Most death now happens in hospitals. It's been medicalized. It happens away from where we deal with it directly. And that's a huge change. At the beginning of the 20th century most people died at home. Death was much more common.
Hell is out of fashion --institutional hells at any rate. The populated infernos of the 20th century are more private affairs, the gaps between the bars are the sutures of one's own skull. . .
The fact that women in the home have shut themselves away from the thought and life of the world has done much to retard progress.We fill the world with the children of 20th century A.D. fathers and 20th century B.C. mothers.
In the 20th century, evangelical Christians in America have naively accepted the role assigned to us by an anti-religious, anti-Christian consensus in our society. We have been relegated to a cultural backwater, where we are meant to paddle around content in the knowledge that we are merely allowed to exist.
If I were called upon to identify briefly the principal trait of the entire 20th century... I would be unable to find anything more precise and pithy than to repeat once again: Men have forgotten God.
In the second half of the 20th century, people are becoming more limited: Vocabularies are smaller, thoughts are smaller, aspirations are smaller, everything is very scaled down. Everyone is typecast.
Prior to the early 20th century, for the totality of humankind's existence if they saw something moving, it meant it was there. If they saw a tiger walking, that meant they were near a live tiger. This was entrenched in our subconscious and our unconscious.Then that drastically changed with film and television.
I don't think he'd [Andy Warhol] be that amazed because he was so driven to be the Picasso of the second half of the 20th century.
I was really interested in 20th century communalism and alternative communities, the boom of communes in the 60s and 70s. That led me back to the 19th century. I was shocked to find what I would describe as far more utopian ideas in the 19th century than in the 20th century. Not only were the ideas so extreme, but surprising people were adopting them.
Sacrifice. I'd never been in a position where I was number one on the call sheet, and everything was in my lap. I worked 16 hour days, and I was just not the lead of any film, it was a film about Jesse Owens, one of the greatest heroes of the 20th century. It was a whole new type of responsibility. It was a big weight, and I wanted to do him justice, especially in reviving him after 80 years.
God Bless America started to become an almost ritualistic incantation at the end of political speeches really with Ronald Reagan. It appears occasionally before, but it was not that common. And of course since it was a song that wasn't written by Irving Berlin until the 20th century (laughter), none of the 19th century presidents said God Bless America at the end of speeches, either. I think that the symbolism which suggests that everybody is religious and that even presidents who believe in church and state feel obliged to do this.
It's really the story of a young woman, or two women, growing up in Naples in a poor neighborhood. The way that they get out of it - or don't get out of it - that's part of it. But it's also the story of the mid-20th century in Italy so it's really like a social, historical and personal novel. I think that even though I didn't live in Italy in those years, it did cover that same type of generational upbringing that someone like me might've had in America.
The 20th century was a turning point; it freed and emancipated women, broke the back of segregation, and began the struggle to give justice to gay and lesbian people. But the Christian church, in both Catholic and Protestant forms, resisted every one of those humanizing developments. The church was on the wrong side of all three of those fights.
[Louis Brandeis] at the age of 57 decided to become the head of the American Zionist movement was more influential than anyone else in the 20th century in persuading Woodrow Wilson to recognize a Jewish homeland in Palestine.
I'd signed up not just for Christianity but the established Church of England. That has a particular history and I think we rather lost it in the 19th Century, we became so much part of empire and colonialism, the language of the Church Of England still reflects that Victorian time. As the 20th Century developed, not surprisingly people left the church and I can see the church's role in losing people.
All of my grandparents came to the United States from Italy during the early years of the 20th century. I believe that my grandparents came here to take advantage of the opportunities furnished by a growing country with an open society.
Judge Samuel Alito was born and raised in the great state of New Jersey. Our state has a legacy of producing outstanding jurists, most notably the late William J. Brennan, who ushered in our nation's recommitment to civil rights in the latter half of the 20th century.
For me, the Dennis Wilson story is a quintessential You Must Remember This story because it's one of these stories that people never talk about, don't really think about, and it's forgotten within this major thing that is thought to be this cataclysmic event of the 20th century.
That was Robert Aldrich. And that [Emperor Of The North] was one of the only times I actually got a part in a movie in the conventional way: The role was there, I auditioned, I auditioned again, and then I actually did a full-fledged screen test, which they shot on a soundstage on the lot at 20th Century Fox. They put up a set, and Robert Aldrich actually directed me in this screen test.
Lee Marvin was there at the same time, and I knew obviously it was his movie [Emperor Of The North], and Ernie Borgnine was playing the other part in the movie.I met Marvin there at wardrobe, and he said, "What are you doing for lunch?" I said, "Nothing." He said, "C'mon with me!" And he took me to the commissary. I walked into the commissary with Lee Marvin at 20th Century Fox, and he introduced me to people. He said, "This's Keith Carradine. We're doin' this movie together." He was so cool. I mean, my God.
Perhaps unsurprisingly, there's a paradox here! Kierkegaard's own indirect communication proposes that we start with the experience of those who don't believe and meet them on their own ground. His success in doing this is evidenced by the fact that, at least for some periods of the 20th century, aspects of his work became a major focus for radical thinkers of various kinds, including the non-religious and, interestingly, a significant number of Jewish thinkers (Buber, Rosenzweig, Taubes, and others).
The two explorers are given fictional names. But as in real life, they travel to the Amazon roughly a generation apart, in the early-to-mid 20th century. In the film, they're both guided by Karamakate, as a young man early in the story and later as an old shaman. He and the outsiders share a desire for knowledge - self knowledge and an understanding of the world around them, says the film's co-screenwriter, Jacques Toulemonde.
The Ocaina and many of the other indigenous peoples of the Amazon were nearly wiped out during the rubber boom in the late 19th and early 20th centuries. Outsiders came into the jungle, enslaved the tribes to harvest the rubber and killed those that resisted.
Both the 18th and the early 20th centuries, however, feature brilliant attacks on originality, and it's no doubt one of the hallmarks of romanticism to care about originality and suppose with a sometimes naive spontaneity that it's all that matters.
Many philosophers in the second half of the 20th century really seemed to think that they were laying the foundations for science by laying down the conceptual (necessary) truths.
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