It's not my goal to be a famous actor.
The most difficult character in comedy is that of the fool, and he must be no simpleton that plays that part.
It's difficult, if not impossible, to get away with anything false before the camera. That instrument penetrates the husk of the actor; it reveals what's truly happening - if anything, if nothing. A close-up demands absolute truth. It's a severe and awesome truth
We become actors without realizing it, and actors without wanting to.
I think most actors like to be liked.
Most actors go, I read the script and fell in love with it; I fall in love with the directors.
I want to try and work in different genres with different types of actors, on small movies and big movies.
I don't like people who use the press to advance themselves in a way that they haven't earned as an actor, performer or director.
Some stars like to hide behind the whole idea of acting. But really good actors are not hiding at all. They're not afraid to be disliked, to be a little unsavory.
What is it about actors? God knows I get bored with actors talking about themselves.
What impresses me is the young actors with terrific talent arriving on the scene. They'd have blown us all away in the old days. Guys like Brad Pitt.
Everyone the world over talks about British actors and British talent and I think thats because we were trained - until now - in theatre.
A storyteller is basically what actors and writers are.
All the world's a stage, and all the men and women merely players: they have their exits and their entrances; and one man in his time plays many parts, his acts being seven ages.
Only one of us would usually sing lead. Which most of the time was, Mickey or Dave. They thought it was perfectly a natural routine, because Mickey and Dave saw themselves as TV actors.
Most good actors have a huge intelligence about the human condition and a real open heart to different kinds of people and behavior.
I love acting, truly my favorite people are actors.
The main factor in any form of creativeness is the life of a human spirit, that of the actor and his part, their joint feelings and subconscious creation.
Many plays - certainly mine - are like blank checks. The actors and directors put their own signatures on them.
Actors in any capacity, artists of any stripe, are inspired by their curiosity, by their desire to explore all quarters of life, in light and in dark, and reflect what they find in their work. Artists instinctively want to reflect humanity, their own and each other's, in all its intermittent virtue and vitality, frailty and fallibility.
An actor is looking for conflict. Conflict is what creates drama. We are taught to avoid trouble [so] actors don't realize they must go looking for it. Plays are written about...the extraordinary, the unusual, the climaxes. The more conflict actors find, the more interesting the performance.
Acting is not about dressing up. Acting is about stripping bare. The whole essence of learning lines is to forget them so you can make them sound like you thought of them that instant.
A man who strains himself on the stage is bound, if he is any good, to strain all the people sitting in the stalls.
As I told you, from the time I was fifteen, I thought the theater was too much involved with actors trying to make the audience love them, being over emotional.
In this country, you have movie actors and theatre actors and television actors
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