I see that women still have self-doubt, and at the same time I feel like I see all these fantastic young women, and they all have ambition and are so focused on their futures. I don't think that's an anomaly anymore.
Sheryl Sandberg and Marissa Meyer have already accomplished more than most. I think the sky is the limit for them professionally. If they can inspire more women to "lean in," as Sandberg so famously describes it - to pursue a career and a family - that would be an incredible accomplishment. If they can, by their example as hands on mothers and high powered executives, show young women that they don't need to leave the workplace when they have children, they will be superheroes.
The camera follows a young woman as she makes her way through the stands to an area set aside for repentance and conversion. But Jesus' stories imply that far more may be going on out there: beyond that stadium scene, in a place concealed from all camera lenses, a great party has erupted, a gigantic celebration in the unseen world.
When people watch me on TV they see part of my life. I wanted to let them know the real me behind the scenes. The child who was a concert violinist from the age of six. The young woman who took on the challenge to compete in the Miss America pageant. The television journalist for twenty-five years. The mother of two who, just like most women, struggles to balance work and family.
We need more young women who love sports even when their boyfriend/husband isn't making them watch!
I always believed that my platform would be speaking to young women that were teenagers that had had their babies and were trying to make it as single moms and still have hope and passions and pursuit of great things in their lives.
Mine is a story about a teenage single mother who struggled to keep her young family afloat. It's a story about a young woman who was given a precious opportunity to work her way up in the world. It's a story about resiliency, and sacrifice, and perseverance. And you're damn right it's a true story.
Horace's best ode would not please a young woman as much as the mediocre verses of the young man she is in love with.
I think it worked two ways. One, a lot of people writing about the movie used that as shorthand and it could either be a good thing or they could use it to dismiss the movie like we were a copycat movie or something like that. It's very much its own story. It is a young woman in a post-apocalyptic society, but after that it's just a whole different kind of story and a different journey that she goes through.
Young women are now looking at me for cues. That's definitely been a responsibility. But I feel like I was ready to take on something like this because I wanted to be challenged and I wanted to be afraid, and that's definitely what it's done for me.
The stark truth is that as long as the welfare state makes it possible for young women - or teenage girls - to have children without a husband and survive without a job, out-of-wedlock births will remain ruinously high, and the inner city will continue to be marked by crime, poverty, and despair.
Only the stupefying ignorance of young women prevents them from comprehending the stupefying emptiness of the men who cluster round them.
The young women who attract so much attention never change: They are all stupid. They have at best only the crudest notions of their own power, and never calculate motives or consequences. Giving a young woman a young woman's body makes as much sense as giving ten teenagers Lamborghinis and telling them to drive in figure 8s around a parking lot.
I feel like a young adult. In high school I never felt like my professional life and my personal life were at odds, because Rookie felt like the bridge.
Friends describe me as someone who likes to sing and dance along the edge of the roof. I try to encourage young women to be willing to take risks, to stand up for the things they believe in, and to step up and accept the challenge of serving in leadership roles.
I love Amy Adams. She is wonderful. Evan Rachel Wood is a blast. I am also really excited about Ari Graynor from 'Nick and Norah's Infinite Playlist' (2008) and 'An American Crime' (2007). I think it is an exciting time for young women in this industry. I am excited to make my own path.
There'd never been a clothing line made by a young woman like me: a multiethnic woman who has one foot in Gucci and one foot in the ghetto.
I find it very sad that so many girls who look up to me are young women of color who have been told that they are ugly, and who feel that they are not normal...I think it's so important that women look like me find that they can be beautiful or objects of love, attention and affection.
The last thing a young woman needs is another picture of a sexy pop star writhing in sand, covered in grease, touching herself.
On the river path in Boston beauty was most expressed as youth and intelligence. That made sense; sixty degree-giving institutions, some three hundred thousand students; that meant at least one hundred fifty thousand more nubile young women than demographics would ordinarily suggest. Maybe that was why young men stayed in Boston when their college years were over, maybe that explained why they were so intellectually hyperactive, so frustrated, so alcoholic, such terrible drivers.
Same reason why young women on juries are not a good idea, they don't get it. They're not in that same life experience of paying the bills, doing the mortgage, kids, community, crime, education and health care. They're like healthy and hot and running around without a care in the world... I just think, excuse them, so they can go back on Tinder and Match.com.
We have to nurture our young women and understand the beauty and the strength of being a woman. It's kind of a catch-22: Strength in women isn't appreciated, and vulnerability in women isn't appreciated. It's like, 'What the hell do you do?' What you do is you don't allow anyone to dictate who you are.
Constance L. Rice, co-director of the Los Angeles of the Advancement Project, told the Times that Seltzer might have been influenced by David Simon's fake ghetto series, "The Wire." It figures. Isn't this sexism? Isn't this a double standard? They're hard on this young woman for her fake ghetto book, yet praise these White guys for theirs. So there's a big market in downing Black men.
What is most heartbreaking to me is the young women who don't report [being raped] because they were drinking, and they feel like it was their fault that they were drinking. I mean, that is so common.
The goal is not to just have rapists expelled from schools. I don't want rapists transferring schools. I don't want them out there, being able to commit these crimes. I want them to go to prison. But if you understand this crime and you understand what happens in the reporting of this crime and the support that a victim does or does not get, you realize that our legislation increases the likelihood that a young woman will go to the police in a timely manner and that the police will investigate and that they will be able to administer real justice in the criminal system.
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