Uncommon extension of the fear of death.
ARTLESSNESS, n. A certain engaging quality to which women attain by long study and severe practice upon the admiring male, who is pleased to fancy it resembles the candid simplicity of his young.
The natural equipment to accomplish some small part of the meaner ambitions distinguishing able men from dead ones. In the last analysis ability is commonly found to consist mainly in a high degree of solemnity.
INDIFFERENT, adj. Imperfectly sensible to distinctions among things.
WASHINGTONIAN, n. A Potomac tribesman who exchanged the privilege of governing himself for the advantage of good government. In justice to him it should be said that he did not want to.
PILGRIM, n. A traveler that is taken seriously. A Pilgrim Father was one who [was] not permitted to sing psalms through his nose [in Europe], followed it to Massachusetts, where he could personate God according to the dictates of his conscience.
Dance, v.i. To leap about to the sound of tittering music, preferably with arms about your neighbor's wife or daughter. There are many kinds of dances, but all those requiring the participation of the two sexes have two characteristics in common: they are conspicuously innocent, and warmly loved by the vicious.
CEMETERY, n. An isolated suburban spot where mourners match lies, poets write at a target and stone-cutters spell for a wager.
OATH, n. In law, a solemn appeal to the Deity, made binding upon the conscience by a penalty for perjury.
REVOLUTION, n. In politics, an abrupt change in the form of misgovernment. . . . the substitution of the rule of an Administration for that of a Ministry, whereby the welfare and happiness of the people were advanced a full half-inch.
A short story padded. A species of composition bearing the same relation to literature that the panorama bears to art. As it is too long to be read at a sitting the impressions made by its successive parts are successively effaced, as in the pa
Fear has no brains; it is an idiot. The dismal witness that it bears and the cowardly counsel that it whispers are unrelated.
LEXICOGRAPHER, n. A pestilent fellow who, under the pretense of recording some particular stage in the development of a language, does what he can to arrest its growth, stiffen its flexibility and mechanize its methods.
RASCALITY, n. Stupidity militant. The activity of a clouded intellect.
PASTIME, n. A device for promoting dejection. Gentle exercise for intellectual debility.
MAGIC, n. An art of converting superstition into coin. There are other arts serving the same high purpose, but the discreet lexicographer does not name them.
Philanthropist, n.: A rich (and usually bald) old gentleman who has trained himself to grin while his conscience is picking his pocket.
WHEAT, n. A cereal from which a tolerably good whisky can be made; . . . also for bread. The French are said to eat more bread "per capita" of population than any other people, which is natural, for only they know how to make the stuff palatable.
CANNON, n. An instrument employed in the rectification of national boundaries.
Justice is a commodity which in a more or less adulterated condition the State sells to the citizen as a reward for his allegiance, taxes and personal service.
The bold and discerning writer who, recognizing the truth that language must grow by innovation if it grow at all, makes new words and uses the old in an unfamiliar sense has no following and is tartly reminded that 'it isn't in the dictionary' - although down to the time of the first lexicographer no author ever had used a word that was in the dictionary.
SYLLOGISM, n. A logical formula consisting of a major and a minor assumption and an inconsequent.
OVATION, n. n ancient Rome, a definite, formal pageant in honor of one who had been disserviceable to the enemies of the nation. A lesser "triumph."
GUNPOWDER, n. An agency employed by civilized nations for the settlement of disputes which might become troublesome if left unadjusted.
HYENA, n. A beast held in reverence by some oriental nations from its habit of frequenting at night the burial-places of the dead. But the medical student does that
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