The complaint about modern steel furniture, modern glass houses, modern red bars and modern streamlined trains and cars is that all these objets modernize, while adequate and amusing in themselves, tend to make the people who use them look dated. It is an honest criticism. The human race has done nothing much about changing its own appearance to conform to the form and texture of its appurtenances.
A man who publishes his letters becomes a nudist - nothing shields him from the world's gaze except his bare skin. A writer, writing away, can always fix things up to make himself more presentable, but a man who has written a letter is stuck with it for all time.
Even now; with a thousand little voyages notched in my belt. I still feel a memorial chill on casting off.
Dentistry is more impressive in town-what the rural man calls cleaning the teeth is called "prophylaxis" in New York.
Necessity first mothered invention. Now invention has little ones of her own, and they look just like grandma.
A library is a good place to go when you feel bewildered or undecided, for there in a book, you may have your question answered
"Have you ever found anything that gives you relief?" "Yes. A drink."
The bonus is really one of the great give-aways in business enterprise. It is the annual salve applied to the conscience of the rich and the wounds of the poor.
As long as there is one upright man, as long as there is one compassionate woman, the contagion may spread and the scene is not desolate. Hope is the thing that is left us in a bad time.
There is a period near the beginning of every man's life when he has little to cling to except his unmanageable dream, little to support him except good health, and nowhere to go but all over the place.
It is a miracle that New York works at all. The whole thing is implausible.
It is easier for a man to be loyal to his club than to his planet; the bylaws are shorter, and he is personally acquainted with the other members.
Humor is like a frog. You can dissect it to see how it works, but by then, it's dead.
Television should be our Lyceum, our Chautauqua, our Minsky's and our Camelot.
Commas in The New Yorker fall with the precision of knives in a circus act, outlining the victim.
I have a spaniel that defrocked a nun last week. He took hold of the cord. I had hold of the leash. It was like elephants holding tails. Imagine me undressing a nun, even second hand.
The H-bomb rather favors small nations that doesn't as yet possess it; they feel slightly more free to jostle other nations, having discovered that a country can stick its tongue out quite far these days without provoking war, so horrible are war's consequences.
Sometimes a writer, like an acrobat, must try a trick that is too much for him.
A breezy style is often the work of an egocentric, the person who imagines that everything that pops into his head is of general interest and that uninhibited prose creates high spirits and carries the day.
The main thing I try to do is write as clearly as I can. Because I have the greatest respect for the reader, and if he's going to the trouble of reading what I've written -- I'm a slow reader myself and I guess most people are -- why, the least I can do is make it as easy as possible for him to find out what I'm trying to say, trying to get at. I rewrite a good deal to make it clear.
Although there is no substitute for merit in writing, clarity comes closest to being one.
We grow tyrannical fighting tyranny. . . . The most alarming spectacle today is not the spectacle of the atomic bomb in an unfederated world, it is the spectacle of the Americans beginning to accept the device of loyalty oaths and witch hunts, beginning to call anybody they don't like a Communist.
I discovered, though, that once having given a pig an enema there is no turning back, no chance of resuming one of life's more stereotyped roles.
If sometimes there seems to be a sort of sameness of sound in The New Yorker, it probably can be traced to the magazine's copydesk, which is a marvelous fortress of grammatical exactitude and stylish convention.
Much of our adult morality, in books and out of them, has a stuffiness unworthy of childhood. Our grown-up conclusions often rest on perilously soft bottom.
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