I think the path for a young writer might be one that says, "I have to accept myself, this is what I am. I can't eradicate my defects. I can work on them."
If a young writer can refrain from writing, he shouldn’t hesitate to do so.
So if I were talking to a young writer, I would recommend the cultivation of extreme indifference to both praise and blame because praise will lead you to vanity, and blame will lead you to self-pity, and both are bad for writers.
I think young writers should get other degrees first, social sciences, arts degrees or even business degrees. What you learn is research skills, a necessity because a lot of writing is about trying to find information.
Advice to young writers wo want to get ahead without any annoying delays: don't write about Man, write about a man.
I would also suggest that any aspiring writer begin with short stories. These days, I meet far too many young writers who try to start off with a novel right off, or a trilogy, or even a nine-book series. That's like starting in at rock climbing by tackling Mt. Everest. Short stories help you learn your craft.
What the young writer is looking for is not a critic who will slap him on the back and say, 'Greatest thing since O. Henry,' but rather the one who will toss the manuscript down in disgust, with 'You know better than that! It's rotten! Do it all over again!'
As a young writer, I was on guard against the Latina in me, the Spanish in me because as far as I could see the models that were presented to me did not include my world. In fact, 'I was told by one teacher in college that one could only write poetry in the language in which one first said Mother. That left me out of American literature, for sure.
I still feel the impulse to give young writers a hearing, and I believe I have played more unpublished compositions than any other band leader in the country.
A workshop is a way of renting an audience, and making sure you're communicating what you think you're communicating. It's so easy as a young writer to think you're been very clear when in fact you haven't.
I think it must be very hard to be one of the new young writers who are urged to put themselves forward when it may be the last thing on earth they'd be good at
Young writers should definitely research the current sounds and styles.
I have an ambition to write a great book, but that's really a competition with myself. I've noticed that a lot of young writers, people in all media, want to be famous but they don't really want to do anything. I can't think of anything less worth striving for than fame.
Young writers should be encouraged to write, and discouraged from thinking they are writers. If they arrive at college with literary ambitions, they should be told that everything they have done since their first childhood poems, printed in the school paper, has been preparation for entering a long, long apprenticeship.
Success breeds volume, and it's just amazing how many young writers, artists, and musicians there are in town.
Whenever I'm asked what advice I have for young writers, I always say that the first thing is to read, and to read a lot. The second thing is to write. And the third thing, which I think is absolutely vital, is to tell stories and listen closely to the stories you're being told.
I often think I can see it in myself and in other young writers, this desperate desire to please coupled with a kind of hostility to the reader.
Theater is still a medium which attracts young writers. You'd think that it would be all over by now, with television and film. But it's not.
You cannot teach creativity - how to become a good writer. But you can help a young writer discover within himself what kind of writer he would like to be.
What first stuns the young writer emerging from college is that there is no clear-cut road for him to travel on. He must chop a path in the wilderness of his own soul, a disheartening process, lifelong and lonesome and therefore, of what use graduate work?
Young writers should be encouraged to write, and discouraged from thinking they are writers.
I've never seen a worse situation than that of young writers in the United States. The publishing business in North America is so commercialized.
Young writers shouldn't be afraid of striving to emulate their favorites. It's a good way to learn, as long as you move on from it and don't publish too many of the results.
On the day when a young writer corrects his first proof-sheet he is as proud as a schoolboy who has just got his first dose of pox.
I kind of wish people didn’t know who I am, that I could just lie, say I’m a speechwriter for Obama. This is what I said before Twilight. And then Obama came along and picked up all these young writers. I found out this guy, Jon Favreau — who’s not the actor Jon Favreau — is writing for him. And I was like, Wow, I wonder if the people who thought I was bullshitting at the time are like, ‘Oh my god. That guy! That kid who was drunk in some bar actually wrote the health care bill!’
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