Intensely moving but never sentimental, Academy Street is a profound meditation on what Faulkner called 'the human heart in conflict with itself'. In Tess Lohan, Mary Costello has created one of the most fully realized characters in contemporary fiction. What a marvel of a book.
I think that no matter whether you're Quentin Tarantino or any other kind of a rebel, or whatever, everyone who makes movies still wants to win an Academy Award, because it's like the Pulitzer Prize or the Congressional Medal of Honor.
As you all know by now, this is the 51st annual Academy Awards. Two hours of sparkling entertainment spread out over a four-hour show.
I hope that no one present will suspect me of offering my personal criticism of the Western system to present socialism as an alternative. Having experienced applied socialism in a country where the alternative has been realized, I certainly will not speak for it. The well-known Soviet mathematician Shafarevich, a member of the Soviet Academy of Science, has written a brilliant book under the title Socialism; it is a profound analysis showing that socialism of any type and shade leads to a total destruction of the human spirit and to a leveling of mankind into death.
There's often a distressing disconnect between the good words we speak and the way we live our lives. In personal relations and politics, the mass media, the academy and organized religion, our good words tend to float away even as they leave our lips, ascending to an altitude where they neither reflect nor connect with the human condition. We long for words like love, truth, and justice to become flesh and dwell among us. But in our violent world, it's risky business to wrap our frail flesh around words like those, and we don't like the odds.
There is a strange sort of reasoning in Hollywood that musicals are less worthy of Academy consideration than dramas. It's a form of snobbism, the same sort that perpetuates the idea that drama is more deserving of Awards than comedy.
It's interesting, winning an Academy Award as a young man... life-changing, but I'm just me within that. It's been very helpful for my career, but I'm trying to stay on the path I was on before.
Darwinism is still very much alive, utterly dominating biology. Despite the fact that no one has ever been able to prove the creation of a single distinct species by Darwinist means, Darwinism dominates the academy and the media.
Y Tu Mama Tambien' is one of the first unrated movies to be nominated for an Academy Award for Best Original Screenplay. But many video stores won't take a movie that's not rated, so I had to make the movie an R.
For the last years now I've had my own academy where I train Brazilian Jujitsu and Tae boxing, Muay Thai everyday.
I went to a regular school, not one of those fame academy things.
In the '70s and '80s there was an attempt in K-12 to teach science through art or art through science. The challenge today is how do you build the ethos of art and design into the academy of science.
Don't be pretentious is my first advice to young writers. This is the big problem - just because you're getting an MFA doesn't mean you have to write for the Academy. Be true to your personality. Don't temper your personality down with words. Don't build defensive fortresses around yourself with words - words are your friends.
For my second and third pictures I won Academy Awards. Nothing worse could have happened to me.
For the Humanist, . . . head and heart . . . must function together. . . . The constitution of the Phillips Exeter Academy reads: 'Though goodness without knowledge . . . is weak and feeble, yet knowledge without goodness is dangerous. . . . Both united form the noblest character and lay the surest foundation of usefulness to mankind.'
Nuclear industry proponents often assert that low doses of radiation (eg below 100mSV) produce no ill effects and are therefore safe. But , as the US National Academy of Sciences BEIR VII report has concluded, no dose of radiation is safe, however small, including background radiation; exposure is cumulative and adds to an individual's risk of developing cancer.
The public is the tribunal before which all art is judged - not the critics or the academies. The public is the artist's only patron, and has certain fundamental rights. It will submit to education, and will respond to suggestion, but it will not be bullied.
Man had in the beginning no power of analysis or synthesis approaching that of the spider, or even of the honey-bee; he had acute sensibility to the higher forces. Fire taught him secrets that no other animal could learn; running water probably taught him even more, especially in his first lessons of mechanics; the animals helped to educate him, trusting themselves into his hands merely for the sake of their food, and carrying his burdens or supplying his clothing; the grasses and grains were academies of study.
No academy could have given me all I discovered by getting my teeth into the exhibitions, the shop windows, and the museums of Paris . Beginning with the market - where, for lack of money, I bought only a piece of a long cucumber - the workman in his blue overall, the most ardent followers of Cubism , everything showed a definite feeling for proportion, clarity, an accurate sense of form, of a more painterly kind of painting, even in the canvases of second-rate artists.
Firebugs dragging their gasoline bottles are approaching the Academy of Arts, with a grin. And so, instead of embracing them, let us demand the freedom of the elbow to knock the bottles out of their filthy hands. Even the most blockheaded bureaucrat, provided he loves peace, is a greater lover of the arts than any so-called art-lover who loves the arts of war.
I run an academy in Spain for young footballers who are released by their clubs and who, in my opinion, deserve a second chance. It is a rewarding job for me, but one that also reveals many of the faults in the English game.
I was chomping at the bit to get my career started - so after I took all the theater courses at Brooklyn College I enrolled in a two year program at AMDA in the city (The American Musical Dramatic Academy) I was there for 6 months and loved it.
I should say, a piece of advice that was given to me very early on by the principle of RADA (Royal Academy of Dramatic Art) which is where I went. When he auditioned me, he said, "Your speech, monologue, is fine. It's good. Yeah, I think you have ability but you're making it happen. Don't make it happen, let it happen." And that's a sort of subtle shift I think, as an actor.
Even Arnold's adviser says he was shocked by his decision to run. I mean, his people were backstage that night and they had no idea. He totally fooled them. Who knew Arnold was that good of an actor? If he had done that in a movie, he'd have an Academy Award by now.
As a composer seeking to remain anonymous I am shy of confessing my musical activity. This is intelligible enough. For others it is their chief business, the occupation and aim of life. For me it is a relaxation, a pastime which distracts me from my principal business, my professorship. I love my profession and my science. I love the Academy and my pupils, male and female, because to direct the work of young people, one must be close to them.
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