"X-Men" is not really about mutants; it's about humanity. I think it's about the human race. We're an absolutely destructive race. It seems that we can't seem to get beyond this level of tribalism that has been around for thousands of years. Anything we fear we tend to destroy.
The human race has been set up. Someone, somewhere, is playing a practical joke on us. Apparently, women need to feel loved to have sex. Men need to have sex to feel loved. How do we ever get started.
Lockheed! You found me! You are the best X-Dragon ever.
Women need a reason to have sex, men just need a place.
Only six men in the world know about relativity. I am not one of them. When I ask them to explain, they confused me.
We love being in business with Guillermo [Del Toro]and frankly that movie, if you look it up, did I think more business than the first X-Men, did more than Batman Begins, our first movie, did more than Superman Returns, The Fast and the Furious, Star Trek- so for a movie that was an original property that we made up it's done really well.
When I originally sold X-Men it was because I knew there was 40 years of stories. That was the point! Not only to do the movie and establish the characters, you know, you love the one you're doing. It was because there are all these great stories, what a wealth of drama.
Everything is so fragile. There's so much conflict, so much pain... You keep waiting for the dust to settle and then you realize this is it; the dust is your life going on. If happy comes along - that weird, unbearable delight that's actual happy - I think you have to grab it while you can. You take what you can get, 'cause it's here, and then... gone.
The demographic of our audience is young. It also contains a high proportion of black, Jewish and gay people, who have all been encouraged by society to think of themselves as oddities or mutants. I hope that's why X-Men chimes with them - it's certainly why I was attracted to the idea in the first place.
In sex, man is driven into the very abyss which he flees. He makes a voyage to non-being and back.
Being Puerto Rican, born and raised on the streets of New York, you go, 'Wow, you're still friends with your ex, man? Really? That's weird.' I don't play that.
The real excitement and big deal for me started when I got cast in the first X-Men, which was sort of a fluke.
My money goes to my agent, then to my accountant and from him to the tax man.
And the trouble with me is that my ego just can't accept a loss. I suppose that if I were more perfectly adjusted, I would toss off defeat, but my name is on this ball club. Thirty-six men publicly reflect me and reflect on me, and it's a matter of my pride.
I know Dark Phoenix is a huge part of the X-Men saga, so I'm assuming they're at least going to want to touch on it, but I don't know and I don't know whether I would want to be involved. That depends on many different things.
We had the guys from X Men 2 do the cameras. They had a 360 camera that would go from one car, up in the air and over to another car in a continuous shot while the film was still rolling, going 90 mph.
If you think the X-Men are going to be push-overs, think again! Far better men than you have pledged their destruction ... yet the X-Men are still here.
The success [of the X-Men], I think, is for two reasons. The first is that, creatively, the book was close to perfect ... but the other reason is that it was a book about being different in a culture where, for the first time in the West, being different wasn't just accepted, but was also fashionable. I don't think it's a coincidence that gay rights, black rights, the empowerment of women and political correctness all happened over those twenty years and a book about outsiders trying to be accepted was almost the poster-boy for this era in American culture.
A fundamental mistake to call vehemence and rigidity strength! A man is not strong who takes convulsion-fits; though six men cannot hold him then. He that can walk under the heaviest weight without staggering, he is the strong man . . . A man who cannot hold his peace, till the time come for speaking and acting, is no right man.
It was six men of Hindustan To learning much inclined, Who went to see the Elephant (Though all of them were blind) That each by observation Might satisfy the mind.
X-Men is not a story about superheroes, but a story about the ongoing revolutionary struggle between good/new and bad/old. The X-Men are every rebel teenager wanting to change the world and make it better. Humanity is every adult, clinging to the past, trying to destroy the future even as he places all his hopes there.
"I think you're begging the question," said Haydock, "and I can see looming ahead one of those terrible exercises in probability where six men have white hats and six men have black hats and you have to work it out by mathematics how likely it is that the hats will get mixed up and in what proportion. If you start thinking about things like that, you would go round the bend. Let me assure you of that!"
I am ashamed to say I auditioned three times before I even watched any of the [X-Men] movies. And then after I watched the movies, I was like, "Oh my God, I've been doing it all wrong, why are they calling me back?
X-Men is massive, like nothing I've ever experienced. But great in its own way.
Doubt is the tax man pays for the luxury of useless knowledge.
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