Every scene you will ever act begins in the middle, and it is up to you, the actor, to provide what comes before.
They are, as it were, train-bearers in the pageant of life, and hold a glass up to humanity, frailer than itself. We see ourselves at second-hand in them: they show us all that we are, all that we wish to be, and all that we dread to be. What brings the resemblance nearer is, that, as they imitate us, we, in our turn, imitate them. There is no class of society whom so many persons regard with affection as actors.
People told me, when I was coming through the ranks, that a mark of a great actor is one who deals with the period of unemployment as well as they deal with the period of employment
I think actors have a choice of drawing attention to themselves or living on the outskirts.
She runs the gamut of emotions from A to B.
The inner life of the [imagination], and not the personal and tiny experiential resources of the actor, should be elaborated on the stage and shown to the audience. This life is rich and revealing for the audience as well as for the actor himself.
Actor training should be broadly humanistic, involving the study not just of dramatic literature and theatre history, but of languages, literature, and history generally, and should be centered on acting in plays rather than just exercises, improvisations, monologues, or even scenes.
While we look to the dramatist to give romance to realism, we ask of the actor to give realism to romance.
Some actors get fired up by the sound of the audience. I just want to retreat.
A good actor must never be in love with anyone but himself.
There is a need for aloneness... for an actor.
Actors are rogues and vagabonds. Or they ought to be.
From my experience as an actor, choreographer, action director, and producer, I understand the elements and the dynamics of being a film maker.
I try not to have high expectations of people because it just sets you up for disappointment, but it's great to work with actors who are that talented and accomplished.
Is this film more interesting than a documentary of the same actors having lunch?
Theatre, in which actors take on changing roles, has among its many functions the examination of identity. For the individual, theatre is a kind of identity laboratory in which social roles can be examined vicariously.
It was only when I realized how actors have the power to move people that I decided to pursue acting as a career.
Ninety percent of the preparation we do as actors is just jive. It doesn't do anything.
I've been in fights, but that doesn't make me cool or like a tough guy or more interesting actor, I'm not proud of it.
I went to school, majored in theatre, and said 'Mom, I have to choose my own destiny. I want to be an actor.' A couple of weeks after I graduated college I called my mother up and said 'Can I borrow $200?' and she said 'Why don't you act like you've got $200.'
I remember hitting Sarah Michelle Gellar with a right hook during my first week on the job. It was awful. They usually pair actors with stunt doubles to avoid things like that.
I think it's sort of a rite of passage for a British actor to try and get the American accent and have a good crack at doing that.
Those offers come in now and again. They're not knocking down my door. I'm only an old character actor, and I'm not needed.
Compare the cinema with theatre. Both are dramatic arts. Theatre brings actors before a public and every night during the season they re-enact the same drama. Deep in the nature of theatre is a sense of ritual. The cinema, by contrast, transports its audience individually, singly, out of the theatre towards the unknown.
Id just love to have an audience and its the most fun in the world to get a new script every week and have the audience come in, and work with those actors.
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