age nine, I got a paper route. Sixty-six papers had to be delivered to sixty-six families every day. I also had to collect thirty cents a week from each customer. I owed the paper twenty cents per customer per week, and got to keep the rest. When I didn't collect, the balance came out of my profit. My average income was six dollars a week.
Why waste your life working for a few shillings a week in a scullery, eighteen hours a day, when a woman could earn a decent wage by selling her body instead?
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