I don't really like saying "the gays"... I'm not sure why. I suppose I say "the Jews." but I don't say "the blacks." I guess because I'm a Jew for all intents and purposes and to group people together of which I am not one in such a casual way feels disrespectful.
People who like what I do come in all shapes and sizes. Not sure what the common denominator is per se. Oh, it's meeee! But to be embraced by a progressive community means something to me and this one feels like home.
Letting your freak flag fly is something, no matter who you are, that takes great bravery, straight up.
I became known for surprising audiences. Except now, if I surprise them every time, they expect that.
Comedy can't live within my second-guesses, so I started doing new material. Sometimes I bombed. But you have to be willing to if you want to move forward and stay vital. It's like people who take pride in not having a computer. I'm all, "Great, don't learn new things! Your brain is full!"
You have to take the chance to bomb and disappoint audiences.
In the '80s especially, a lot of comedians felt compelled to stick with what made them famous and those people became caricatures.
If I don't do stand-up for two weeks, I get freaked out.
Someone on Twitter sent me a page from a textbook. It had a picture of a football player next to a picture of me. The juxtaposition was meant to illustrate two meanings of "offensive." Seriously. It broke my heart. It's that accepted what I do is offensive?
I'd rather have a girl exposed to me than 25 women in prom dresses vying for a stranger.
The reason the rest of us remember, like, when John Lennon died, is because it's a moment when adrenaline is surging.
My mom was always someone who if, even now, I say I met a certain famous person, she always says, "She's married to so and so!"
I first did stand-up when I was 17, and then I passed out fliers for a comedy club (in New York City) and I got onstage whenever I could. And musical theater went out the window as soon as I started doing stand-up.
It's just hard to say, "Well, I do this, which means this." If I'm telling you exactly who I am, then there's nothing for the audience to say.
People say, like, "I love when you smile because part of your mouth goes up," then I never organically smile again.
The truth is, I've denied it for years, but I love deconstructing comedy.
I like trying jokes and seeing the response, and if I end up doing it in my act, it won't be 140 characters. Twitter is helpful that way to me. It's like a message in a bottle. But a lot of times I think I tweet the stuff I would like to say to teenage me.
I don't want to deconstruct what I do.
I can get a script and go, "Well, I'd rather do stand-up." I don't hold movies in higher regard. I love making videos and posting. I love TV.
We live in a fun time with so many ways to express yourself, you would be crazy to be a comedian and not check them all out.
I don't need a lot of space.
I'm not wanting and I don't live in a hovel, but if you keep your costs low, you can do what you want to do creatively.
I'm lucky because I intentionally keep my overhead low, and so I can say, "No, thank you."
I'm lucky a couple of filmmakers have seen beyond what you're saying.
You want the actors to disappear into roles and stay under the radar, and that gets harder when someone is known for their actual personality, or who they seem to be.
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