Guy Debord Quotes - Page 2

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Reality Representation Writing

Art... can become the direct organization of more highly evolved sensations.

Guy Debord

Art, Organisation, Direct

Internationale Situationist (Paris), No. 1, June 1958.

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As specialists of apparent life, stars serve as superficial objects that people can identify with in order to compensate for the fragmented productive specialisations that they actually live.

Guy Debord

Stars, Order, People

Guy Debord, Ken Knabb (2003). “Complete cinematic works: scripts, stills, documents”, A K Pr Distribution

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The more he identifies with the dominant images of need, the less he understands his own life and his own desires. The spectacle’s estrangement from the acting subject is expressed by the fact that the individual’s gestures are no longer his own; they are the gestures of someone else who represents them to him.

Guy Debord

Desire, Acting, Needs

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The loss of quality that is so evident at every level of spectacular language, from the objects it glorifies to the behavior it regulates, stems from the basic nature of a production system that shuns reality. The commodity form reduces everything to quantitative equivalence. The quantitative is what it develops, and it can develop only within the quantitative.

Guy Debord

Loss, Reality, Quality

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What appears is good; what is good appears.

Guy Debord

Guy Debord (2014). “The Society of the Spectacle”, p.5, Bureau of Public Secrets

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No longer is science asked to understand the world, or to improve any part of it. It is asked instead to immediately justify everything that happens... spectacular domination has cut down the vast tree of scientific knowledge in order to make itself a truncheon.

Guy Debord

Cutting, Order, Tree

"Comments on the Society of the Spectacle". Book by Guy Debord, 1988.

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He will essentially follow the language of the spectacle, for it is the only one he is familiar with.

Guy Debord

Language, Familiar

Guy Debord (1998). “Comments on the Society of the Spectacle”, p.31, Verso

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The story of terrorism is written by the state and it is therefore highly instructive… compared with terrorism, everything else must be acceptable, or in any case more rational and democratic.

Guy Debord

Stories, Terrorism, States

Guy Debord (1998). “Comments on the Society of the Spectacle”, p.24, Verso

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None of the activity stolen by work can be regained by submitting to what work has produced. - The Society of The Spectacle

Guy Debord

Stolen, Activity

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Tourism, human circulation considered as consumption is fundamentally nothing more than the leisure of going to see what has become banal.

Guy Debord

Tourism, Leisure, Circulation

Guy Debord (2012). “Society Of The Spectacle”, p.85, Bread and Circuses Publishing

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Looting is a natural response to the unnatural and inhuman society of commodity abundance. It instantly undermines the commodity as such, and it also exposes what the commodity ultimately implies: the army, the police and the other specialized detachments of the state's monopoly of armed violence.

Guy Debord

Army, Police, Violence

Guy Debord, Ivan Chtcheglov, Asger Jorn, Raoul Vaneigem, Mustapha Khayati (2014). “Situationism: A Compendium”, p.33, Bread and Circuses Publishing

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I have written much less than most people who write; I have drunk much more than most people who drink.

Guy Debord

Writing, People, Drunk

Guy Debord (2004). “Panegyric”, p.29, Verso

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The advertisements during intermissions are the truest reflection of an intermission from life.

Guy Debord

Reflection, Advertisements, Intermission

Guy Debord, Ken Knabb (2003). “Complete cinematic works: scripts, stills, documents”, A K Pr Distribution

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In societies where modern conditions of productions prevail, all of life presents itself as an immense accumulation of spectacles. Everything that was directly lived has moved away into representation. The images detached from every aspect of life fuse in a common stream in which the unity of this life can no longer be re-established. Reality considered partially unfolds, in its own general unity as a pseudo-world apart, an object of mere contemplation . . . The spectacle is not a collection of images, but a social relation among people, mediated by images.

Guy Debord

Reality, People, Unity

Guy Debord (2012). “Society Of The Spectacle”, p.30, Bread and Circuses Publishing

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Ideas improve. The meaning of words participates in the improvement. Plagiarism is necessary. Progress implies it. It embraces an author's phrase, makes use of his expressions, erases a false idea, and replaces it with the right idea.

Guy Debord

Writing, Expression, Ideas

Guy Debord (2012). “Society Of The Spectacle”, p.98, Bread and Circuses Publishing

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An organization must always remember that its objective is not getting
people to listen to speeches by experts, but getting them to speak for
themselves.

Guy Debord

Organization, People, Experts

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Among the small number of things that I have liked and known how to do well, what I have assuredly known how to do best is drink. Even though I have read a lot, I have drunk even more. I have written much less than most people who write; but I have drunk much more than most people who drink.

Guy Debord

Writing, Small Numbers, People

Guy Debord (2004). “Panegyric”, p.29, Verso

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Everyone accepts that there are inevitably little areas of secrecy reserved for specialists; as regards things in general, many believe they are in on the secret.

Guy Debord

Believe, Secret, Littles

"Comments on the Society of the Spectacle". Book by Guy Debord, 1988.

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There is nothing more natural than to consider everything as starting from oneself, chosen as the center of the world; one finds oneself thus capable of condemning the world without even wanting to hear its deceitful chatter.

Guy Debord

Hype, Deceit, World

"Panegyric (Volume 1)". Book by Guy Debord, 1989.

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The Sage of Toronto... spent several decades marveling at the numerous freedoms created by a "global village" instantly and effortlessly accessible to all. Villages, unlike towns, have always been ruled by conformism, isolation, petty surveillance, boredom and repetitive malicious gossip about the same families. Which is a precise enough description of the global spectacle's present vulgarity.

Guy Debord

Gossip, Boredom, Sage

"Comments on the Society of the Spectacle". Book by Guy Debord, 1988.

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In the zone of perdition where my youth went as if to complete its education, one would have said that the portents of an imminent collapse of the whole edifice of civilization had made an appointment.

Guy Debord

Civilization, Youth, Made

"Panegyric (Volume 1)". Book by Guy Debord, 1989.

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Born: December 28, 1931
Died: November 30, 1994
Occupation: Writer
Cite this Page: Citation

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