It's interesting to work with Emma [Watson] so quickly after Harry Potter. When we shot this movie, it wasn't that long after Harry Potter was finished, and it's knowing that's a big transition in her life. She's a very talented young woman.
One of the early tip-offs to me about the enormous changes that were going on with being in a Bangalore house, home, where the young woman from a nearby village, who had been hired to baby sit newborn twins, suddenly said after two weeks of work: 'I'm sorry, this is too much work, I'm going to try applying for call center jobs. The pay is better.'
My father was extremely loving to me and funny and wise and understanding, and at other times extremely demanding, critical, calculating, exacting. When you're a young woman, I think you want to please a lot, so maybe you accept more of the criticism than you would as an older person. But criticism can be very wounding. It certainly was to me.
I remember realizing, when I did Little Women [1994], that that was the only time girls that age were being written about. It was always boys - from David Copperfield to Lord of the Flies to Holden Caulfield. There were never young women going through adolescence or teen years; there were only little girls.
I think a lot of my girlfriends growing up gave themselves up to any boy who paid attention to them. I think young women now are a lot more particular. They pick and choose.
I think a lot of young women are probably fearful or embarrassed or cautious or hiding whatever their particular sexuality might be. From the most odd to the just slightly abberrant.
I think I was shy as a young woman and realized that photography was an ideal way of expressing myself, of telling people what was going on without having to talk.
It is pointless for a woman to be young unless pretty, or to be pretty unless young.
I had a hard time watching "Wolf Creek." It is a film with one clear purpose: To establish the commercial credentials of its director by showing his skill at depicting the brutal tracking, torture and mutilation of screaming young women. When the killer severs the spine of one of his victims and calls her "a head on a stick," I wanted to walk out of the theater and keep on walking.
Every woman knows what I'm talking about. It’s the presumption that makes it hard, at times, for any woman in any field; that keeps women from speaking up and from being heard when they dare; that crushes young women into silence by indicating, the way harassment on the street does, that this is not their world. It trains us in self-doubt and self-limitation just as it exercises men’s unsupported overconfidence.
Daisy was a consciously happy young woman without any of the usual endowments that make for conscious happiness, money apart. She was not pretty, she was not clever, she had no friends, no talents, nor even an imagination to make her think she was happy when she was really miserable. As she was never miserable, she had no need of an imagination.
The whole idea we have for their chastity is ridiculous. They would have to become numb and invisible to please us. I don't know whether the exploits of Alexander and Caesar really surpass the resolution of a beautiful young woman, bred up in the light and commerce of our society, who still keeps herself whole. There is no doing so hard as not doing.
Young women with ambitions should be very crafty and cautious, lest mayhap they be caught in the soft, silken mesh of a happy marriage, and go down to oblivion, dead to the world.
Ambitious young women today are taught to ignore or suppress every natural instinct, if it conflicts with the feminist agenda posed on them. All literary and artistic works, no matter how great, that document the ambivalence of female sexuality they are trained to dismiss as "misogynous." In other words, their minds are being programmed to secede from their bodies ... there is a huge gap between feminist rhetoric and women's actual sex lives, where feminism is of little help except with a certain stratum of deferential, malleable, white middle-class men.
When a young woman tells me that she wants to become and actor, I say, 'No, be a writer. Or go to business school and learn how to run a studio.' The only real change will come from behind the scenes.
I do think younger women have to figure out how to combine their own sense of style with what is appropriate and authoritative. Some young women think there's no reason why they can't wear flip flops in the office in the summer because their accomplishments should exempt them from a stodgy dress code.
The genre [of hard-partying girls] seems to have gone out of style - instead of young women who drink too much, it's young women who don't eat enough.
I think that marijuana should be legalized. I think the only reason it isn't legal is because politicians who smoked it when they were young men or young women just don't have the courage when they become politicians to legalize it.
Many of the narratives can only tend to excite ideas the worst calculated for a female breast: Every thing is called plainly and roundly by its name; and the annals of a Brothel would scarcely furnish a greater choice of indecent expressions. Yet this is the Book, which young Women are recommended to study.
Perhaps only some young women, perhaps only a minority of all women, will be able to effect such changes through consciousness alone, through the strength of understanding, which, if transformed into wisdom, always means the performance of necessary actions.
One of the things I do tell young women, if they want to pursue a career in acting, is to get good stage training. It is essential to have a good basis in stage technique. You can move into film easily, and acquire more skill and more understanding, but you can't necessarily go the other way around. For women, longevity of career will very much be on stage.
I think it's so important, as young women, to have relationships, especially when you're in your early 20s. But it's always so important to focus on yourself.
If I was a supervillain, I'd create this universal, cosmic rule where every time an old, shitty, right-wing white man says something unsavory about a young woman, he would just get the clap immediately.
In times of change and uncertainty, we need the spirit of jazz more than ever before, to bring people - especially young women and men - together, to nurture freedom and dialogue, to create new bridges of respect and understanding, for greater tolerance and cooperation.
Women tend to be conservative in youth and get more radical as they get older because they lose power with age. So, if a young woman is not a feminist, I say, just wait.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: